SAN
FRANCISCO
GENERAL
HOSPITAL
MEDICAL
CENTER
COLLECTION
DOCUMENTS DEPT.
DEC 1 2 1979
SAN FRANCISCO
PUBLIC LIBRARY
A Project of the Art Commission
City & County of San Francisco
Benny Bufano
SAN FRANCISCO
PUBLIC LIBRARY
REFERENCE
BOOK
Not to be taken from the Library
Dedicated to the People of
San Francisco — 1978
GEORGE R. MOSCONE
Mayor 1976 — 1978
I
SAN
FRANCISCO
GENERAL
HOSPITAL
MEDICAL
CENTER
COLLECTION
A Project of the Art Commission,
City & County of San Francisco
Copyright 1978, Art Commission, City & County of San Francisco.
D REF 708.1 Sa52s
San Francisco (Calif,).
Art Commission.
San Francisco General
Hospital Medical Center
C1978.
3 1223 03550 4332
ART COMMISSION,
CITY AND COUNTY OF SAN FRANCISCO
George R. Moscone, Mayor
President
Ray Taliaferro
Vice-President
Alfred Frankenstein
Scott Beach
Blanche Brown
Larry Cannon
Patricia Ann Carlisle
Richard Felciano
Evangeline Montgomery
Jacqueline Nemerovski
Domingo Rivera
Roselyne Swig
Dmitri Vedensky, Jr.
EX-OFFICIO MEMBERS
Mayor George Moscone
Walter Newman
President, Fine Arts Museums
Eugene Friend
President, Rec. & Park Dept.
Maurice Englander
President, Library Comm.
Toby Rosenblatt
President, Planning Comm.
Martin Snipper
Director, Cultural Affairs
V
Preface
We are pleased to note that the City of San Francisco was among the first to recognize
art as an environment enhancing factor. Such recognition requires more than platitudes
and artful posings, and by way of giving concrete form to this consideration, our Mayor
and Board of Supervisors set aside 2% for Art Enrichment of public structures.
Since enacting the Ordinance in 1967, many minor buildings were the beneficiaries
of the legislation, but none to the extent of our new San Francisco General Hospital Med-
ical Center.
The Medical Center allocated 1320,000 for art — which represented 1% of the cost
of construction. The amount, however, was the largest thus far available for a building
and permitted an expanded and inclusive program for art enrichment. The acquisitions
run the full range of artistic media — paintings, watercolors, graphics, sculpture, mosaic,
etc., and the artistic expression exhibits the same gamut.
No one walking the halls, grounds, offices or wards of the Center can fail to be
impressed by the exhilerating climate created by these many works of art. The Center
is a veritable museum of Bay Area art expression, and it is intended that the patients, those
who work at the Center, and those who visit shall all be eased by these works of art.
We owe special thanks to the long efforts and labors of our Commissioners involved
in the project and to Elio Benvenuto, our Director of Visual Arts Programs.
RAY TALIAFERRO
President, Art Commission ,
City and County of San Francisco
VII
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Introduction
One of the internes said the Art Commission had made San Francisco General Hospital
a livable place. Elio Benvenuto and I were looking it over. I was growing more and more
astonished at the vast quantity of art the hospital possesses — more than 600 works in every
conceivable medium : print, painting, sculpture, photograph, drawing, collage — providing
a rich anthology of all the art movements and many of the major personalities in Bay Region
art of recent years. But the interne, of course, was right. A hospital is not a museum,
and the function of art therein is to relieve the starkness of walls, to give bed-ridden
people something to take their minds elsewhere, and to soothe the anxieties of those
who wait.
What was it President Kennedy said? Don't ask what the government can do for you ;
ask what you can do for the government, implying thereby what you can do for us all. I
have always felt that our Art Festival placed too much emphasis on the city's service
to the artists, but the hospital program, an outgrowth of the Art Festival, is one of this
country's outstanding examples of the use of art for the practical enrichment of life.
It reflects our environment and the numerous different environments from which
our vastly diverse population has come. It records customs, traditions, folkways from all
the world, as does the city of San Francisco itself. It mirrors and it heals. It restores art
to its ancient functions at the center of life. There are few achievements in which the Art
Commission and the city as a whole can take equal pride.
IX
the way it was . . .
By Norman J. Sweet, M.D.
Professor of Medicine
The story of the San Francisco General Hospital
must begin with a prologue of the problems of health
and government posed by the rugged, lusty awaken-
ing of the Western Slope and of San Francisco itself.
The quest for a golden fleece, in any form available,
resulted in a sudden, massive population increase.
Basic requirements for an organized society were
barely existent. The vast majority of new inhabitants
were young and vigorous with no thought of illness,
let alone a hospital. The riches they acquired rarely
matched their dreams and when sickness took its toll
they had nowhere to turn.
Health care was a "strange admixture of science and
shamaism, of 'granny medicine' and legitimate phar-
macology, of trained doctor and garrulous quack."
Cholera, tuberculosis, wasting fevers, violence, dis-
eases of pleasure and plague exacted their toll. In
1850, a coroner was appointed and the first mention
of a health officer was made in 1851.
First County Hospital Opens in 1854
The year 1849 brought attempts by a neophyte City
Council to establish a hospital wherein the destitute
could receive proper care. In the interim the Council
twice awarded contracts to private doctors to accom-
plish the task. Both ended in bitter litigation. In
1854, a brick school building, near Stockton and Fran-
cisco streets, became the first independent City Hos-
pital. A series ofwooden shacks followed. An eminent
physician editorialized it as "the old County Hospital,
which packed in, fed, lodged and purged 400 sick
people in a chicken coop occupying a 137 square
foot area."
In 1867, a large almshouse was built near Lake
Honda (the original Laguna Honda Home) . This tem-
porarily relieved the Hospital of its overflowing
boarders. A four-room smallpox hospital was opened
on the almshouse grounds, operated by a matron and
three assistants, who were quarantined and allowed
leave only once or twice a month. This isolation hospi-
tal quickly became known as the Pest House.
Temporary Structures on Potrero Avenue
In 1868, die City legislature appropriated $250,000
for a General Hospital. Actual construction was de-
layed both by politicians and the medical men of the
City. A Medical Society had been formed to set up
standards and to organize medical facilities. Four dif-
ferent groups of doctors had initiated plans for med-
ical schools. All were interested in using the facilities
of the planned County Hospital. In 1872, construc-
tion had been completed on a "temporary" frame
structure at the present Potrero Avenue location. In-
ternships were introduced to the Hospital in 1884,
when six University of California graduates were of-
fered the honor of serving a year for room and board,
but no pay.
By 1890, the Health Officer "regretted to report"
that many patients admitted to the Hospital for a
variety of reasons were contracting tuberculosis while
there. In 1896, he officially damned it as "a refuge for
every known disease, saturated with filth, a place to
contract diseases rather than recover from them, both
for patients and staff.' '
Prominent volunteer physicians of the City voiced
their anger in support of the Department of Public
Health, setting a pattern which persists, in concept, to
this day. In 1891, the first women nurses were added
to the staff to undertake the herculean task of bringing
some sort of surgical cleanliness to the primitive op-
erating theatres.
Dark Days and a New Beginning
Of the four medical schools with teaching privileges
at the Hospital only two were to survive : the Univer-
sity of California and Stanford. They brought a rich
medical heritage and provided a source of well trained
physicians for the City as a whole.
Although the turn of the Century was a dark time in
the City's medical history, because of the boom in
industry and agriculture San Francisco harbored the
greatest wealth and the finest cultutal and educational
faciUties in California. Time was closing in on the
notorious Ruef political machine which had domi-
nated the City dishonestly for years. The days of the
original County Hospital (which had sur\ived the
1906 earthquake) were numbered. Its finale occurred
in 1908 when the second epidemic of plague was
traced to rats trapped in the Hospital. The Hospital
was immediately closed, and after rapid improvisa-
tion, the sickest patients were moved to the old Ingle-
side Jockey Club race track. The patients were bedded
in the stalls ; operating rooms and other facilities were
set up in the grandstands.
In April 1908, gasoline was poured over the old
buildings on Potrero Avenue and they were burned
to the ground.
In 1909, the cornerstone was laid for a new Count>-
Hospital, dedicated in 1915. The beautiful red brick
buildings housed one of the most modern hospitals in
the country, gave the medical staff the opportunit>- to
do excellent work, and attracted outstanding physi-
cians and housestaff .
In 1920, the psychiatric division was erected adjoin-
ing the Hospital and in 1928. a fifth floorwas added to
the Hospital along with a new tuberculosis division.
By 1930, the Hospital had a volunteer physician staff
of 150, a faculty staff from UC and Stanford, and a
housestaff of 70 carefully selected young ph^-sicians.
XI
An $11,000,000 Bond Issue approved by the voters
in 1954 provided needed renovations at San Francisco
General and Laguna Honda hospitals.
Forging the UC-City Contract
By the mid-forties another major crisis was simmer-
ing for the newly named San Francisco General Hospi-
tal. Tremendous advances in scientific medicine had
left the Hospital in the backwash in terms of methods,
equipment and personnel. The intern class of 1955
defined this state of affairs in a memorable white
paper. A collaborative effort between the City and
County government and the two universities was
begun, and this ultimately led to the signing of a
formal contract between UC and the City, in 1959-
In 1958, the President of Stanford had announced
the plan to transfer Stanford Medical School to Palo
Alto, thus ending a proud era in San Francisco. But
with the assurance of the contract defining the respon-
sibilities and privileges of the City and the University
of California, the gap was quickly closed.
The UC medical staff at the Hospital increased to
120 full-time faculty members together with a dedi-
cated volunteer faculty of 469 ■
The Hospital's house staff training program con-
tinued to attract some of the best qualified applicants
in the United States. The role of the Hospital changed
from that of a chronic care facility to an acute care
institution, acclaimed for the excellence of its medical
and surgical services, for pioneering University-sup-
ported research, and for an innovative Division of
Outpatient and Community Services, increasingly
attuned to urban health care needs.
Over the years, capable and dedicated physicians
have worked hand in hand with great men in Public
Health in the struggle for a common goal. Together
they nurtured the intangible syndrome known as "the
San Francisco County spirit."
This spirit glows brightly today as we leave the
beloved "pile of bricks" and enter a new era for San
Francisco General Hospital . . . "the hospital of un-
limited impossibilities where the impossible be-
comes possible."
(Originally published in the July, 1976, Commemorative
Issue of SFGH News. The Author expresses his apprecia-
tion to Jack Irvine, M.D., whose professionally researched
"Brief History of the San Francisco General Hospital" pro-
vided both data and inspiration for this article.)
XII
The Architectural Design
of San Francisco Medical Center
In designing the new Medical Center for the City and
County of San Francicso, the Architects set as their
conscious goal the creation of the most humane and
pleasant environment possible for patients, their fam-
ilies and friends, and medical and support staff work-
ing within the building. An efficient and economic
design, responsive to future growth and change, was,
of course, a primary requirement. But the emotional
and psychological needs of the users, although more
difficult to "specify," were considered of equal im-
portance by the designers.
Although the new facility is a very large structure,
the Architects endeavored to reduce its visual bulk by
keeping the height as low as possible and by treating
the form, not as a monolith, but as a sculptural expres-
sion of the internal functional requirements and
human needs. A low profile was desired both to pre-
serve the views of Potrero Hill dwellers as well as to
enable the new building to co-exist comfortably with
the older buildings which will remain on the site.
Because of the manner in which the mass is shaped and
variations in the design of sun-control elements, the
building's image changes in subtle ways according to
the season and time of day.
The Architects and their landscape design con-
sultants, Sasaki /Walker Associates, considered it to be
of paramount importance that the new building take
its place gracefully in the essentially residential neigh-
borhood around it. The placement of the building
and the organization of vehicular circulation per-
mitted the development of a landscaped setting which
is rare for urban hospitals. The Medical Center thus
presents to the community a new park where none
existed before.
The designers sought to create within the building a
sense of light and freshness wherever possible. This is
achieved by providing outlook and access to land-
scaped courts and terraces at various levels and
through the design and selection of finish materials
and colors. The extensive use of decorative graphics
and other works of art throughout contribute much to
the attempt to "de-institutionalize" the interior.
Clark A. Davis, AIA
Stone, Marraccini and Patterson
Architects and Planners
San Francisco, California
XIII
Gloria Cozzo Adams
Born San Francisco, California, 1923. Studied: University
of California Extension (with Fred Reichman); self-taught.
Awards : Purchase Award, Annual San Francisco Arts Festi-
val, 1971 ; Purchase Award, Home Savings & Loan Associa-
tion, Beverly Hills (in conjunction with the San Francisco
Annual Arts Festival), 1971 ; First Award, Members' Show,
Sarasota, Florida, 1973; Best of Show, Longboat Key Art
Association, Sarasota, Florida, 1974; Purchase Award, San
Francisco International Airport (under San Francisco City and
County's "2% for Art Enrichment Program"), 1977. One-
woman exhibitions: University of California, San Francisco
(Moffitt Hospital), 1969; Bank of America Center, San Fran-
cisco, 1973; Wells Fargo Bank, Main Office, San Francisco,
1974; Art League of Manatee County, Florida, 1975 ; Sara-
sota Theatre, Florida, 1975. Public collections: City and
County of San Francisco; Arvida Corporation, Florida; City
of Concord, California; Home Savings and Loan Association,
Beverly Hills. Resides San Francisco, California.
1. Gloria Cozzo Adams; THE CITY, 1976; acrylic atid ink, 30x 36'
Location: 2-Con/erence Room I.
Sister Adele
Born Bedford, Massachusetts, 1915. Studied: University of
Southern California, B.A., M.A. ; University of California,
Berkeley, Ph.D. Studied photography in Carmel with Ansel
Adams and Jerry Uelsmann. Selected one-woman exhibi-
tions: II Diaframma, Milan, Italy, 1974; Villa Schifanoia,
Florence, Italy, 1974; Focus Gallery, San Francisco, 1975;
California Museum of Science and Industry, Los Angeles,
1975 ; San Jose Museum of Art, 1977 ; Louis Newman Gal-
leries, Bonaventure Hotel, Los Angeles, 1977. Selected
group exhibitions : "First Light" (national photography com-
petition), Humboldt State University, Areata, 1975; "Cur-
rent Photographers," Comsky Gallery, Beverly Hills, 1975 ;
International Juried Exhibition, Friends of Photography Gal-
lery, Carmel, 1975; "All Media Art Competition" Assist-
ance League of Houston, Texas, 1976; San Francisco Art
Commission Gallery, "Capricorn Asunder," 1976. Public
collections: BibliothequeNationale, Paris, France; The Oak-
land Museum; Library of Congress, Washington, D.C. ;
United Aircraft, Hartford, Connecticut; Crocker National
Bank, San Francisco; ITEL, Palo Alto; Harrah's, Lake
Tahoe, California. Resides San Rafael, California. Currently
Artist-in-Residence at Dominican College, San Rafael.
I. Sister Adele; INTRIGUE. 1973; color photomonuig*. iy*xl9'
Location: 2-Ca/eteria.
1
6. William Aiken; MILTON ST, 1977; acrylic on canvas, 48 x 48 '!
Location : 2-AL
William Aiken
Born Pittsburg, Pennsylvania, 1934. Came to California in
1959. Studied: Carnegie- Mellon University, Pittsburg. Se-
lected awards: Purchase Award, Annual San Francisco Arts
Festival, I960, 1961, 1963; Gold Medal of Honor, Tubac,
Arizona, 1964, 1965; Purchase Award, De Saisset Art Gal-
lery, University of Santa Clara, 1967. Three- man exhibition:
San Francisco Art Commission Gallery, "Capricorn Asun-
der," 1978. Group exhibitions : "Paintings U.S.A.," Museum
of Modern Art, New York, 1962; Annual Painting Exhibi-
tion, New Mexico Art League, 1974; "Mainstreams
U.S.A.," Marietta College, Ohio, 1971, 1972, 1974; An-
nual Small Drawing and Sculpture Exhibition, Ball State Uni-
versity, Muncie, Indiana, 1975; Annual Exhibition, Allied
Artists of America, New York, 1974; Annual Exhibition,
Butlerlnstituteof American Art, 1974, 1975; 19th Annual
Sun Carnival Exhibition, El Paso Museum of Art, Texas,
1976. Public collections include: Carnegie-Mellon Univer-
sity, Pittsburg; University of Santa Clara; Kaiser Steel Corpo-
ration, Oakland; Shacklee Corporation, Emeryville; Amer-
ican Broadcasting Company, Washington, D.C. ; Three Em-
barcadero Center. Resides San Francisco, California.
7. john Almond, HOUSE AND TANK, 1976; watercolor, 26Vix 18Vi '.'
Location : Main Lobby.
John Almond
Born Harpenden, Herts., England, 1939. Came to California
in 1948. Studied: San Jose State University, B.A., 1962; San
Francisco State University, M.A., 1968. Awards: Award of
Merit, Annual San Francisco Arts Festival, 1970. One-man
exhibitions: Unicorn Gallery, San Francisco, 1970; Graphics
Gallery, San Francisco, 1971 ; San Jose State University,
1971 ; Xergo Gallery, Oakland, 1974. Group exhibitions in-
clude: Unicorn Gallery, San Francisco, 1968-1971; Annual
San Francisco Arts Festival, 1968-1977; "Five New Paint-
ers" and "West Coast Skyscapes," California College of Arts
and Crafts, Oakland, 1969; National Drawing Exhibition,
San Francisco Museum of Art, 1970; "Acid Painters of San
Francisco," Richmond Art Center, 1970; "Looking West
1970," Joslyn Art Museum, Omaha; "Saturnalia ," San Fran-
cisco Art Commission Gallery, "Capricorn Asunder," 1970;
San Francisco Art Institute Centennial Exhibition, San Fran-
cisco Museum of Art, 1971; "Poetic Fantasy," San Francisco
Museum of Art, 1971 ; The Oakland Museum, 1971 ; "Un-
usual Objects," San Francisco Art Commission Gallery,
"Capricorn Asunder," 1972 ; "Imaginary Painting from San
Francisco," Union Gallery, San Jose State University, 1973 ;
"Rainbow Show," California Palace of the Legion of Honor,
San Francisco, 1975. Public collections include: The Oak-
land Museum. Resides San Francisco, California.
I
2
Lawrence Andrews
Born Trinidad, West Indies, 1949. Came to California in
1973. Studied: San Francisco Art Institute (Ansel Adams
Workshop), B.F.A. Awards: Group Merit Award (San Fran-
cisco Urban Environmentalists), Annual San Francisco Arts
Festival, 1976. Group exhibitions: Annual San Francisco
Arts Festival, 1976; San Francisco Art Institute, 1976; "1st
Annual 3rd World Arts Festival," Sonoma State CoUege,
1976. Resides San Francisco, California.
Ruth Asawa
Born Norwalk, California, 1926. Studied: Black Mountain
College, North Carolina, 1946-1949. Awards include: Fel-
lowship Award, Tamarind Lithography Workshop, 1965;
Artist-in-Residence Grant, San Francisco Foundation, 1973-
1974; Fine Arts Gold Medal, American Institute of Archi-
tecture, 1974; Honorary Doctorate Degree, California Col-
lege of Arts and Crafts, 1974. Selected appointments: San
Francisco Art Commission, 1968-1976; RISE Commission
(Reform Intermediate & Secondary Education), California
Department of Education, 1974; Artists in Schools Panel,
National Endowment for the Arts, 1974; Alternative in Ed-
ucation Panel, National Endowment for the Arts, 1976; Task
Force on Education, Training and Development of Profes-
sional Artists and Arts Educators, National Endowment for
the Arts, 1977-1978; Task Panel on the Role of die Arts in
Therapy and Environment, President's Commission on
Mental Health, 1977-1978. Selected one-woman exhibi-
tions: Design Research, Cambridge, Massachusetts, 1953;
Peridot Gallery, New York, 1954, 1956, 1958; M.H. de
Young Memorial Museum, San Francisco, I960; Pasadena
Museum of Art (now, Norton Simon Museum of Art at Pasa-
dena), 1965; San Francisco Museum of Art, 1973; Baxter
Gallery, California Institute of Technology, Pasadena, 1973;
San Francisco Art Commission Gallery, "Capricorn Asun-
der," 1976. Two-person exhibition: Fresno Arts Center,
1978. Selected public commissions : fountain, Fox Plaza, San
Francisco, 1965; fountain, Ghirardelli Square, San Fran-
cisco, 1966 ; sculpture for Civic Plaza pool. City of Phoenix,
Arizona, 1971 ; cast bronze fountain, Hyatt at Union
Square, San Francisco, 1970; cast bronze sculpture, E.J. de
Bartolo Corporation, Mission Viejo Mall, California, 1978.
Public collections: Museum of Modern Art, New York;
Whitney Museum of American Art, New York; The Oak-
land Museum; Williams College, Massachusetts; City and
County of San Francisco. Resides San Francisco, California.
Lawrence Andrews, OLD WOMAN, 1976; black and white photograph ;
19^ 14^/2 ". Location: 2-Cafeteria.
9. Ruth Asawa, UNTITLED TIED WIRE SCULPTURE, 1965; copper and
bronze, 32x 30x 10". Location: l-Emergerwy Waiting Room.
3
Dennis Beall
Born Chickasha, Oklahoma, 1929. Came to California in
1953. Studied: San Francisco State Universtiy, B.A., M.A.,
1958. Curator, Achenbach Foundation for Graphic Arts,
California Palace of the Legion of Honor, San Francisco,
1958-1965. Recipient of numerous honors, purchase prizes
and commissioned print editions. First one-man exhibition at
EastAVest Gallery, San Francisco, 1957. Since 1957, work
has been shown in over one hundred and ninety competitive
and invitational group exhibitions nationally and interna-
tionally, and over twenty-five one-man exhibitions. Selected
public collections include: Library of Congress, Washington,
D.C. ; Victoria and Albert Museum, London; The Oakland
Museum; San Francisco Museum of Modern Art; Achen-
bach Foundation for Graphic Arts, California Palace of the
Legion of Honor, San Francisco ; City and County of San Fran-
cisco; Philadelphia Museum; Museum of Modern Art, New
York; United States Embassy Collections (including Tokyo,
London) ; United States Information Agency Collection (tour-
ing exhibitions); numerous University and College collec-
tions. Resides Sausalito, CaHfornia. Currently Professor of
Art, San Francisco State University.
10. Dennis Beall: ARS MEDICUS, 1974; etching and silkscreen (ed. 20),
22-1/8 X 22". Location: land throughout Medical Center.
11. Bruce Beasley: UNTITLED. 1978: cast acrylic, 50x lOOx 36".
Location : Fountain Centerpiece in front of Main Entrance.
Bruce Beasley
Born Los Angeles, California, 1939. Studied: Dartmouth
College, New Hampshire, 1957-59; University of California,
Berkeley, B. A., 1962. Selected one-man exhibitions: Everett
Ellin Gallery, Los Angeles, 1963; Kornblee Gallery, New
York, 1964; Hansen Gallery (now Hansen-FuUer Gallery),
San Francisco, 1965; David Stuart Gallery, Los Angeles,
1966; Andre Emmerich Gallery, New York, 1971; M.H. de
Young Memorial Museum, San Francisco, 1972; Santa
Barbara Museum of Art, 1973; Fine Arts Gallery of San
Diego, 1973. Selected group exhibitions: "Art of Assem-
blage," Museum of Modern Art, New York, 1961 ; San Fran-
cisco Art Institute Annuals, San Francisco Museum of Art,
1961, 1963, 1966; "Biennale de Paris," Musee d'Art
Moderne, Paris, 1963; "Selected Acqusitions," Solomon R.
Guggenheim Museum, New York, 1966; "Contemporary
American Painting and Sculpture," Krannert Art Museum,
University of Illinois, 1969, 1974; Osaka World's Fair,
Japan, 1970; "Salon de Mai," Musee d'Art Moderne, Paris,
1973 ; "Public Sculpture/Urban Environment," The Oakland
Museum, 1975. Public collections include: State of Califor-
nia; University Art Museum, Berkeley; Los Angeles County
Museum of Art; University of California, Los Angeles; The
Oakland Museum; Museum of Modern Art, New York;
Solomon R. Guggenheim Museum, New York; Wichita Art
Museum, Kansas; University of Kansas Museum of Art,
Lawrence; Santa Barbara Museum of Art; City of Eugene,
Oregon; National Collection of Fine Arts, Wasfiington,
D.C; Musee d'Art Moderne, Paris. Resides Oakland,
California.
4
Cleveland Bellow
Born San Francisco, California, 1946. Studied: California
College of Arts and Crafts, Oakland, B.F.A., 1969; M.A.,
1971; California Community College Credential, 1972.
Awards: Bank of America Achievement Award, California,
1965; Purchase Award, City of Pleasant Hill, 1969; Pur-
chase Award, San Francisco Annual Arts Festival, 1970,
1973; Permanent Pigments Award, California College of
Arts and Crafts, Oakland, 1972; Mural Commission, "Por-
table Murals," San Francisco Museum of Art, 1973; ap-
pointed Art Commissioner, Alameda County Art Commis-
sion, 1978. One-man exhibitions: Mt. Hood Community
College, Oregon, 1973; Studio Museum, New York, 1976.
Three-man exhibitions: "Back to Back" (with Joe Geran
and Christopher Gonzalez), San Francisco Art Commis-
sion Gallery, "Capricorn Asunder," 1974; "Cleveland
Bellow, Marva Cremer, Dewey Grumpier," San Francisco
Museum of Modern Art, 1977. Selected group exhibitions:
"The Arrested Image," The Oakland Museum, 1970; "Di-
mensions of Black," La JoUa Museum of Contemporary Art,
1970 ; "Black American Artist" (traveling exhibition) ,
Lobby Gallery, Illinois Bell Telephone, Chicago, 1971 ;
"Oversize Prints," Whitney Museum of American Art, New
York, 1971; "West Coast '74— The Black Image," E.B.
Crocker Art Gallery, Sacramento (traveling exhibition),
1974; "Other Sources : An American Essay," San Francisco
Art Institute, 1976; International Group Show, Lagos, Nige-
ria, 1977. Public collections: The Oakland Museum; City
and County of San Francisco; California College of Arts and
Crafts, Oakland; Johnson Publishing Company, Chicago;
University of Alabama, Tuscaloosa; Achenbach Foundation
for Graphic Arts, California Palace of the Legion of Honor,
San Francisco; Oakland Public Schools. Resides Oakland,
California.
12. Cleveland Bellow: THE CONTINUATION OF A CULTURE IS
REFLECTED IN ITS ARTS. 1974. color etching (ed 20). 24 x 20--
Location : 1 -and throughout Medical Center.
Pauline Blanc
Bom Portage, Washington, 1914. Came to Cali-
fornia in 1935. Studied: California College of Arts
and Crafts, Oakland, 1935-1939; Academie
Julian, Paris, 1974; San Francisco Art Institute
(with Dorr Bothwell); classes with Dong King-
man, Richard Yip, George Post. Awards: Pur-
chase Award, Annual San Francisco Arts Festival,
1965 ; Merit Award, "San Francisco Women Art-
ists Graphics Show," Crown Zellerbach Building,
San Francisco, 1976. Selected exhibitions: Max-
well Galleries, San Francisco, 1962; Coatra Costa
County Public Library, Kensington, California,
1962; Torrance Gallery, San Anselmo, 1968;
University of California Hospital, San Francisco,
1972; Hartford Building, San Francisco, 1973;
The Pantechnicon, San Francisco; City of Paris,
Rotunda Gallery, San Francisco, 1974; Livingston
Brothers, San Francisco, 1976. Public collection :
City and County of San Francisco. Resides San
li. Pauline Blanc: CHINATOWN. 1976: waurcolor. 14' ix22 -
Location ■ 2- A Hallway.
5
Todor Bodurov
BornPlovia, Bulgaria, 1937. Came to California in 1964. Studied:
Sofia Polytechnic, Bulgaria, M.S. in Electrical Engineering, I960;
University of California, Berkeley, M. A. in Physics, 1972 ; no for-
mal schooling in art. Award: Society of Western Artists, Hall of
Flowers, Golden Gate Park, San Francisco, 1976. One-man exhi-
bitions : Art and Frames Unlimited, Town & Country Village, Sun-
nyvale, 1977; Bank of America, Market & Powell Branch, San
Francisco, 1977. Group exhibitions: "7th Annual San Jose Art
League Regional Art Competition," San Jose Museum of Art, 1976;
exhibited with the Society of Western Artists. Resides Sunnyvale,
California.
14. Todor Bodurov
THE FOREST II* watercolor, 30 x 40"
No photograph available
Frederick Brayman
Born Seattle, Washington, 1943. Came to California in 1949.
Studied; San Francisco Art Institute. Awards: Purchase
Award, National Museum of Modern Art, Tokyo, 1970; Pur-
chase Award, Annual San Francisco Arts Festival, 1972;
Award of Merit (watercolorists), National Gallery of Art,
Washington, D.C. One-man exhibition: Unicorn Gallery, San
Francisco, 1970. Group exhibitions: New Mission Gallery,
San Francisco, 1964; Batman Gallery, San Francisco, 1966;
Unicorn Gallery, San Francisco, 1970; "Saturn & Co.," San
Francisco Art Commission Gallery, "Capricorn Asunder,"
1970; Tokyo Museum of Art, Japan, 1972; Galeria Imperial,
Florence, Italy, 1972; Annual San Francisco Arts Festival,
1972 ; "Rainbow Show," San Francisco Art Commission Gal-
lery, "Capricorn Asunder," 1975; "Archetypical Images,"
Walnut Creek Civic Arts Gallery, 1976; "Whitney Counter-
weight Show," Rabinowitch Gallery, New York, 1977. Public
collections: Home Savings and Loan Association, Beverly
Hills; National Museum of Modern Art, Tokyo; City and
County of San Francisco. Resides Berkeley, California.
16. Frederick Brayman
LOOSENDER 'S LOST SUMMER WEEKENDS.
oil: 58 X 114' 2"
Location Out Patient Lobby
1976
6
17. Don Brodeur; PATIENT CARE TEAM, 1977; oil on canvas, 60 x 80 ','
Location : Main Lobby.
Donald Brodeur
Born Newton, Massachusetts, 1935. Came to California in 1971.
Studied: Chicago Art Institute, 1950; Minneapolis College of Art &
Design, 1954-1955; University of North Carolina, Greensboro,
1957-1958; School of Visual Arts, New York City, 1967-1968;
studied with George P. Arnold, Greensboro, N.C., 1956-1960;
Herb Kallem, New York City, 1968-1969; Elio Benvenuto, San
Francisco, 1975-1976. Awards: Maude Lathem Cup in painting,
Greensboro Artists League, North Carolina, 1959; Clio Award
in television production, 1970; Andy Award in advertising
graphics. New York City, 1970.
One-man exhibitions: Witherspoon Gallen,-, University Nonh
Carolina at Greensboro, 1959; Artist's Associates Gallen-, Atlanu.
Georgia, 1965; The Vincent Price Coileaion, Sears Roebuck and
Company Gallery, Los Angeles. 1966 ; Graphic Arts Workshop, San
Francisco, 1976. Group exhibitions: University of South Carolina.
Columbia, 1958; Mint Museum of Fine An. Charkxte. North
Carolina, 1963; Atlanta Arts Festival, Georgia, 1%5; "Third An-
nual Fxhibition," 63 Bluxome St. Gallery, San Franosco, 1975;
"Black & White — A Drawing Show," San Francisco Art Commis-
sion Gallery, "Capricorn Asunder," 1976. Public coUections:
McCann Erickson Inc., Atlanta, Georgia. Resides San Francisco,
California.
7
David Phillip Bradford
Born Chicago, Illinois, 1937. Came to California in 1965. Studied
with Charles White, Los Angeles, 1967; University of California,
Berkeley, M.A., 1970. Selected group exhibitions: "The 60's!
Where it Was," Quay Gallery, San Francisco, 1970; "American
Painting 1970," Virginia Museum of Fine Arts, Richmond, 1970;
"New Perspectives in Black Art," The Oakland Museum, 1971 ;
Los Angeles County Museum of Art, 1972; Studio Museum,
New York, 1972, 1977; "Directions in Afro- American Art,"
Cornell University, Ithaca, New York, 1974; World's Fair, Spo-
kane, Washington, 1974; Festac, Lagos, Nigeria, 1977. Public
collections : The Oakland Museum. Resides Berkeley, California.
15. David Bradford
UNTITLED. 1978
charcoal on paper; 22 x 19"
Location: 2- A 19
Joan Brown
Born San Francisco, California, 1938. Studied: San Francisco Art
Institute, B.F. A. , M.F A. Awards : Adaline Kent Award, San Fran-
cisco Art Institute, 1973; Guggenheim Fellowship, 1977. One-
woman exhibitions: Staempfli Gallery, New York, I960, 1961,
1964; Primus-Stuart Galleries, Los Angeles, 1961, 1962; Sacra-
mento State College Art Gallery, 1970; San Francisco Museum of
Art, 1971; San Francisco Art Institute, 1973; University Art
Museum, Berkeley, 1974 (12-year retrospective); Charles Campbell
Gallery, San Francisco, 1974, 1975; Allan Frumkin Gallery, New
York, 1974, 1976; Allan Frumkin Gallery, Chicago, 1975, 1977;
Re: Vision, Santa Monica, California, 1976; Hansen-Fuller Gal-
lery, San Francisco, 1976. Selected group exhibitions: "San Fran-
cisco Art Institute Centennial Exhibition," San Francisco Museum
of Art, 1971; "New Drawings: Elmer Bischoff, Joan Brown,
Gordon Cook, George Lloyd," Charles Campbell Gallery, San Fran-
cisco, 1973; "Painting and Sculpture in California: The Modern
Era," San Francisco Museum of Modern Art (traveling exhibition),
1976; "Representations of America," The Fine Arts Museums of
San Francisco and the Metropolitan Museum, New York (traveling
exhibition), 1977. Selected public collections: University Art
Museum, Berkeley, California; University of Colorado, Boulder;
Los Angeles County Museum of Art; E.B. Crocker Art Gallery,
Sacramento; Museum of Modern Art, New York; Whitney Mu-
seum of American Art, New York; Albright-Knox Art Gallery,
Buffalo; American Federation of Arts, New York; Hirshhorn Col-
lection, Greenwich, Connecticut. Resides San Francisco, Califor-
nia. Currently teaching at the University of California, Berkeley.
18. Joan Brown ; NUDE IN STUDIO, 1975; acrylic on paper, 36 x 24 '■'
Location: 2- A 7.
8
Kathan Br own
. v.-
Kdthan Broutt
DOG RVS'MNG. 1972
color etching (eJ 20), 24* *x .U "
Location I -and tfnoughoul MeJiCiil Ctmltr
Born New York City, 1935. Came to California in 1959. Studied:
Antioch College, Ohio, B. A. ; California College of Arts and Crafts,
Oakland, M.F.A. ; Central School of Arts and Crafts, London;
studied privately with Oskar Kokoschka. Taught : San Francisco Art
Institute, 1966-1974. Awards: California Society of Etchers ; Pur-
chase Award, Library of Congress National Print Exhibition; Com-
missioned Edition, International Graphic Arts Society; Print-
makers' Grant, National Endowment for the Arts, 1976. Group
exhibitions include : Exchange Exhibition with Russia, United States
Information Agency, 1972; "California Prints," Museum o( Mod
ern Art, New York, 1975. Public collections include: Museum ol
Modern Art, New York; Library of Congress, Washington. DC;
Free Library of Philadelphia; Achenbach Foundation for Graphic
Arts, California Palace of the Legion of Honor. San Francisco; The
Oakland Museum. Resides Berkeley, California. Owns and operates
Crown Point Press, Oakland.
Selma Brown
Born Chicago, Illinois, 1935. Came to California in 1967. Studied:
Mexico City College; University of Illinois, Urbana; Art Institute
of Chicago. Awards: Mural Workshop Grant (at Dudley Stone
School), Alvarado Art Workshop, San Francisco; Federal Revenue
Sharing Monies Grant (augmented with funding from Mr. Harold
Zellerbach), San Francisco Mural Projea, 1975. Group exhibition:
Annual San Francisco Arts Festival. 1974. Murals: "Rainbow
People" (1434 Haight Street). Haight-Ashbury MuraiisLs. San
Francisco; "Come Together" (Park Branch Libran. ), San Francisco
Art Commission Public Mural Project. 1975. Resides San Fran-
cisco, California.
20. Selma Brown; CHILDREN'S MURAL {left side). 1977; acrylic on wood. 51 x 12b location: 6-MMr
9
21. Beniamino Bufano
MADONNA
red granite and mosaic
104 x 30 x 23"
{set on concrete pedestal
36 ' ' high)
Location : Facing 22nd Street
Approach to Medical Center
Beniamino Bufano
Born San Fale, Italy, 1898. Came to Cali-
fornia in 1915. Studied: Art Students'
League, New York, 19131915. Traveled
in Europe and China, 1916-1921. Died
San Francisco, 1970. First one-man exhi-
bition held at Arden Galleries, New York,
1925. Subsequent one-man exhibitions
include: San Francisco Museum of Art,
1935, 1936, 1937; California Academy of
Sciences, San Francisco, 1974. Group ex-
hibitions: "Salon d'Automne," Paris,
France, 1927 ; "California Art Today,"
Golden Gate International Exposition, San
Francisco, 1940; "Public Sculpture/
Urban Environment," The Oakland Mu-
seum, 1974. Selected public works : Sculp-
ture of Dr. Sun Yat-Sen, commissioned by
the Northern California Art Project of the
W.P.A., 1937, placed in St. Mary's Square,
San Francisco, 1938; PEACE, created for
the Golden Gate International Exposition
in 1939, placed at the San Francisco Inter-
national Airport in 1958; ST. FRANCIS
DE LA VARENNE, created in 1939,
placed at the International Longshore-
man's Hall, San Francisco in 1962; ST.
FRANCIS OF THE GUNS, commis-
sioned by San Francisco Mayor Joseph
Alioto in 1968, placed at City College of
San Francisco in 1977.
Francisco Xavier Camplis
Born San Francisco, California, 1934.
Studied: San Francisco Art Institute; Stan-
ford University (graduate work in filmmak-
ing); studied with Charles Griffin Farr,
Esteban Villa, Ralph McNeil, Rupert
Garcia, Joan Brown, Gerald Gooch. One
of the founding members of Galeria de la
Raza, San Francisco. Exhibitions: Annual
San Francisco Arts Festivals, 1968-1976;
"M.I.X. Graphics: Drawings," San Fran-
cisco Museum of Art, 1974; Chicano
Artist Exhibition, Governor's Office, Cali-
fornia State Capitol, Sacramento, 1975;
"Chicanarte," Barnsdall Museum, Los
Angeles, 1975; San Mateo Arts Council
shows, Daly City and Redwood City Civic
Centers, 1977. Resides Daly City,
California.
22. Francisco Xavier Camplis , AMORENA AMORINDIA. 1976; color photograph. 13' 2 x 19' 2 '
Location: 2- Cafeteria
10
Arthur Carraway
Born Fort Worth, Texas, 1925. Came to California in 1945.
Studied: Academy of Art College, San Francisco, California,
1947-1950; California School of Fine Arts (now San Fran-
cisco Art Institute), 1950-1953; Institute of African Studies,
University of Ghana, Legon, 1971-1972; University of Cali-
fornia Extension, Berkeley and San Francisco, 1973-1974.
Awards: Future Leader in the Arts Nomination, Committee
for San Francisco Future, 1953 ; Purchase Prize and Best in
Show (painting), "New Perspectives in Black Art," The Oak-
land Museum, 1968; Purchase Award, San Francisco Inter-
national Airport (under San Francisco City and County's "2%
for Art Enrichment" Program), 1977. One-man exhibitions:
E.B. Crocker Art Gallery, Sacramento, 1958 ; San Francisco
Main Office Gallery, Bank of America World Headquarters,
San Francisco (retrospective), 1972. Two-man exhibition
(with Clare Struble), San Francisco Art Commission Gallery,
"Capricorn Asunder," 1975. Selected group exhibitions:
"Dimensions in Black," La JoUa Museum of Contemporary
Art, 1970; "Blacks U.S.A. 1973," The New York Cultural
Center, 1973; "Art Department Faculty Exhibition," Contra
Costa College Library, San Pablo, 1974; "Directions in Afro-
American Art," Herbert F. Johnson Museum of Art, Cornell
University, Ithaca, N.Y., 1974; "Exhibit XIX— The Black
Woman," Rainbow Sign Gallery, Berkeley, 1975 ; "20th Cen-
tury Black Artist," San Jose Museum of Art, 1976. Public
collections: Kohler Company, San Francisco; The Oakland
Museum; Los Angeles County Museum of Art; African-
American Historical Society, San Francisco ; Cornell Univer-
sity, Ithaca, N.Y. ; Ghana Museum and Monuments, West
Africa; Federal Government of Nigeria, West Africa. Re-
sides San Francisco, California. Currently teaching at San
Francisco State University.
23. Arthur Carraway. LANGUAGE SERIES XIV. 1974; gouacht <mJ comu
on paper, 26V2x20". Location: 2-Administration.
Rolando Castellon
Born Managua, Nicaragua, 1937. Came to California in
1956. No formal schooling in art. Awards: Nicaragua Na-
tional Prize, 1st Biennal of Central American Painting, San
Jose de Costa Rica, 1971. One-man exhibitions: Galeria
Praxis, Nicaragua, 1970; Galeria de la Raza, San Francisco,
1972; MarquoitGalleries, San Francisco, 1973-1975;
Galeria Heino Heiden, Lubeck, West Germany, 1976;
Galeria Tague, Managua, Nicaragua, 1977; O.A.S., Wash-
ington, D.C., 1977; Sala Jorge Debravo, San Jose de Costa
Rica, 1977. Group exhibitions: "Artistas de la Raza," The
Oakland Museum, 1970; "Primera Bienal de Pintura Cen-
troamericana," San Jose de Costa Rica, 1971 ; "Three Latin-
American Artists," San Francisco Art Commission Gallery,
"Capricorn Asunder," 1971; "Drawings U.S.A.," Minne-
sota Museum of Art, St. Paul, Minnesota, 1973; "Arte
Actual de Iberoamerica," Instituto de Cultura Hispanica,
Madrid, Spain, 1977. Public collections : City and County of
San Francisco; CSUCA, San Jose de Costa Rica. Resides San
Francisco, California. Curator, San Francisco Museum of
Modern Art, 1972 to date.
26. Rolando Castellon; WINDOWSCAPE. 7976. scrytk om ptf>tr. 17 x 22**
Location : 2- A Hallway.
11
Philip Chan
Born Taison, Canton, China, 1932. Came to Califor-
nia in 1969. Studied: University of Taiwan; princi-
pally self-taught Awards: Associate of the Royal
Photographic Society of Great Britain, 1958; Fellow of
the Royal Photographic Society of Great Britain,
1962 ; Outstanding Young Man of 1966 Award, Fed-
eration of Overseas Chinese Association, 1966. One-
man exhibition : Dailey Gallery, San Francisco, 1969.
Group exhibitions: international photography salons,
Taiwan, Republic of China, 1950 to date; Education
Department of British Honduras, Belize, 1964;
Annual San Francisco Arts Festival, 1970-1978.
Public collections: Education Department of British
Honduras, Belize; Taiwan Museum of History. Re-
sides San Francisco, California.
27. Philip Chan
DANCING. 1957
black and white photograph 13^/2 x IOV2"
Location : 2-Cafeleria
Richard Allen Clarke
Born Detroit, Michigan, 1928. Came to California in
1960. Studied: Society of Arts and Crafts, Detroit;
Meinzinger Art School, Detroit. One-man exhibi-
tions: Moody Gallery, Pasadena, California, 1977.
Group exhibitions: Detroit Institute of Arts, 1950;
John Cody Gallery, Los Olivos, California, 1977;
Annual San Francisco Arts Festival, 1977 ; Pamting
Show (three-person), San Francisco Art Commission
Gallery, "Capricorn Asunder," 1978. Resides Berke-
ley, California.
28. Richard Allen Clarke
LA SENORA VIEJA, 1977
acrylic 30x30"
Location: 6-Jl
12
Frederick Comendant
Born San Francisco, California, 1920. Largely self-
taught. Studied photography with Ansel Adams, Al
Weber and Dorr Bothwell. Exhibitions: "Bay Area
Photographers," San Francisco Annual Arts Festivals,
1970-1976; Friends of Photography Gallery, Carmel, '
1971. Resides San Francisco, California.
Gerald Concha
Born Sacramento, California, 1935. Studied: San Fran-
cisco Art Institute, B.F.A. One-man exhibitions: Van
Doren Gallery, San Francisco, 1975; The Mexican
Museum, San Francisco, 1977. Two-man exhibition:
Galeria de la Raza, San Francisco (with Rudy Serra),
1973. Group exhibitions: "Three Latin- American
Artists," San Francisco Art Commission Gallery, "Cap-
ricorn Asunder," 1971; "Galeria de la Raza Group
Show," Galeria dela Raza, San Francisco, 1972 ; "Dia de
los Muertos," Galeria de la Raza, 1973 ; "A Third World
Painting-Sculpture Exhibition," San Francisco Museum
of Art, 1974 ; "Exhibit of Portraits," Galeria de la Raza,
1974; "2001," Galeria de la Raza, 1976. Resides San
Francisco, California. Currently teaching at the M.H. de
Young Memorial Museum Art School, San Francisco. -,cs r j ■ i. r j . uki^maki mnr li l j i . . ia
° ' 29. Frederick Comendant. LINEMAN. 1976; buck and white photograph. 14 J II
Location: 2-Cbapel Hallway Photo: Frederick Comendant
30. Gerald Concha; ROOF MURAL, 1974; mosaic, 300x 120'! Location: 3-Courtyard {Mechanical Building).
Gordon Cook
Bom Chicago, Illinois, 1927. Came to California in 1950. Studied:
Illinois Wesleyan University, B.F. A., 1950; State University of Iowa
(with Mauricio Lesansky), Iowa City, 1951. Selected teaching posi-
tions: San Francisco Art Institute, 1960-1971; Academy of Art
College, San Francisco, 1971-1973; San Francisco State University,
1974-1975. Selected one-man exhibitions: San Francisco Museum
of Art, 1958, 1966 ; Achenbach Foundation for Graphic Arts, Cal-
ifornia Palace of the Legion of Honor, San Francisco, 1964 ; Lawson
Gallery, San Francisco, 1970; John BoUes Gallery, San Francisco,
1971; Charles Campbell Gallery, San Francisco, 1973, 1974,
1976; Van Straaten Gallery, Chicago, 1975; deBoer Gallery, Am-
sterdam, 1975. Group exhibitions include: "The Nude" and "Six
Bay Area Printmakers," Achenbach Foundation for Graphic Arts,
California Palace of the Legion of Honor, San Francisco, 1960 ; E.B.
Crocker Art Gallery, Sacramento, 1969; "Figure Drawings by Four
Artists — Elmer Bischoff, Joan Brown, Gordon Cook, George
Lloyd," Charles Campbell Gallery, San Francisco, 1973; "CaHfornia
in Print," Van Straaten Gallery, Chicago, 1974; "Artists Proof/The
Multiple Image," Fine Arts Museums of San Francisco Downtown
Center, 1976; National Print Exhibition, The Brooklyn Museum,
New York, 1976. Public collections: Achenbach Foundation for
Graphic Arts, California Palace of the Legion of Honor, San Fran-
cisco; Library of Congress, Washington, D.C. ; Norton Simon Mu-
seum of Art at Pasadena; San Francisco Museum of Modern Art;
Untied States Information Service, Washington, D.C; City and
County of San Francisco; The Oakland Museum. Resides San Fran-
cisco, California.
31. Gordon Cook; JAR OF FLOWERS, 1973; etching {ed. 20). I^Vix 18V< '!
Location : 1 -and throughout Medical Center.
Oscar de Leon
Born Guatemala City, Guatemala, 1937. Came to California in
1950s. Studied: Academy of Art, San Francisco; San Francisco Art
Institute; with Elli Simi, San Francisco. One-man exhibitions (se-
lected): Guatemala City, Guatemala, 1968; Galeria de la Raza, San
Francisco, 1972; Skyline College, San Bruno, 1972; Tulane Uni-
versity, New Orleans, 1972; University of San Francisco, 1972;
The Oakland Museum, 1973; Consulate General of Guatemala, San
Francisco, 1973. Two-man exhibitions : Chabot College, Hayward;
Periwinkle Art Gallery, Padfica. Selected group exhibitions : Galeria
de la Raza, San Francisco, 1972, 1974, 1975; "M.I.X.: RootsI:
The Latin Community," San Francisco Museum of Art, 1972;
Canada College, Redwood City, California, 1972; Group Exhibition
Celebrating Mexican Independence, The Oakland Museum, 1972;
University of San Francisco, 1972 ; United Bay Area Crusade, San
Francisco, 1974, 1975; Jamestown Community Center, San Fran-
cisco, 1974. Resides Los Angeles, California.
32. Oscar de Leon. LA VIRGEN DE LOS LAGOS, 1977
ink drawing, IIV2 x I5V2 '.' Location : 2- A 7
14
Angel del Valle
Bom Fresno, California, 1929. Largely
self-taught; studied photography with
Walter Chappelle, San Francisco;
Eugene Anthony, San Francisco;
Miguel de la Torre, Morelia, Michoa-
can, Mexico. One-man exhibitions:
Galeria de la Raza, San Francisco,
1976; Galeria Campesina, Fresno,
1976. Two-man exhibition (with
Aparido Gil), Hallway Gallery, San
Francisco Art Institute, 1976. Group
exhibition ; Annual San Francisco Arts
Festival, 1976. Resides, San Fran-
cisco, California.
34. Angel del Valle. SEMBRADORES II 1974: black and white photograph, ly ix 19' r
Location : 2-Cafeteria
Eleanor Dickinson
Born Knoxville, Tennessee, 1931. Came to California in 1953.
Studied: University of Tennessee, 1952; San Francisco Art Insti-
tute, 1961-1963. Selected awards: President's Prize and Graphics
Award, San Francisco Women Artists, San Francisco Museum of
Art, 1959; First Honorable Mention, Butler Institute of American
Art, Youngstown, Ohio, I960; Merit Award, Annual San Fran-
cisco Arts Festival, 1968; Artist Exhibition Award, Annual San
Francisco Arts Festival, 1974. Selected one woman exhibitions:
The McClung Museum, Knox\-ille, Tennessee. 1964; San Fran
Cisco Museum of Art, 1965 ; Santa Barbara Museum d Art, I9^V>:
"Drawings,'" Temple Emanu El, San Francisco (traveling exhibi
tion, 1967, Trutton Gallery, San Francisco. 1967; M.H.de Young
Memorial Museum, San Francisco, 1968; "Re\-ival." Corcoran
Gallery of Art, Washington, D.C. (traveling exhibition). 1970;
William Sawyer Gaiicrv. San Fran
Cisco. 1970. 1971. 1975; Poindextcr
Galler>'. New York. 1972. 1974: "Re
vivall #2." Corcoran Gallen- o( Art.
Washington. D.C. (traveling cxhihi
tion). 1974; Smith.sonian Institution
(traveling exhibition). 1975: Caiifof
nia Palace of the Legion of Honor. San
Francisco. 1975; Tlie Triton Museum
of Art. Santa Clara. 1977; Rothery
Galler>'. 1978. Selected public collec
tions: National Collection of Fine
J Arts, Washington. D.C; The Cor
coran Gallen.- of Art, Washington.
D.C; Stanford University Museum;
The Oakland Museum: San Francisco
Museum of Modern Art: Santa Bar
bara Museum of Art : The Smithsonian
Institution: Michigan State Univer
sity; San Francisco Art Institute: City
and County of San Francisco; Califor-
nia College of Arts and Crafts. Oak-
land. Associate Professor of Art and
Direaor of Galleries. California Col-
lege of Arts and Crafts, Oakland Re
sides San Francisco. California.
i^. Eleanor Dickinson, NHHEMIAH. 1975 : pen and ink on paper. 20 x 30' : Location : 7-.
15
id. James Dong; UNTITLED, 1974; silkscreen (ed. 20), 20-1/8 x 26-1/8'!
Location: 1-and throughout Medical Center.
James Dong
Born San Francisco, California, 1949. Studied: San Francisco
State University, M. A. Awards: Mural Grant, SanFrancisco
Art Commission's Neighborhood Arts Program, 1971;
Mural Commission, Summer Outdoor Mural Project, spon-
sored by the San Francisco Museum of Art's M.I.X. Program,
1972 ; Rockefeller Training Fellowship in Museum Education
and Community Studies, M.H. de Young Memorial Mu-
seum, SanFrancisco, 1974-1975. Group exhibitions:
"M.I.X. : Surrealism," San Francisco Museum erf Art, 1972;
Annual San Francisco Arts Festival, 1972, 1973; Opening
Group Show, Kearny St. Workshop, San Francisco, 1972;
Opening Group Show, Jackson Street Gallery, San Francisco,
1974; "Posters and Society," San Francisco Museum of Art,
1974; "America and the World/ American Issues Forum,"
Hall of Justice, San Francisco (traveling poster exhibition
sponsored by the California Historical Society), 1976 ;
"People's Murals/Some Events in American History," San
Francisco Museum of Modern Art, 1976; "Portrait Show,"
Galeria de la Raza, San Francisco, 1976; "Our Struggle for
Low Income Housing," Galeria de la Raza, San Francisco,
1977; "Political Poster Show," San Francisco Art Commis-
sion Gallery, "Capricorn Asunder," 1977. Resides San
Francisco, California.
Yasuhiro Esaki
37. Yasuhiro Esaki: LEAF DRAWING #4, prisnuicolor pencil on paper, 22 x 30'
Location: 7- A
Born Japan, 1941. Came to California in 1969. Studied:
Academy of Art College, SanFrancisco, B.F.A., 1972; Lone
Mountain College, San Francisco, M.F.A., 1978. Awards:
Grand Prize, 3rd Annual Miami International Graphics Bien-
nial, Metropolitan Museum, Miami, 1977; Merit Award,
7th New Orleans International Art Exhibition, University of
New Orleans, 1977; Purchase Award, Belknap Memorial
Print Exhibition, Colombia-Greene Community College,
Hudson, New Yoric, 1978. One-man exhibitions: Academy
of Art College, SanFrancisco, 1973; Malvina Miller Gallery,
SanFrancisco, 1975; Triangle Gallery, SanFrancisco, 1977.
Two-man exhibition : Lone Mountain College Art Gallery,
SanFrancisco, 1978. Group exhibitions: "M.I.X.: Graphics
I," San Francisco Museum of Art, 1974; Recent Acquisition
Show, Achenbach Foundation for Graphic Arts, California
Palace of the Legion of Honor, San Francisco, 1975 ; 2nd
National Drawing and Prints Exhibition, Miami University,
Oxford, Ohio, 1978. Public collections: Achenbach Founda-
tion for Graphic Arts, California Palace of the Legion of
Honor, SanFrancisco; BostonMuseumof Fine Arts; Brook-
lyn Museum; Cincinnati Art Museum ; Monterey Peninsula
Museum of Art; Miami University Art Museum, Oxford,
Ohio; Metropolitan Museum and Art Centers, Miami,
Florida. Resides Walnut Creek, California.
16
Melvyn Ettrick
Bom Kingston, Jamaica, 1940. Came to California in 1977.
Studied: School of Visual Arts, New York (with Richard
Pousette Dart and Alex Katz) ; University of Massachusetts,
Amherst. One-man exhibitions: Metropolitan Applied Re-
search Corporation, New York, 1974; American Inter-
national College, Springfield, Massachusetts, 1974; Olympia
International Art Center, Kingston, Jamaica, 1975. Selected
group exhibitions : "Omaha Flow Systems," Joslyn Art Mu-
seum, Omaha, Nebraska, 1972; "Blacks: U.S.A.: 73," New
York Cultural Center, New York, 1973; Invitational, Mu-
seum of the National Center d. Afro-American Artists,
Boston, Massachusetts, 1975 ; "Homage to Parboo," Gallery
Barrington, Kingston, Jamaica, 1975; "4 Men Drawing,"
The John Peartree Gallery, Kingston, Jamaica, 1976; "Con-
temporary 12," Gallery Barrington, Kingston, Jamaica,
1976; Black Enterprise Magazine Invitational, New York,
1976; "Festac77," Lagos, Nigeria, 1977. Public collections :
Bank of Jamaica, Kingston; Metropolitan Applied Research
Corporation, New York. Resides San Francisco, California.
39. Melvyn Ettrick
NUBIAN SUITE #3, 1976
acrylic and watercolor on paper 3OV4 x 22Vi ' '
Location: 7-B
Charles Griffin Farr
Born Birmingham, Alabama, 1908. Came to California in
1948. Studied: Art Students League, New York, and with
Jean Despujols, Paris. Taught: University of Michigan,
1946-1947; San Francisco Art Institute, 1958-1967.
Awards: San Francisco Art Association Annuals, San Fran-
cisco Museum of Art, 1952, 1953, 1961; First Purchase
Award, Annual San Francisco Arts Festival, 1963, 1965,
1971 ; Purchase Award, Hall of Justice Competition, San
Francisco, 1967; Purchase Award, National Drawing Exhi-
bition, San Francisco Museum of Art, 1970; Purchase
Award, Butler Institute of American Art, Youngstown,
Ohio, 1971; First Award, California State Fair, Sacramento,
1975. One-man exhibitions : San Francisco Art Commission
Gallery, "Capricorn Asunder," 1972; Capricorn Galleries,
Bethesda, Maryland, 1976. Group exhibitions include:
Carnegie Institute, Pittsburgh, 1941 ; Whitney Museum of
American Art, New York, 1946; MetropoHtan Museum of
Art, New York, 1952; Chicago Art Institute, 1961; Winter
Invitationals, California Palace of the Legion of Honor, San
Frandsco, 1960-1963; Butler Institute of American Art,
Youngstown, Ohio, 1968, 1971, 1974-1977. Public collec-
tions : San Francisco Museum of Modem Art ; The Oakland
Museum ; City and County of San Francisco. Resides San
Frandsco, Califomia.
40. Charles Griffin Farr, ROCKS AND STREAM* 1972. oU, 30 x 40'
17
Alan Che Mah Pong
Also worked under the name, Yu Fong. Born Peking, China,
1930. Came to California in 1963. Studied: Taiwan Normal
University, B. A. ; Indiana University (audio- visual communi-
cation), M.S. Awards: Honorable Mention, 13th Annual
Festival, Hayward Area Festival of the Arts, Inc., 1974;
Purchase Award, Armual San Francicso Arts Festival, 1976.
Group exhibitions include : New York International Art Exhi-
bition, 1970; Ericson Art GaUery, Palo Alto, 1972; 13th
Annual Festival, Hayward Area Festival of the Arts, Inc.,
1974; "M.I.X.: A Third World Painting Sculpture Exhibi-
tion," San Francisco Museum of Art, 1974; California State
Fair, Sacramento, 1976; Annual San Francisco Arts Festival,
1976, 1977. Resides Danville, California.
41. Akf! Che Mah Fong
WATER VILLAGE* 1976
watercolor 25 x 21 Vi ' '
Howard Reed Foote
Bom Richmond, Indiana, 1936. Came to California in 1957.
Studied: San Francisco Art Institute, B.F.A. ; Stanford Uni-
versity, M.A. Group exhibitions: Bay Area Printmakers
Society Fourth National Exhibition, The Oakland Art Mu-
seum, 1958 ; "Twenty- Third Drawing, Print and Watercolor
Exhibition," San Francisco Museum of Art, I960; "1970
PeaceExhibition,"PhiladelphiaMuseumofArt, 1970; "Four
Printmakers," San Francisco Museum of Art, 1971; "San
Francisco Art Institute Centennial Exhibition," California
Palace of the Legion of Honor, San Francisco, 1971 ; "The
18th National Print Exhibition," The Brooklyn Museum,
New York, 1972; "San Frandsco Area Printmakers," Cin-
cinnati Art Museum, Ohio, 1973; "Good and Evil, Aes-
thetic Opposites," Terrain Graphics, New York, 1974; "Edi-
tion of One, Monoprints," Palo Alto Cultural Center, 1975 ;
"Interstices," San Jose Museum ct Art and Cranbrook Acad-
emy of Art Museum, Bloomfield Hills, Michigan, 1975;
Annual San Francisco Arts Festival, 1976. Public collections
include: CityofLeeds, England; City and County of San Fran-
cisco; Achenbach Foundation for Graphic Arts, California
Palace of the Legion of Honor, San Francisco. Resides Inver-
ness, California.
42. Howard Reed Foote; REN A, 1974;
etching {ed. 20), 27 x 35 '.'
Location: 1-and throughout Medical Center.
18
Patricia Tobacco Forrester
Born Northhampton, Massachusetts, 1940. Came to Cali-
fornia in 1967. Studied: Smith College, B.A.; Yale Univer-
sity, B.F.A., M.F.A. Awards: Guggenheim Foundation Fel-
lowship in Printmaking, 1967; Purchase Award, Library of
Congress National Print Exhibition, 1%9. One-woman ex-
hibitions: San Francisco Museum of Art, 1968 ; John Bolles
Gallery, San Francisco, 1971 ; William Sawyer Gallery, San
Francisco, 1974; Green Mountain Gallery, New York City,
1975; M.H. de Young Memorial Museum, San Franciscoi
1977 Selected group exhibitions : British International Print
Biennale, 1969; Library of Congress National Print Competi-
tion, 1969; Hundred Acres Gallery, New York City, 1971 ;
Brooklyn Museum National Print Exhibition, 1972, 1976;
DM Gallery, London, 1973 ; "Three Printmakers Who Work
From Watercolors," The Oakland Museum, 1974; "Ameri-
can Landscape," Cendrick Gallery, Washington, D.C., 1977.
Public collections (selected) : The British Museum, London;
Library of Congress, Washington, D.C.; Metropolitan Mu-
seum of Art, New York; Yale University Art Gallery; City
and County of San Francisco; University Art Museum,
Berkeley; Achenbach Foundation for Graphic Arts, Califor-
nia Palace of the Legion of Honor, San Franciso ; The Oakland
Museum ; Mills College, Oakland Currently teaching at Cal-
ifornia College of Arts and Crafts, Oakland. Resides San Fran-
cisco, California.
43. Patricia Tobacco Forrester: MONTEREY PINE. LATE AFTERNOON. 1976
oil, 36 X 48V* ': Location : 2-A 11
William Frej
Born Freeport, Illinois, 1947. Came to California in 1972. Self-
taught in photography Awards: Purchase Award, Annual San
Francisco Arts Festival, 1977. Group exhibitions: Group Show,
Tucson Art Center, Arizona, 1972; California State Fair, Sacra
mento, 1976; Annual San Francisco Arts Festival, 1976. 1977.
Public collections: City and Count)' of San Francisco. Resides.
Berkeley, California.
44. William Frej
INCA TRAIL* 1976; photograph, 16 x 18"
[Nn photograph available)
Gustl French
Born Vienna, Austria, 1909. Came to California in 1944. Studied: Cali-
fornia College of Arts and Crafts, Oakland; Claremont Graduate School and
University Center (M.F.A. Program). Awards : Council of American Artist
Societies Award, San Francisco Women Artists, 1971 ; Purchase Award,
Annual San Francisco Arts Festival, 1971 ; Diplome d'Honneior, Prix de
Gravure, Biennale de Clermont-Ferrand, France, 1972; Home Savings &
Loan Purchase Award, Annual San Francisco Arts Festival, 1975. Group
exhibitions; First New Hampshire International Graphics Annual, Rivier
College, Nashua, 1973; Third National Print & Drawing Exhibition,
Minot State College, North Dakota, 1973 ; Second New Hampshire Inter-
national Graphics Annual, Nashua Arts & Science Center, 1974; Cal
Expo, Sacramento, 1 974 ; "Prints Commissioned by the San Francisco Art
Commission for the San Francisco Medical Center," Achenbach Foundation
for Graphic Arts, California Palace of the Legion of Honor, San Francisco,
1974-1975; "Spectrum 50—1925-1975: San Francisco Women Artists,"
San Francisco Art Commission Gallery, "Capricorn Asunder," 1975;
"Prints California," Statewide Open Competition, The Oakland Museum,
1975; Santa Barbara Museum of Art, 1975; "Contemporary Issues:
Works by Women on Paper," Women's Building, Los Angeles (traveling
exhibition), 1977; California Society of Printmakers Annual, Richmond
Art Center, 1977. Public collections: Transamerica Corporation, San
Francisco; Foremost/McKesson, Inc., San Francisco; Harrah's, Lake
Tahoe; Bank of America, San Francisco; A.T.&T., Chicago; Hogan
Associates, San Francisco. Resides Berkeley, California.
46. Gustl French: EASTSIDE STORY. 19''4. color eu mi,- . j 20).
22' *xl9'' Location: 1 -and throughout MedUM (UnUT
19
Sekio Fuapopo
Born Samoa, 1947. Came to California in 1954.
Studied: San Francisco Art Institute, B.F.A., 1972;
Sacramento State University, M.A., 1975. Awards:
Ron Davis Award, San Francisco Art Institute, 1972.
Group exhibitions: "Rhythms and Reverberations,"
M. H. de Young Memorial Museum, San Francisco,
1972; "M.I.X.: A Third World Painting/Sculpture
Exhibition," San Francisco Museum of Art, 1974;
Group Exhibition, Washington State University, Pull-
man, 1974; "Fly Samoa," Galeria de la Raza, San
Francisco, 1974; Annual San Francisco Arts Festival,
1974, 1975; "Other Sources: An American Essay,"
SanFrancisco Art Institute, 1976. Public Collections :
San Francisco Museum of Modern Art; Zaks/Harris
Dolores St. community law office, San Francisco. Re-
sides San Francisco, Calif orania.
47. Sekio Fmpopo; MY DELIGHT, 1977; oil pastel on paper, 24x30'.'
Location: 7 -A.
Mary Fuller
Born Wichita, Kansas, 1922. Came to California in 1924.
Apprenticed in ceramics at the California Faience Company,
Berkeley ; largely self- taught in art. Selected awards : First
Prize (sculpture), Annual Pacific Coast Ceramic Show, San
Francisco, 1947, 1949; Ford Foundation Grant for book, "A
Period of Exploration," 1965; Merit Award, Annual San
Francisco Arts Festival, 1971; Art Critic Fellowship, Na-
tional Endowment for the Arts, 1975. One-woman exhibi-
tions include: Artists' GuUd Gallery, San Francisco, 1947;
Lucien Labaudt Gallery, San Francisco, 1950; John Bolles
Gallery, San Francisco, 1961 ; Ota Gallery (now Kroeber
Prints), San Francisco, 1972 ; Santa Rosa City Hall, Califor-
nia, 1974. Selected group exhibitions: Syracuse Museum,
New York, 1948; Lucien Labaudt Gallery, San Francisco,
1948, 1971 ; Pacific Coast Ceramic Annual, San Francisco,
1948-1950; San Francisco Art Association Annuals, San
Francisco Museum of Art, 1948, 1949, 1950, 1960; An-
nual San Francisco Arts Festival, many years since 1948;
John Bolles Gallery, San Francisco, 1959; Hobbs Gallery,
SanFrancisco, I960; Gumps Gallery, SanFrancisco, 1963;
San Francisco Art Institute Annual, San Francisco Museum
of Art, 1964; Group Show, Triangle Gallery, SanFrancisco,
1965 ;Both-Up Gallery, Berkeley, 1973; Women's Art Cen-
ter, San Francisco, 1974; Gallery Group Show, Ota Gallery
(now, Kroeber Prints), San Francisco, 1971 ; "The Printed
Work : An Exhibition of Artist Produced Books," Union Gal-
lery, San Jose State University, 1976; University of St.
Thomas, Houston, Texas, 1976; "Artrium 1976," Santa
Rosa, 1976. Public commissions: University of California
Medical Center, SanFrancisco; Community Center, Salinas,
California; Andrew Hill High School, San Jose. Resides
Petaluma, California.
48. Mary Fuller; DOS UONES, 1974; cast stone aggregate, 72x 72'
Location: 5-Courtyard between A &C.
20
Gale Fulton-Ross
Born Medford, Massachusetts, 1947. Came to California in
1974. Studied: Massachusetts College of Art, Boston; with
Cleveland Bellow; self-taught. One-woman exhibitions:
Metropolitan Applied Research Center, New York, 1973;
Park South Gallery, New York, 1974; "Faces Around the
Bay," Earth & Arts Gallery, Oakland, 1975. Public collec-
tions : Office of Congressman Ronald V. Dellums ; Office of
Human Rights, Boston, Massachusetts. Resides Oakland,
California.
49. Gale Fulton-Ross ; MY BASKET, 1978; charcoal and color p«ncU on ptp*r
1 Wk xlVh". Location : 7-B
Aparicio Gil
Born Bogota, Colombia, 1950.
Came to California in 1966. Died
1977. Studied: San Francisco Art
Institute, B.FA. Awards: San
Francisco Art Institute, 1975,
1976. Selected group exhibitions:
"Winter in America," Third World
Student Show, San Francisco Art
Institute, 1976; "The Marijuana
Growers," San Francisco Art Insti-
tute, 1976; "San Francisco Urban
Environmentalists," San Francisco
Annual Arts Festival, 1976 ; Sixth
Annual North Beach Photo Art
Fair, 1976; Mission Foto Galeria,
Mission Neighborhood Centers ,
Inc., San Francisco, 1976, 1977;
"La Gentede California," Galeria de
la Raza, San Francisco (traveling
exhibition), 1976; "Jambalaya,"
Intersection Gallery, San Francisco
(traveling exhibition), 1977.
50. Apancio Gil; CANDLE SHOP, 1976; black and whiu photograph, 12'ix ISW
Location: 2-Cafeteria.
21
James Gorman
Born San Francisco, California,
1937. Studied: City College of San
Francisco. Owned and managed
Puma Gallery, San Francisco,
where exhibited own work, 1963-
1971. Exhibited at Annual San
Francisco Arts Festivals, 1968,
1969. Resides San Francisco,
California.
51. James Gorman; KID'S SKATE, 1974; serigraph {ed. 20), 26 x 40'
Location: 1-and throughout Medical Center.
Maria Goya
Born Borgholz, Germany, 1938. Came to California in 1974.
Studied: Hildepardis College, Munster, Germany; self-taught.
Selected awards : 1st Award, Laurel Art Festival, Maryland, 1974;
1st Award, Ellicot City Festival, Maryland, 1974. One-woman
exhibitions: Equitable Trust Company, Laurel, Maryland, 1972;
Stanley Memorial Library, Laurel, Maryland, 1973; MontpeUer
Carriage House (sponsored by
Maryland Park and Planning
Commission), Laurel, 1974.
Group exhibitions : Maryland
House of Delegates, Anapolis,
1973; "Award Winning Show
from the Montgomery County
Artist Association," Chevy Chase
Library, Maryland, 1973; Marin
Society of Artists, Marin Art and
Garden Center, Ross, 1975-
1977; Artrium (sponsored by
Sonoma County Arts Council),
1975, 1976; College of Marin,
1975, 1976; Marin County Fair,
San Rafael, 1976; Annual San
Francisco Arts Festival, 1976.
Public collections: Maryland
Park and Planning Commission,
Anapolis ; Sears Roebuck & Com-
pany, Bethesda, Maryland. Re-
sides Mill Valley, California.
52. Maria Goya; WINTER IN THE BRIARWOODS, 1976; watercolor, 21 x 29 '.
Location: 2- A 5.
22
Richard Graf
Bom Milwaukee, Wisconsin, 1929. Came to California in
1951. Studied: Lay ton Art School, Milwaukee, Wisconsin;
University of Wisconsin, Milwaukee; California College of
Arts and Crafts, M.F.A., 1958. Selected one-man exhibi-
tions; San Francisco Museum of Art, 1959, 1962, 1964;
San Francisco Art Institute, 1961 ; Beri^eley Gallery, Berke-
ley, 1964; Berkeley Gallery, San Francisco, 1967, 1970.
Cellini Gallery, San Francisco, 1965; Achenbach Foundation
for Graphic Arts, California Palace of the Legion of Honor,
San Francisco, 1965; Richmond Art Center, 1967; Berkeley
Art Center, 1967; Sonoma State College, 1970. Selected
group exhibitions : "The Arrested Image," The Oakland Mu-
seum, 1970; "Editions '71," Walnut Creek Civic Arts Gal-
lery, 1971 ; "Photo Image in Printmaking," San Francisco
Museum of Art, 1971 ; "Bay Area Printmakers," Illinois
Wesleyan University, 1973; "West Coast Artists," Univer-
sity of California, Riverside, 1974. Public collections (se-
lected) : Library of Congress, Washington, D.C. ; Starr King 53. Richard Graf; GENTLE UNICORN, 1974; color Uthogroph (ed. 20). 21 x 30 1/8'.'
School of Religion, Berkeley; Westmore College Student Location : 1-and throughout Medical Center
Union, Lemars, Iowa; University of Utah, Salt Lake City;
The Oakland Museum; California College of Arts and Crafts,
Oakland; Achenbach Foundation for Graphic Arts, Califor-
nia Palace of the Legion of Honor, San Francisco ; University
of Nebraska, Lincoln; Stanford University Museum of Art.
Resides Oakland, California. Currently teaching at the San
Francisco Art Institute.
Stanley Greene
Bom Brooklyn, New York, 1949. Came to Cali-
fornia in 1974. Studied: New York University,
New York, 1970; School of Visual Arts, New
York, 1971 ; Center for Visual Studies, Cam-
bridge, Massachusetts, 1973, 1974; San Francisco
Art Institute, 1975 to date. Awards: Award of
Merit, Annual San Francisco Arts Festival, 1976;
Honorable Mention, Spring Student Show, San
Francisco Art Institute, 1976. Group exhibitions :
"Image Works Color Show," Center for Visual
Studies, New York, 1974; Carl Siembad Gallery,
Boston, 1974; "Prostitution in Boston," video
tape made for WGBH TV, 1974; Annual San
Francisco Arts Festival, 1976 ; "Winter in Ameri-
ca'' San Francisco Art Institute, 1976; "Photo-
erotica," San Francisco Camerawork Inc., 1978.
Public collections: Bibliotheque Nationale, Paris;
Carl Siembad Gallery, Boston. Resides San Fran-
cisco, Califomia.
54. Stanley Greene; UNTITLED {WOMAN IN' A WHEELCHAIR). 1976.
black and white photograph, 13V*xl 7V4 ' Location Msm Lobl>f
23
Patrick Hansen
Born Sacramento, California, 1934.
Studied photography at The Image
Circle, Inc., Berkeley. Currently
President of the Image Circle. Pur-
chase Award, Annual San Fran-
cisco Arts Festival, 1969. Group
exhibitions: Polaroid Exhibition,
Focus Gallery, San Francisco,
1973; "West Coast Continuum,"
Walnut Creek Civic Arts Gallery,
1977. Resides Hayward, Cal-
ifornia.
56. Patrick Hansen; THE OLD RIVER SHACK* 1976; photograph, 16 x 20 '.' Photo : Patrick Hansen
Theresa Harned
Born Hanford, California, 1940. No formal schooling in art. One-
woman exhibition: Canon USA, San Francisco, 1977. Group ex-
hibition: "Illuminations," Majority of One Gallery, Berkeley, 1976.
Resides San Francisco, California.
Theresa Homed
TREES: GREAT HIGHWAY, 1976
ink and walercolor lOV* x 7V2 ' '
Location: 5-G8
24
Rob Harper
Born Chico, California, 1942. Studied: San Francisco Art
Institute, B.F.A. ; Washington University, St Louis, Mis-
souri, M.F.A. Awards: Hallmark Purchase Prize, Kansas
City, 1974. Group exhibitions: "Mid-America Five,"
William Rockhill Nelson Gallery of Art, Kansas City, and
The St. Louis Art Museum, Missouri, 1974; "39th Annual
Midyear Show," Butler Institute of American Art, Youngs-
town, Ohio, 1975; 40th Annual Exhibition, Cooperstown
Art Association, New York, 1975; California State Fair, Sac-
ramento, 1975 ; 21st Annual Open Show, Northern Califor-
nia Arts, Inc., Sacramento, 1975; "Mainstreams '76," 9th
Annual Marietta College International Competitive Exhi-
bition, Marietta, Ohio, 1976; "51st Crocker-Kingsley An-
nual," E.B. Crocker Art Gallery, Sacramento, 1976; 30th
Annual San Francisco Arts Festival, 1976. Public collec-
tions: Hallmark Cards, Kansas City, Missouri; Auburn Pub-
lic Library, California; Butler Institute of American Art,
Youngstown, Ohio; Fairfield Civic Center, California. Re
sides Oakland, California.
58. Rob Harper,- TRIPTYCH: CHARLES "SPEED" HOLMAN SERIES.
1975; acrylic, 46 x 46 ". Location : Out Patient Lobby
Walt Hartlage
Born Minneapolis, Minnesota,
1938. Came to California in 1962.
No formal schooling in art. Award:
First Prize. "E Pluribus Unum,"
Floating Foundation of Photog-
raphy, Mony Building, New York.
1976. One-man exhibition: Bar-
stow Junior College. California.
1970. Group exhibition: "E Pluri-
bus Unum." Floating Foundation of
Photography. Mony Building, New
York. 1976. Public collections :
San Frandsco Archives for the Per-
fon.ning Arts, San Francisco Public
Librar>' (Presidio Branch); The
Floating Foundation of Photog-
raphy. New York City. Resides San
Francisco. California.
59. Walt Hartlage, DOG IN NEWSTAND, 1976; black and white photograph.
Location: 2-Cafeteria
25
60. Sochi Tsutsumi Hay ward; LAKE, 1974; cohr etching {ed. 20), 30 x 24 "■
Location : 1-and throughout Medical Center
Wally Hedrick
Bom Pasadena, California, 1928. Studied: Otis Art Institute, Los
Angeles; California School of Fine Arts (now, San Francisco Art
Institute), B.F.A. ; California College of Arts and Crafts, Oakland;
San Francisco State University. Awards: Grant, National Endow-
ment for the Arts, 1968. Selected one-man exhibitions: M. H. de
Young Memorial Museum, San Francisco, 1955 ; California School
of Fine Arts (now, San Francisco Art Institute), 1956; Isaacs Gal-
lery, Toronto, Canada, 1961 ; New Mission Gallery, San Francisco,
1963; San Francisco Art Institute, 1967; Sonoma State College,
RohnertPark, California, 1968; 63 Bluxome Street, San Francisco,
1975. Two-man exhibition: Balboa Pavilion Gallery, Balboa, Cali-
fornia (with Sam Tchakalian), 1967. Selected group exhibitions:
"Sixteen Americans," Museum of Modern Art, New York, 1959;
"Places — A Collaboration of Four Artists," San Francisco Museum
of Art, 1962; "Construction as an Object of Illusion," San Francisco
Art Institute, 1962; "New Paintings d Common Objects," Pasa-
dena Art Museum (now, Norton Simon Museum of Art at Pasa-
dena), 1962; SanFrancisco Art Association Annuals, San Francisco
Museum of Art, 1954, 1957, I960; San Francisco Art Institute
Annual, San Francisco Museum of Art, 1966 ; "Poets d the Cities/
New York and San Francisco 1950-1965," Dallas Museum of Fine
Arts (traveling exhibition), 1974. Public collections: The Adlrich
Museum of Contemporary Art, Ridgefield, Connecticut; Museum
of Modern Art, New York; The Oakland Museum; Los Angeles
County Museum of Art; Smithsonian Institution; San Francisco
Museum of Modern Art ; City and County of San Francisco. Resides
SanGeronimo, California. Teaches: Indian Valley Colleges, Novato.
Sachi Tsutsumi Hay ward
Born Tokyo, Japan. Came toCalfornia in 1962. Studied: San Fran-
cisco Art Institute, B.F.A. ; San Francisco State College, M.A.
Awards: Merchandise Award, Los Angeles Printmaking Society,
1969; Best Print Award, Small Print & Sculpture Exhibition, Fre-
mont, California, 1971. Group exhibitions include: "Small Prints
and Sculpture Exhibition," San Francisco Art Institute, 1968; "6th
Annual All California Print Exhibition," Otis Art Institute, Los
Angeles, 1969; "Graphics '71," Western New Mexico University,
New Mexico, 1971; "Edition '71," Small Print and Sculpture Exhi-
bition, Olive Hyde Art Center, Fremont, 1971 ; 4th Annual Na-
tional Print Exhibition, San Diego State University, 1971 ; "Eight
Bay Area Asian Printmakers," San Jose State University, 1973;
"M.I.X. Graphics I: Prints," San Francisco Museum d Art, 1973 ;
California Society of Printmakers (juried exhibition). Maxwell Gal-
leries, San Francisco, 1975 ; "Transcendent Blossoms," Syntex Gal-
lery, Palo Alto, 1975 ; "Prints California," The Oakland Museum,
1975; "Introductions '76," Upstairs Gallery, San Francisco, 1976.
Public collections: Achenbach Foundation for Graphic Arts, Cali-
fornia Palace of the Legion of Honor, San Francisco. Resides San
Francisco, California.
Early Flat Dutch
85 days. "The fiuest strain in existence of this popular sort," The most fami'ii? of
the second-earjy varieties anil undoubtedly oue of the best of its class. The heads are
large, flat, firiu anfi uiiif'jrm. weighing 10 to 12 pounds. Unusually fine texture and
quality. Good keeper. Used extensively by the large cabbage growers. Pkt.. 50 cts.;
oz.. $2.50; Vi lb.. $4.0U; '/j lb., $7.00; lb., $10.00; 2 lbs., $17.00. postpaid.
61. Wally Hedrick: EARLY DUTCH FLAT, 1976; oil, 6J V2 jc 65»/2 '.'
Location : 2-Hallway between Cafeteria and Administration.
26
62. Carol Heinemm; LITTLE ORPHAN ANNIE ASTRIDE THE WORLD,
1974; etching {ed. 20), 28V2 x 20Va ".
Location: 1-and throughout Medical Center.
Hisako Hibi
Born Fukuiken, Japan, 1907. Came to California in 1926. Studied:
California School of Fine Arts (now, San Francisco Art Institute),
1926-1929; MuseumofModem Art, New York, 1952-1954; Uni-
versity of California Extension (Ann O'Hanlon's Perception Work-
shop), 1966-1968. Awards: Honorable Mention, California State
Fair, Sacramento, 1939; Honorable Mention, San Francisco
Women Artists Small Format Show, Crown Zellerbach Building,
San Francisco, 1968 ; City Purchase Award, Annual San Francisco
Arts Festival, 1964, 1970; Purchase Award, Home Savings & Loan
Association, Los Angeles (through San Francisco Annual Arts Fes-
tival), 1971. One-woman exhibitions: Luden Labaudt Gallery, San
Francisco, 1970; Humanist House Gallery, San Francisco, 1971;
Sight & Insight Gallery, San Francisco, 1977. Juried exhibitions:
California State Fair, Sacramento, mid 1930's; Oakland Art Gal-
lery, 1937, 1939, 1940; Golden Gate International Exposition,
Treasure Island, 1939, 1940; San Francisco Art Association An-
nuals, 1940, 1941, 1944; "Month of Waiting," CaUfornia His-
torical Society (traveling exhibition), 1972; "Spectrum '50 — 1925-
1975 : San Francisco Women Artists," San Francisco Art Commis-
sion Gallery, "Capricorn Asunder," 1975; "International Women,"
Artists Embassy, San Francisco, 1975; San Francisco Women
Artists Painting and Sculpture Show, Kaiser Center, Oakland,
1976; "Views from the Inside," The Oakland Museum, 1976.
Resides San Frandsco, California.
Carol Heineman
Born Milwaukee, Wisconsin, 1945. Lived in California 1965 1975.
Studied: Carnegie-Mellon University, Pittsburgh, B.A.; University
of Wisconsin, M.A.; San Francisco Art Institute; Art Students
League of New York. Awards: Louis Comfort Tiffany Foundation
Grant Finalist, 1969; Danid Porter Award, Carnegie- Mellon Uni-
versity, Pittsburgh, 1969. One-woman exhibitions: Miami Mu-
seumofModem Art, 1970; Sun Gallery, San Francisco, 1971 ; The
Museum Print Shop, San Francisco, 1975; Wild Wind Gallery,
Vail, Colorado, 1977. Group exhibitions: "Visionary An." East
Hampton Gallery, New York City, 1969; San Francisco Annual
Arts Festival, 1971-1974 ; "Saturn & Co.," San Francisco An Com-
mission Gallery, "Capricorn Asunder." 1971 ; "Dream Show #2."
Unicorn Gallery, San Francisco, 1971 ; Emmanuel Walters Gallery.
San Frandsco Art Institute, 1974 ; "Rainbow Show," San Frandsco
Art Commission Gallery, "Capricorn Asunder." 1975; California
Palace of the Legion of Honor, San Frandsco. 1975 ; M. H. de Young
Memorial Museum, San Frandsco, 1975. Public coUeaions:
Achenbach Foundation for Graphic Arts, California Palace of the
Legion of Honor, San Frandsco; Miami Museum of Modem An;
Loeb Museum Print Collection, Miami. Resides Elben. Colorado.
63. Hisako Htbi: AUTUMNAL. 1976; od. 32x37
Location: 1-C32.
27
Ivars Hirss
Bom Riga, Latvia, 1931. Came to California in 1958. Studied:
Riiode Island School of Design, B. F. A. , 1954 ; California College of
Arts and Crafts, Oakland, M.F.A., 1961. Awards: Helen Critchett
Award, Triangle Gallery, San Francisco, 1963; Purchase Award,
Annual San Francisco Arts Festival, 1968. One-man exhibitions:
Triangle Gallery, San Francisco, 1962 ; Pratt Graphic Arts Center,
New York, 1964; Gumps Gallery, San Francisco, 1965, 1967;
Michael Walls Gallery, San Francisco, 1970; Alden T. Harris,
Naples, Florida, 1974. Two-man exhibition: San Francisco Mu-
seum of Art (with Rolf Eiselin), 1967. Selected group exhibitions
include: California Society of Etchers Annuals, 1963 1967; "3
West Coast Printmakers: Ivars Hirss, Julius Wasserstein, Arne
Wolf," San Francisco Museum of Art, 1963 ; Art in Embassies Pro-
gram, United States Department of State, 1965 ; "San Francisco Art
Institute Centennial: Paintings," San Francisco Museum of Art,
1971. Public collections: Smithsonian Institution, Washington,
D.C. ; The Oakland Museum; Museum of Art, Rhode Island School
of Design, Providence; New York Public Library Print Collection;
Joseph H. Hirshhorn Collection, Washington, D.C. Resides San
Francisco, California.
64. Ivars Hirss: OPPOSITES. 1974; color etching {ed. 20), 32x22-1/8'
Location: 1-and throughout Medical Center
Sam Horn
\
65. Sam Horn: NORTH BEACH CHINATOWN, 1974; etching {ed 20),
22Vi X 30 ". Location : 1-and throughout Medical Center
i
/
Born Oakland, California, 1949. Studied:
Academy of Art College, San Francisco,
1965; Merritt College, Oakland; San Fran-
cisco State University, B.A., 1972; M.A.,
1975; Group exhibitions: Annual San Fran-
cisco Arts Festival, 1970; Chinese American
Artist Exhibition, The Oakland Museum (in
collaboration with the Chinese Cultural Cen-
ter), 1971; "M.I.X. : Portraits," San Fran-
cisco Museum of Art, 1972; Group exhibi-
tion, Kearny St. Workshop, San Francisco,
1972; Community Art Exhibition, Jackson
St. Gallery, San Francisco, 1973; "Prints
Commissioned by the San Francisco Art Com-
mission for the San Francisco Medical Cen-
ter," Achenbach Foundation for Graphic Arts,
California Palace of the Legion of Honor, San
Francisco, 1975 ; "Gold Mountain on the Sil-
ver Screen, Asian American Expressions on
Film," Jackson St. Gallery, San Francisco,
1974; The 2nd Asian American Film Festival
(represented with two films), Moonhunter
Productions, San Francisco, 1977. Resides
San Francisco, California.
28
Blanche
Phillips Howard
Ako worked under the name
Blanche Phillips. Born Mt. Union,
Pennsylvania, 1908. Lived in Cali-
fornia 1942-1950; 1971 to date.
Studied: Cooper Union School of i
Art and Architecture, New York ;
Art Students League of New York ;
Steinhof Institute of Design, New |
York ; California School of Fine Arts
(now, San Francisco Art Institute),
San Francisco; studied with Ossip
Zadkine. One- woman exhibitions:
San Francisco Museum of Art,
1944; E.B. Crocker Art GaUery, 66,
Sacramento, 1946; City of Paris
Gallery, San Francisco, 1949;
Louvre Gallery, San Francisco, 1950; GaleriaArtes Contemporano,
Mexico, D.F., 1952; Ariel Gallery, Guadalajara, Mexico, 1952;
Roko GaUery, New York, 1954, 1957, 1959; New GaUery, Prov-
incetown, Massachusetts, 1961; Silv ermine Guild, Connecticut,
1962; The Place, London, 1969; Galeria La Branza, Freestone,
CaUfomia, 1974. Two-person exhibition (with John Langley How-
ard): San Francisco Art Commission Gallery, "Capricorn Asunder,"
1973. Group exhibitions: San Francisco Art Association Annuals,
SanFranciscoMuseumof Art, 1940's; Whitney Museum Annuals,
Whitney Museum of American Art, New York, 1954, 1958;
Blanche Phillips Howard, FRAGMENTATION,
Location : Out Patient Lobby
1976; bronze repousse, 41 x 106'
"Irons in the Fire," Contemporary Arts Museum, Houston, 1957;
"80x14," Riverside Museum, New York, 1957; Sculpture Exhibi-
tion, Riverside Museum, New York, 1958; Boston Institute of Con-
temporary Art (traveling exhibition), 1958; Stable Galler\'. New
York, 1959, I960, 1961; 'American Sculpmre." Claude Bernard
Gallery, Paris, I960; Riverside Museum, New York, 1962. Public
collections include: Whitney Museum of American Art. New
York; Chrysler Museum at Norfolk (formerly Norfolk Museum
of Arts and Sciences), Virginia. Resides Bolinas, California.
John Langley Howard
Bom Montclair, New Jersey, 1902. Came to California at age three
months. Studied: Art Students League of New York (with Kenneth Hays
MiUer); self-taught. Selected awards: Anne Bremer Memorial Prize
(painting), SanFrancisco Art Association Annual, 1934; FirstPrize, San
Francisco Art Association Annual, San Francisco Museum of Art, 1937 ;
Artist Fund Prize, San Francisco Art Association Annual, San Francisco
Museum of Art, 1945; Purchase Prize, San Francisco Annual Arts Festi-
val, 1950. One-man exhibitions in San Francisco, Carmel, Santa Fe,
New York, 1925-1950; Lawson Galleries, San Francisco, 1975. Two-
man exhibitions: San Francisco Art Commission Gallery, "Capricorn
Asunder" (with Blanche Phillips Howard), 1973; Bank of America
Center, San Francisco (with Blanche Phillips Howard), 1975. Selected
group exhibitions: Corcoran Gallery of Art, Washington, D.C., 1941;
Carnegie Institute Museum of Art, Pittsburgh, 1941 ; "56th Annual
American Paintings," Artlnstitute of Chicago, 1945 ; Whitney Museum
of American Art Annuals, New York, 1946, 1947, 1952; "2nd Annual
Exhibition," California Palace of the Legion of Honor, San Francisco,
1948; "5th Annual Exhibition," California Palace of the Legion of
Honor, San Francisco, 1952; "Contemporary American Paintings,"
Stanford University, 1956; Art in Science, Scientific American Maga-
zine traveling exhibition, 1966. Mural commission: Coit Tower, San
Francisco, 1934. Public collections : City and County of San Francisco;
California Palace of the Legion of Honor, San Francisco; Security Pacific
National Bank World Headquarters, Los Angeles; International Business
Machines, New York; Scientific American Magazine, New York. Re-
sides Bolinas, California.
67. John Langley Howard: IN THE BEGINNING {fiart of triptych). 1976.
tempera, 23 x 2OV2 '.' Location 2-A31
29
Sandria Ann Hu
Bom San Francisco, California, 1946. Studied: San Diego
State University, B.A., M.A.; Stanford University, M.F.A.
Awards: Guggenheim Fellowship (Paris), 1974-1975; Na-
tional Endowment for the Arts (Hawaii), 1975. One-woman
exhibitions: California Palace of the Legion of Honor, San
Francisco, 1977 ; Tyler Art Museum, Texas, 1977. Group
exhibitions: Boston Printmakers 23rd Annual Print Show,
Decordova Museum, Lincoln, Massachusetts (Purchase
Award), 1971; 25th Annual San Francisco Arts Festival
(Purchase Award), 1971; Silvermine's 9th National Print
Exhibition, New Canaan, Connecticut (Purchase Award),
1972; Mid- Western Graphics Annual Competition and Exhi-
bit, City County Library, Tulsa, Oklahoma (Purchase
Award), 1973; 19th National Print Exhibition, The Brook-
lyn Museum, 1975; Tibor de Nagy Gallery, Houston, Texas,
1975; Watson/De Nagy & Co. Gallery, Houston, Texas,
1976; "New Printmakers for Texas," University of Dallas,
Texas, 1977; "Texas Today," Fort Worth Art Museum,
Texas, 1977. Resides San Francisco, California.
70. Sandria Ann Hu
ECOLOGICAL MIRAGE, 1974
color lithograph {ed. 20) 30-1/8 x 22V2 ' '
Location : 1 -and throughout Medical Center
Margo Humphrey
Bom Oakland, California, 1942. Studied: California College of Arts
and Crafts, Oakland, B.F.A. ; Whitney Museum of American Art,
New York; Stanford University, M.F.A. Awards: "Who's Who in
Black America" ; Faculty Research Grants, University of California
at Santa Cmz, 1974-1978; Teaching Fellowship, University of the
South Pacific, Suva, Fiji, 1977; Research Fellowship, University of
Dakar, Senegal, West Africa, 1978.
Selected one-woman exhibitions:
University of California, Davis,
1977. Selected group exhibitions:
"Unique Prints of Black Print-
makers in America," Smithsonian
Institution, Washington, D.C.,
1977; "Mixed Media on Paper,"
Berkeley Art Center, 1978; Cali-
fornia Society of Printmakers/Los
Angeles Printmaking Society,
Brand Library and Art Center,
Glendale, California, and Mills Col-
lege Art Gallery, 1978. Selected
public collections: The Oakland
Museum; University Art Mu-
seum, Berkeley; Achenbach Foun-
dation for Graphic Arts, California
Palace of the Legion of Honor, San
Francisco; Tamarind Institute,
Albuquerque, New Mexico; Grun-
wald Center for the Graphic Arts,
University of California, Los Ange-
les. Teaches at University of Cali-
fornia, Santa Cmz. Resides Oak-
land, California.
71. Margo Humphrey, BORN AGAIN, 1974; color lithograph (ed. 20), 16-1/8 x 22V* '
Location: I -and throughout Medical Center
30
Jean Hyson
Bom Alvarado, Texas, 1934. Came to San Francisco in 1961. Studied: Art
Students League of New York (with George Grosz, Yasuo Kuniyoshi,
Harry Sternberg) ; New York University (with William Baziotes). Chair-
man, "National 1970DrawingExhibition," presented by the San Francisco
Women Artists in cooperation with the San Francisco Museum of Art,
1969-1970. One-woman exhibitions: Arleigh Gallery, San Francisco,
1965, 1966, 1968; California Palace of the Legion of Honor, San Fran-
cisco, 1969; William Sawyer Gallery, San Francisco, 1972; The Xergo
Gallery, Oakland, 1975; Richmond Art Center, 1977. Two-person exhi-
bition: Sonoma State College Gallery (with Jacques Fabert), 1963. Three-
person exhibitions : Arleigh Gallery, San Francisco (with James Monte and
Helen Breger), 1966; Kennedy Gallery, Holy Names College, Oakland
(with Gloria Brown and Masatoyo Kishi), 1968. Selected Group Exhibi-
tions: "New Images of San Francisco" M.H. de Young Memorial Mu-
seum, San Francisco, I960; Winter Invitational, California Palace of the
Legion of Honor, San Francisco, 1964; "San Francisco Women Artists:
42nd Annual," San Francisco Museum of Art, 1967; "Small Image Show
(prize in painting), Santa Barbara Museum of Art, 1969; Contemporary
Fine Arts Invitational, Phyllis Kind Gallery, Chicago, 1969 ; Contempo-
rary Fine Arts Invitational, Northern Illinois University, DeKalb, 1969;
Museum of Modern Art, New York, 1970; "California Artists," Western
Association of Art Museums (traveling exhibition), 1970; "36th An-
nual," Butler Institute of American Art, Youngstown, Ohio, 1972; "Bay
Area Artists Exhibition/Sale," The Oakland Museum, 1975, 1977. Public
collections include: Container Corporation of America, Chicago; City and
County of San Francisco; The Oakland Museum; International Banking
Center, Bank of America, San Francisco. Resides San Francisco,
California.
72. Jean Hyson: HUBRIS. 1976; acrylic. 23-7/8 x 19-7/8'
Location : Main Lobby.
John Ihle
Born Chicago, Illinois, 1925. Came to California in 1952. Studied:
Illinois Wesleyan University, B.F.A., 1950; studied with Maurice
Lasansky, University of Iowa, 1949; Bradley University, Peoria,
Illinois, M.A., 1951; San Francisco State University. Selected
awards: Otis Art Institute, Los Angeles; Society of American Etch-
ers, New York; Society of American Graphic Artists, New York;
California Society of Etchers, San Francisco; The Print Qub, Phila-
delphia; Ford Foundation, San Francisco; Faculty Research Devel-
opment Grant, San Francisco State University, 1973. Selected one-
man exhibitions: San Francisco Museum of Art, I960, 1966,
1977 ; Achenbach Foundation for Graphic Arts , California Palace of
the Legion of Honor, San Francisco, 1962 ; Hansen Gallery (now
Hansen-Fuller Gallery), San Francisco, 1964, 1968; Henry Art
Gallery, University of Washington, 1965; Arizona State University,
Tempe, 1967; University of Alberta, Edmonton, 1969; Gallery of
Visual Arts, University of Montana, Missoula, 1976. Group exhibi-
tions include over 23 national and international print exhibitions and
over 15 print invitationals. Commissions: International Graphic
Arts Society, Pub. Editions, 1957, 1%0, 1962; Roten Gallery,
Baltimore, Maryland, 1967; Fairweather-Hardin Gallery, Chicago,
Pub. Edition, 1968. Public collections (selected): Library of Con-
gress, Washington, D.C. ; The Brooklyn Museum; Chicago Art
Institute; National Gallery of Art, Washington, D.C; Walker Art
Center, Minneapolis; San Francisco Museum of Modem Art;
Achenbach Foundation for Graphic Arts, California Palace of the
Legion of Honor, San Francisco; New York Public Library; The
Oakland Museum; Cleveland Museum of Art. Resides Mill Valley,
California. Professor of Art, San Francisco State University, 1968
to date.
73. John Ihle; DEJEUNER AU BORD DE LA MER. 1974. c v - -
etching {ed. 20), 28 x 22^/i ". location: I -<tnd thnugboul MeJtc^ Ctmter
31
74. Beverly Jaeger; HERMAN, 1976: oil, I8V2X 32'.' Location: 2-Bl.
Beverly Jaeger
Born New York City, 1949. Came to
California in 1974. Studied: Tyler
School of Art of Temple University, Phil-
adelphia, B.F.A., 1970; Washington
University, St. Louis, Missouri; Insti-
tute for Sociotherapy (art therapy
studies). New York. One- woman exhibi-
tions: Shazzam, New York, 1974; Bank
of America, Noe Valley Branch, San
Francisco, 1977; Omphale Headlands,
Sausalito, 1978. Group exhibitions in-
clude: 39 East 20th St., New York,
1973; Women's Art Center, San Fran-
cisco, 1975; Southern Exposure Gallery,
Project Artaud, San Francisco, 1976;
Annual San Francisco Arts Festival,
1976-1978; "Living Waters," A.I. R.
Gallery, San Francisco, 1977; Marina
View Gallery, Fort Mason, San Fran-
cisco, 1977; Oceanic Society, Fort
Mason, San Francisco, 1977 ; Cellar of
Fine Arts, San Mateo, 1977. Resides
San Francisco, California.
Randy James
Born Lima, Ohio, 1949. Came to
California in 1971. Studied: An-
tioch College, Yellow Springs,
Ohio, B.A. ; San Jose City College
(courses in laser technology).
Group exhibitions include : "Holo-
graphy and Laser Art of the Bay
Area," San Jose State University,
1974; Sutton-Ross Gallery, Oak
Ridge, Tennessee, 1975; Annual
San Francisco Arts Festival, 1976;
"Through the Looking Glass," Mu-
seum of Holography, New York,
1976; "Picture This," Museum of
Modern Art, New York, 1977;
Traveling Exhibition, Museum of
Holography, New York, 1977. Re-
sides San Francisco, California.
75. Randy Jatnes; UNTITLED, 1976; photogram, 13Vax 19V* '■'
Location : 2-A Hallway.
32
Bill Jefferson
Born Wisconsin Rapids. Wiscon
sin, 1948. Came to California in
1971. Studied: University of
Michigan, B. A. (History); no for
mal schooling in art. One-man ex
hibitioas: Chez Jacques Gallery
Ann Arbor, Michigan, 1970
1971 ; Lucien Labaudt Gallery,
San Francisco, 1974. Group ex
hibitions: Annua! San Francisco
Arts Festival, 1972- 1976
"Black and White Drawing
Show."San Francisco An Comis
si on Gallery, "Qpricorn Asun
der," 1976; "Art for Giving anc
Collecting," San Francisco Mu
seum of Modern Art, 1977. Re
sides San Francisco, California
76. Bill Jefferson; CASTRO STREET SCENE, 1976; ink on illustration board, 20 x 26 ','
Location: 7- A Group Room.
Marie Johnson
Born Baltimore, Maryland. Came to California in 1954. Studied:
Morgan State College, Baltimore, Maryland, B.A., 1952; San Jose
State University, M.A., 1968; Stanford University, 1969; San
Francisco State University (Ph.D. Equivalency), 1977. Awards:
Artist Exhibition Award in conjunction with Annual San Francisco
Arts Festival, 1977. Selected one- woman exhibitions: Lucien
Labaudt Gallery, San Francisco, 1964; San Jose State University,
1968; William Sawyer Gallery, San Francisco, 1971; Triton Mu-
seum of Art, Santa Clara, 1973; Howard University, Washington,
D. C. , 1 974 ; Selma Burke Art Center (sponsored by Carnegie Foun-
dation), Pittsburg, 1975. Two-person exhibitions: San Francisco
Museum of Modern Art (with Betye Saar), 1977. Selected group
exhibitions: Expo 70, Osaka, Japan, 1970; "The Black Experi-
ence," Occidental College, Los Angeles, 1971; "Contemporary
Black Dimensions," De Saisset Art Gallery, University of Santa
Clara, 1971; "The Black Experience — Seven California Artists,"
San Jose State University, 1971 ; "Eleven from California," Studio
Museum, New York; "Three Assemblage Interpretations," Brock-
man Gallery, Los Angeles, 1972; "Black Mirror," Womanspace
Gallery, Los Angeles, 1973; "Four Black Artists," San Jose State
University, 1973; "Blacks: USA: 1973," New York Cultural
Center, 1973; "WestCoast, '74 — The Black Image," E.B. Crocker
Art Gallery, Sacramento, 1974; "Directions in Afro-American
Art," Cornell University, Ithaca, New York, 1974; "Five Black
Women," Illinois State University, 1975; "Other Sources: An
American Essay," San Francisco Art Institute, 1976. Public com-
mission : District Health Center #3 (under San Francisco City and
County's 2% for Art Enrichment Program), 1968. Public col-
lections include : Triton Museum of Art, Santa Clara ; San Jose State
University; The Oakland Museum; Johnson Publications, Chi-
cago; San Jose City College. Currently, Associate Professor of Art,
San Francisco State University. Resides Pacifica, California.
77. Marie Johnson; SAN FRANCISCO FAMILY CIRCLE. 1976
mixed media bas-relief 72x 72' '. Location Main Lobby
33
Karl Kasten
Born San Francisco, California, 1916. Studied: Uni-
versity of California, B.A., M.A.; University of Iowa;
Hans Hoffman School, Provincetown, Massachusetts.
Awards: Creative Arts Institute Fellowship, 1964,
1971 : Tamarind Lithography Workshop Fellowship,
1968 ; Humanities Research Fellowship, University of
California, Berkeley, 1975 ; Regents Faculty Fellow-
ship, University of California, Berkeley, 1977. Se-
lected one-man exhibitions: California Palace of the
Legion of Honor, San Francisco, 1959; Musee des
Beaux Arts, Rennes, France, 1959; Oakland Art Mu-
seum, 1962; Galerie Breteau, Paris, 1961; John
Bolles Gallery, 1968, 1971, 1973; E.B. Crocker Art
Gallery , Sacramento, 1969; Turkish- American Gal-
lery, Ankara, 1975; Achenbach Foundation for
Graphic Arts, California Palace of the Legion of
Honor, San Francisco, 1975 ; University of Alaska
Museum, Fairbanks, 1976; Valley Art Gallery, Wal-
nut Creek Civic Arts Gallery and Theatre, and Walnut Creek Li-
brary, 1978. Selected group exhibitions include: Art Institute of
Chicago, 1946; Metropolitan Museum of Art, New York, 1950;
Whitney Museum of American Art, 1952; Biennial Exhibition, Sao
Paulo, Brazil, 1955, 1961 ; "West Coast Artists," Auckland City
Art Gallery, New Zealand, 1962; Galerita, Milan, Italy, since
1971 ; "California in Print," Van Straaten Gallery, Chicago, 1974;
"Prints California," The Oakland Museum, 1975; Dedication Print
Exhibition, University of Texas, 1976. Selected public collections:
lJ
78. Knrl Kaslen . LUCKY WAY, 1974; collograph {ed. 20), 22V*x30':
Location : 1 -and throughout Medical Center.
New York Public Library; The Oakland Museum; San Francisco
Museum of Modern Art; Museum of Modern Art, New York;
Pasadena Art Museum (now, Norton Simon Museum of Art at
Pasadena); Victoria and Albert Museum, London; Musee des
Beaux Arts, Rennes, France; Los Angeles County Museum of Art;
City and County of San Francisco; M. H. de Young Memorial Mu-
seum, San Francisco. Professor of Art, University of California,
Berkeley. Resides Berkeley, California.
David Kessler
Born Teaweck, New Jersey, 1950. Came to California in 1972.
Studied: Arizona State University, B.F.A., 1972; San Francisco Art
Institute, M.F.A., 1975. Selected awards: Faculty Medallion of
Merit, Arizona State University, 1972; Davidson College Special
Purchase Award, Davidson National Print and Drawing Competi-
tion, North Carolina, 1975; Purchase Award, "Drawings USA,"
Minnesota Museum of Art, 1975; Purchase Award, "American
Drawings 1976," Portsmouth Community Arts Center, Virginia
(traveling exhibition), 1976; Purchase Award, California State
Exposition and Fair, 1977. One-man exhibitions: Arizona State
University, Tempe, Arizona, 1973; ADI Gallery, San Francisco,
1976; Gallery 4, Alexandria, Virginia, 1977. Selected group exhi-
bitions: "Drawings USA," Minnesota Museum of Art, 1975 ; "A
Classic Revival," Illinois Bell Telephone (traveling exhibition),
1975 ; "Top Drawers," John Michael Kohler Arts Center, Sheboy-
gan, Wisconsin, 1976; "American Drawings 1976," Portsmouth
Community Arts Center, Virginia, 1976; "The Human Image in
American Art in the 70's," John Michael Kohler Arts Center, She-
boygan, Wisconsin, 1977; United States Information Agency,
Traveling tour to Japan of 50 American printmakers, 1977-1978.
Public collections (selected) : Brooklyn Museum of Art, New York ;
Minnesota Museum of Art, St. Paul; Phoenix Art Museum; Uni-
versity of Minnesota, Minneapolis ; Santa Barbara Museum of Art;
United States Embassy, Tokyo; AT&T, New York; Illinois Bell
Telephone, Chicago; Arco, Los Angeles; Clorox Corporation, Oak-
land; Crown Zellerbach, San Francisco; IBM, Los Angeles and San
Francisco; ITEL Corporation, Washington, D.C. Resides San
Leandro, California.
79. DavidKessler; REFLECTED OBSERVER, 1975; color pencil, 38x25 '.'
Location : Main Lobby.
34
80. Robert Kingsbury; PHOENIX, 1969; laminated redwood, 94x36'.'
Location: 2-Cafeteria,
Robert Kingsbury
Born Detroit, Michigan, 1924. Came to California in 1958.
Studied: University of Michigan, Bachelor of Design, 1951;
Swedish State School of Art, Stockholm, 1951-1955; studied with
Robert Nilsson in Stockholm. One-man exhibition: Galerie de
Tours, San Francisco, 1963. Selected group exhibitions: San Fran-
cisco Art Institute Annual, San Francisco Museum of Art, 1%3;
California Design 9 Triennial, Pasadena Art Museum (now, Nonon
Simon Museum of Art at Pasadena), 1965; Valley Art Galler\-, Wal-
nut Creek, 1965; California State University at Hayward, 1964-
1966; Art in Architecture Invitational, San Jose State University.
1966; Marin County Civic Center, San Rafael, 1965; American
Crafts Council, New York (traveling exhibition), 1966; Museum of
Contemporary Crafts. New York, 1968; "California Design 10,"
Pasadena Art Museum, 1968; San Fernando Valley State College,
San Fernando, 1969. Public commissions: Fireplace Frieze, Domus
Student Hotel, Stockholm; Cathedra (Bishop's Chair) and two
Credence Tables, Grace Cathedral, San Francisco; Baptismal Font,
Hope Lutheran Church, Colma, California. Resides San Francisco,
California.
Dale Kistemaker
Born Cleveland, Ohio, 1948. Came to California in 1973. Studied:
Ohio State University, B.A., 1972; San Francisco State University.
M.A., 1975; assistant to Don Worth. 1975-1977. Taught: San
Francisco State University. Awards: Purchase Prize. "Light II.'*
Humboldt State University, 1977. One-man exhibitions: Silver
Image Gallery, Columbus, Ohio. 1972, 1976; Gallen.- of Photo-
graphic Arts, Cleveland, Ohio, 1977; 13x15 Gallery. Webster
Groves, Missouri, 1977; Mercer College. Macon. Georgia. 1977.
Group exhibitions : "Photoexpressions by Six Ohio Photographers."
State Capitol building, Columbus. Ohio, 1972 1973; "8th Annual
Refocus," University of Iowa, Iowa City. 1972; Focuserie National
Photographic Competition, Erie. Pennsylvania. 1973; "Photog-
raphy as Fine Art," United States Information Agency (traveling ex-
hibition), 1974; Lamkin Camera Work Galler)-. Fairfax. 1975;
"Light II," Humboldt State University. 1977; "New Photo-
graphics," University of Washington. Seattle. 1977; "Pictures."
Diablo Valley College. Pleasant Hill. 1978. Public collections in
elude: Ohio State Uni%'ersity Archives. Columbus; Humboldt State
University Archives, Areata. California. Resides San Francisco.
California. Currently teaching at Chabot Community College. Hay-
ward, and Cit}' College of San Francisco.
Dak Kistemaker; THE CONSERVATORY, 1973; black and whiU photograph, 4V2X 18':
Location: 2 -A3.
35
Toby Judith Klayman
BornProvidence, Rhode Island, 1935. Came to California
in 1966. Studied: Brandeis University (with Peter
Grippe), B.A. Awards: Purchase Award, Annual San
Francisco Arts Festival, 1969. One- woman exhibitions:
John Bolles Gallery, San Francisco, 1971, 1974; Mar-
quoit Galleries, San Francisco, 1972; Hern Gallery, Palo
Alto, 1973; Morris Gambs Gallery, San Francisco,
1974; Rubicon Gallery, Los Altos, 1975. Selected group
exhibitions: John Bolles Gallery, San Francisco, 1970,
1973; Palo Alto Print Invitational, Palo Alto Cultural
Center, 1973; Brentano's Gallery, San Francisco, 1975;
"Black & White Show," San Francisco Art Commission
Gallery, "Capricorn Asunder," 1976; Gallery Opening
Group Show, Tyson Gallery, San Francisco, 1976; "Con-
temporary Issues : Works by Women on Paper," Women's
Building, Los Angeles (traveling exhibition), 1977; "Bay
Area Artists Exhibition & Sale," The Oakland Museum,
1977; "Downtown Dog Show," Fine Arts Museums
Downtown Center, San Francisco, 1977. Public collec-
tions include : Raychem Corporation, Menlo Park, Cali-
fornia; Syntex Corporation, Menlo Park, California; City
and County of San Francisco. Resides San Francisco,
California.
83. Toby Judith Klayman; SANJI. 1972; serigraph, a/p, 36x 36 '.'
Location: 2-Hallway between Cafeteria and Administration.
Photo : Ned Topham & Ilka Hartman
Freda Kohlick
Born San Francisco, California. Studied: City College of San Fran-
cisco and San Francisco State University, 1938-1941; Plastic In-
dustries Technical College, Los Angeles, 1941-1943. Awards:
Louis Comfort Tiffany Grant-in- Aid, 1969 1970; John Simon
Guggenheim Fellowship in Sculpture, 1970-1971; Apprentice
Grant, National Endowment for the Arts, 1976. One-woman exhi-
bitions: Henry Art Gallery, University of Washington, Seattle,
1964; American Institute of Architects, San Francisco, 1964;
Museum of Contemporary Crafts, New York, 1968; Arizona
State University, Tempe, 1970; Lane-Epstein Gallery, Houston,
1970; Fountain Art Gallery, Portland, Oregon, 1971; Fresno
Art Center, California, 1971 ; Benson Gallery, Long Island, New
York, 1976; Francisco St. Studio Exhibition, 1977. Selected group
exhibitions : United States Government Department of State (travel-
ing exhibition), 1961 ; San Jose State University, 1962; Museum of
Contemporary Crafts, New York, 1962-1964, 1966; "Object
U.S.A." Johnson Wax Company (traveling exhibition), 1969 to
date; "Pierres de Fantasie," The Oakland Museum, 1970. Selected
architectural commissions, 1946-1963: cast acrylic relief with
color. Independence Mall, Philadelphia (Pietro Belluschi, Archi-
tect); cast acrylic lighting forms. Manufacturers Trust Company,
Buffalo, New York (Minoru Yamasaki, Architect); cast acrylic
fountain. City of Vallejo, California (Robert Royston, Landscape
Architect) ; acrylic prismatic constructed piece for lighting. Inter-
national Building, San Francisco; cast acrylic doors, Sheraton-
Dallas Hotel, Texas (Welton Becket and Associates, Architects).
Resides San Francisco, California.
87. Freda KobUck
Acrylic Screen, 1977
96x96x2"
Location: Out Patient Lobby
36
Lawrence Compton Kolawole
Alsoworked under the name, L. Compton. Born Beaumont, Tcx;ts.
1931. Lived in California 1943- 1951; 1974 to date. Studied: Cal
iforniaSchoolof Fine Arts (now, San Francisco Art Institute), 1949
1951. Awards: included in "Who's Who in American Art," 1976;
"Who's Who in the West," 9th edition; "Community Leaders and
Noteworthy Americans," 9th edition; "Who's Who in America,"
40th edition. Selected one-man exhibitions include: Markischen
Museum der Stadt, Witten, Germany, 1971; Galerie Dimitrios.
Amsterdam, 1972; Galerie 55, Paris, 1973; one-nun show pavil
ion at "Art Actuel," Brussels, Belgium, 1974; San Francisco Art
Commission Gallery, "Capricorn Asunder," 1975. Selected group
exhibitions: Harbstsalon Hausder Kunst, Munich, Germany.
1966; State Museum, Trier, Germany, 1969; International Art
Market, Cologne, Germany, 1971 ; International Art Market Paint
Show, Dusseldorf, Germany, 1974; Annual San Francisco Arts
Festival, 1975. Public collections : Insel-film, Munich, Germany;
Muiska-Museum, Munich; Stadt Witten Museum, Germany; Len-
bach House City Gallery, Munich; National Graphic Colltxiion,
Munich; Nigerian Art Association, Lagos. Resides San Frarj-
Cisco, California.
89. Lawrence Compton Kolawok; BLUE'S DREAM, 1974;
serigraph, 1 7/1 7, 32x24' '■ Location : 2- A Halltmy.
Ray Lauzzana
Bom Detroit, Michigan, 1941. Qme to California in 19^0.
Studied: University of Michigan. B.A.. 1%5; Wayne State
University, Detroit, M.S., 1970; California College of Arts
and Crafts. Oakland. 1971. One-man exhibitioas: MaKina
Miller Gallery, San Francisco, 1972. Group exhibitions:
Albright-Knox Gallery. Buffalo. New York; Achcnhach
Foundation for Graphic Arts. California Palace d the Legion
of Honor. San Francisco; San Francisco Museum erf Art;
Henry Art Gallery, University of Washington. Seattle:
Museum of Modern Art. New York ; Krannert Art Mu^' "
University of Illinois. Champaign; University d 1- ' ■
Austin; Art Center. Grand Rapids, Michigan; The Oakland
Museum; Cincinatti Art Museum; Pratt lastitute. New-
York; Malvina Miller Gallery. San Francisco. Publk coUec
tions: The Oakland Museum; Vancouver Art Gallery; Phil
lips Academy, Andover, Massachusetts; Museum erf Modem
Art, New York; First National Bank, Portland. Resides
Berkeley, California.
90. Ray Lauzzana; THE LAST OF THE UNREAUSTS, 1974;
color etching on plexiglass {ed. 20), 21 x 27'!
Location: 1-and throughout Medical Center.
37
James Thomas Lawrence
Bom Baltimore, Maryland, 1947. Came to California in 1971.
Studied: Maryland Institute, Baltimore, B.F.A., 1965; California
College of Arts and Crafts, Oakland, M.F.A., 1970. Awards: Hon-
orable Mention, Alameda County Fair, Pleasanton, 1972; Third
Prize, Alameda County Fair, Pleasanton, 1973. Group exhibitions:
Black Artists Group Show, Humboldt State University, Areata,
1974 ; Hayward Area Festival of the Arts, Inc. ; Collectors' Gallery,
The Oakland Museum, 1976; Earth 'n Arts Gallery, Oakland,
1977; Drawing Department Faculty Show, California College of
Arts and Crafts, Oakland, 1977, 1978; Ethnic Artists Group Show,
Olney College, Hayward, 1978. Resides Oakland, California.
mm
Elisa Maria Leptich
Bom Copenhagen, Denmark, 1936. Came to California in 1957.
Studied: San Frandsco State University, B. A., 1971; M.A., 1973.
Taught San Francisco Community College District, 1973 to date.
Awards (selected): Purchase Award, Annual San Francisco Arts
Festival, 1971, 1975 ; Best in Show, Marin County Fair, San Rafael,
1974; First Prize, San Mateo County Fair, 1975; Second Prize,
Califomia State Fair, Sacramento, 1975; Cash Award, "Surface &
Image," Walnut Creek Civic Arts Gallery, 1976; Cash Award,
Crocker-Kingsley Annual, E.B. Crocker
Art Gallery, Sacramento, 1977; Pur-
chase Award, San Francisco Interna-
tional Airport (under San Francisco City
and County's "2% for Art Enrichment"
Program), 1977. One-woman exhibi-
tions: Union Gallery, San Jose State Uni-
versity, 1976; Avalon's Upstairs Gal-
lery, Alameda, California, 1977. Group
exhibitions (selected) : "The New Mas-
ters," Syntex Gallery, Palo Alto, 1973;
San Francisco State University, 1973;
Califomia State Fair, Sacramento, 1973-
1975; "An Exposition," San Francisco
Art Commission Gallery, "Capricorn
Asunder," 1973; Hoffman Gallery,
Portland, Oregon, 1974; "S.W.A.P.,"
SanFrandsco Art Institute, 1974; "Sur-
face and Image," Walnut Creek Civic
Arts Gallery, 1976; "Bicentennial
Landscape Show," San Francisco Art Com
mission Gallery, "Capricorn Asunder,"
1976; "Touching All Things," Walnut
Creek Civic Arts Gallery, 1977;
Crocker-Kingsley Annual, E.B. Crocker
Art Gallery, Sacramento, 1977. Resides
Alameda, California.
92. James Thomas Lawrence; BRAIDING RITUAL, 1977; prismacolor,
pencil, wash, 20x 15'- Location: 2-AI5.
93. Elisa Leptich, HIGH SIERRA SUNSET, 1976; oil on canvas. 42 x ■
Location : 2-Conference Room I
38
94. Carlos Loarca; Untitled Mural, 1974; mosaic, 96 x 240'
Location: 3-Courtyard {Mechanical Building)
Carlos Loarca
Born Quezaltenange, Guatemala, 1937. Came to California in
1964. Studied: John Adams Adult School, San Francisco Commu-
nity College District (with Elio Benvenuto), 1964-1965; J. Mast-
Bownd Adult School, Philadelphia, 1965-1966; Brigham Young
University, Provo, Utah, 1966-1967; largely self-taught in art.
One-man exhibitions: Quezaltenange, Guatemala, 1965; Galeria
de la Raza, San Francisco, 1971 ; Chabot College, Hayward, 1971 ;
Nanny Goat Hill Gallery, San Francisco, 1973. Two-man exhibi-
tions: University of San Francisco (with Homero Herrera), 1972;
Canada College, Redwood City (with Jerry Concha), 1972 ; Chabot
College, Hayward (with Oscar de Leon), 1974 ; Galeria de la Raza,
San Francisco (with Gustavo Rivera), 1974. Selected group exhibi-
tions: "Fiesta de la Raza," The Oakland Museum. 1970; Group
Exhibition, The Oakland Museum, 1972; "M.I.X.; HI." San Fran-
cisco Museum of Art, 1972; "Cinco de Mayo Exhibition." San
Jose Museum of Art, 1974; Casa de la Cultura, Guadalajara.
Mexico, 1976; "Dia de la Raza," The Mexican Museum. San
Francisco, 1976; "The Fifth Sun: Traditional and Contemporar>-
Chicano Art," University Art Museum. Berkeley. 1977. Public
collections : Standard Oil Company of California. Resides San Fran-
cisco, California.
Donald Longanecker
Bom Upland, California, 1917. Studied: University of Cali-
fornia at Berkeley, B.A. Group exhibitions: "Bay Area
Photographers," Annual San Francisco Arts Festival, 1955-
1977. Resides San Francisco, California. Works as a medical
photographer for the University of California at San Francisco
General Hospital.
^9. DonaU Longanecker; HIGH UP. 1975 ; black and whiu pbotogrtph. Ibx20"
Location : 2-Chapel Hallway Photo Donald Longanttur
39
Ralph Maradiaga
Born San Francisco, California, 1934. Studied: San Francisco
State University, B. A., M.A.; Stanford University, M.A. (in
filmmaking). Two-man exhibition: Galeria de la Raza (with
Rupert Garcia), San Francisco, 1971. Selected group exhibi-
tions: Annual San Francisco Arts Festival, 1970-1975;
"M.I.X. Graphics I : Prints," San Francisco Museum of Art,
1973; Print Club Invitational, Philadelphia, 1973; "Posters
and Society," San Francisco Museum of Art, 1974; "Images of
an Era: The American Poster, 1945-1975," Smithsonian Insti-
tution, Washington, D.C. (traveling exhibition), 1975; "Bay
Area Chicano Artists," organized by the San Mateo Arts Council
(travelingexhibition), 1976; "Raices Antiguas/Visiones Nuevas
— Ancient Roots/New Visions," Tucson Museum of Art, Ari-
zona, 1977. Public collection : Museum of Modern Art, New
York. Resides San Francisco, California. Co-director of the
Galeria de la Raza, San Francisco.
100. Ralph Maradiaga; EL SOL NUNCA MUERE, 1973; color serigraph,
27/75, 24 X 21 Vi ' ! Location : 2-Hallway between Cafeteria
and Administration.
Masashi Matsumoto
Born San Bruno, California, 1942. Studied: San Francisco Art
Institute, B.FA., 1972, M.FA., 1975. Awards: Work/Study
Vocational Rehabilitation Grant, California State Human Resources
Development, 1969; Rockefeller/N.E.A. Fellowship in Museum
Education, Fine Arts Museums of San Francisco, 1975-1976. Se-
lected one-man exhibitions : Lucien Labaudt Gallery, San Francisco,
1975; San Francisco Art Institute Annual, 16th and Folsom Streets,
1975-1976. Selected group exhibitions: "Clocktower Exhibit,"
Benicia Art Center, California, 1976;
"A Tight 1 3 Minutes," Museum of Con-
ceptual Art, San Francisco, 1976;
"Other Sources: An American Essay,"
SanFrancisco Art Institute, 1976; "101
Toasters," La MameUe Art Center, San
Francisco, 1976; "The Reno Show,"
The Nevada Art Gallery, Reno, 1977;
"Eyes and Ears Billboard Festival," San
Francisco, 1977 ; "Aesthetics of Graf-
fiti," San Francisco Museum of Modern
Art, 1978. Resides San Francisco,
California.
Masachi Matsumoto; THREE DOORS, 1978; acrylic on board, 12x20".
Location: 7-B.
40
Robert
McManus
Bom Belfast, Ulster, Ireland,
1937. Came to California in
1957. Studied; San Francisco
State University', B.A., M.A.
Group exhibition : Annual
San Francisco Arts Festival,
1976. Resides San FrarxHsco,
California.
102. Robert McManus;
INTERNATIONAL
TRADEMARK. 1976;
watercoloT, 22 x 30' '.
Location: G-Q3-
Alex McMath
Bom Clinton, South Carolina, 1945. Came to California in
1968. Studied: Morehouse College, Atlanta. Georgia, B.A..
1968; University of California, Berkeley, M.A., 1970;
M.F.A., 1971. Awards (selected): Eisner Prize, Art Depart-
ment, University of California, Berkeley. 1971; First Place
Purchase Award, 21st Annual South Carolina Guild of Art-
ists Contest, 1971. One-man exhibitions: University of Cal-
ifornia Art Museum, Berkeley, 1971 ; Clarence White Con-
temporary Art Gallery, Chicago, 1976. Group exhibitions:
"Highlights of the Atlanta University Afro-American An
Permanent Collection," The High Museum of Art. Atlanu.
Georgia, 1973; "M.I.X. : A Third World Painting/Sculpture
Exhibition," San Francisco Museum of Art, 1974; "Other
Sources; An American Essay." San Francisco Art Institute,
1976; "Line and Mass," Clarence White Contemporary Art
GaUeo', Chicago, Illinois, 1978; "Aesthetics of Graffiti." San
Francisco Museum of Modern Art. 1978. Art Instructor.
College of Marin, Kentfield, California, 1976 to date. Re
sides San Francisco, California.
103. Alex McMath; BUCOUC FUGHT *2; pen and ink, 30x 22>/i ' '.
Location: 7-B.
41
John Douglas Mercer
Born Des Moines, Iowa, 1945. Came to
California in 1973. Studied: Arizona State
University, Tempe, M. A., 1972, M.F.A.,
1973. One-man exhibitions: Lucas Gal-
lery, San Francisco, 1974; Creative Eye
Photo Gallery, Sonoma, 1974, 1976; The
Annex Gallery, Santa Rosa, 1975; Shado
Gallery, Oregon City, Oregon, 1975;
Modesto Junior College, California,
1975; Focus Gallery, San Francisco,
1976. Two-man exhibition: Northwest
Missouri State University, Maryville,
1973. Group exhibitions (selected): Ari-
zona Biennial Photography Exhibition,
Phoenix Art Museum, 1972; Modesto Jr.
College Art Gallery, California, 1974;
"Foto Folio," Cascade Gallery, Seattle,
Washington, 1974, 1975; "Photographic
Directions," College Art Gallery, State
University College, New Paltz, New
York, 1974; "Photo-Postcard 1975," Cre-
ative Eye Photo Gallery, Sonoma, 1975;
"7 Bay Area Photographers," San Fran-
cisco Art Commission Gallery, "Capricorn
Asunder," 1976; Gallery F-22, Santa Fe,
New Mexico, 1977. Resides Sonoma,
California.
104. John Douglas Mercer; UNTITLED #/, 1973-1976; black and white photograph, lOx 12
Location: 2 -Cafeteria
Mansaku Minashima
Bom Hokaido, Japan, 1923. Came to California in 1965.
Studied: Musashino Art University, Tokyo, Japan. Taught:
Honda Fashion School, Fukuoka, Japan, 1959 1965.
Awards: Westwood Art Association, Los Angeles, 1967;
Westside Jewish Community Center, Los Angeles, 1969.
One-man exhibitions: Comara Gallery, Los Angeles, 1968,
1970, 1971, 1975; Thoa Gallery, Fukuoka, Japan, 1973,
1976. Group exhibitions: "Twenty-two Contemporary Art-
ists of Southern California," Palm Springs Desert Museum,
California, 1968 ; "Contemporary American Paintings and
Sculpture," Krannert Art Museum, University of Illinois.
Champaign, 1969; "San Francisco Art Institute Centennial,"
San Francisco Museum of Art, 1971; "Japanese Artists in
the Americas," National Museum of Modern Art, Tokyo,
Japan (traveling exhibition), 1973. Public collections: Fuku-
han Kaihatsu Co., Japan; Honda Fashion School, Fukuoka,
Japan; Gisen Corporation, Los Angeles and Japan. Resides
Los Angeles, California.
106. Mansaku Minashima; UNTITLED lU, 1976; oil, 46x46".
Location: 1 -Emergency Entrance.
42
Arthur Monroe
Born New York, 1935. Came to California in 1957. Studied:
City College, New York; Brooklyn Museum Art School; Uni-
versity of California, Berkeley; Pratt Institute. Awards: Pratt
Institute Scholarship, 1947; Brooklyn Museum Art School
Scholarship, 1956; Merit Award, Black Expo '72, San Fran-
cisco, 1972. One-man exhibitions : Vorpal Galleries, San Fran-
cisco, 1971, 1973; Berkeley Rainbow Sign Gallery, Berkeley,
1974. Selected group exhibitions : Seattle World's Fair, 1962;
City Lights Bookstore, San Francisco, 1962; Cellini Gallery, San
Francisco, 1968; Dr. Wennesland's Collection, American Sal-
vage Company, San Francisco, 1971 ; "New Perspectives in
Black Art," The Oakland Museum, 1971 ; De Saisset Art Gal-
lery, University of Santa Clara, 1971 ; University of Iowa, Iowa
City, 1971; Southern Illinois University, 1972; Dr. Wennes-
land's Collection, Christiansand, Norway, 1972; Illinois Bell
Telephone (traveling exhibition), 1972; Black Expo '72, Brooks
Hall, San Francisco, 1972 ; "M.I.X. : A Third World Painting/
Sculpture Exhibition," San Francisco Museum of Modern
Art, 1974; Director of Exhibitions for United States Zone,
International Festival, Lagos, Nigeria, 1977. Public collec-
tions: Cathedral School, Christiansand, Norway; The Oak-
land Museum; De Saisset Art Gallery, University of Santa
Clara. Resides San Francisco, California. Curator of Exhibi-
tions, African- American Historical and Cultural Society,
San Francisco.
Robert Moon
Born Oregon City, Oregon, 1941. Came to California in
1962. Studied: San Francisco Art Institute, 1966, B.EA.,
1969, M.F. A. One-man exhibitions : The Oakland Museum,
1971 ; Walnut Creek Civic Arts Gallery, 1972. Selected
group exhibitions : "Three Dimensional Prints" (three-man
exhibition), Richmond Art Center, 1969; International
Printmakers Exhibition, Moore College of Art, Philadelphia,
1969; "A Selection of Young Contemporary Artists," Cali-
fornia Arts Commission (now California Arts Council), Sac-
ramento, 1969; National Print Exhibition Annuals, San
Diego State University, 1969, 1970; Forty-First Inter-
national Exhibition, Northwest Printmakers, Seattle, 1970;
"Add Painters of San Francisco," Richmond Art Center,
1970; San Francisco Art Institute Centennial (Graphics),
California Palace of the Legion of Honor, San Francisco,
1971; Eleventh Annual Calgary Graphics Exhibition
(award), Canada, 1971; "Edition 1971" (award). Walnut
Creek Civic Arts Gallery, 1971 ; "Fantastic Landscape," San
Francisco Art Institute, 1971; "California Printmakers," San
Francisco Museum of Art, 1972; "Eat," Walnut Creek Civic
Arts Gallery, 1972; "San Francisco Printmakers," Cincin-
nati Museum of Art, 1973; "Baja" Exhibition, San Francisco
Museum of Art (traveling exhibition), 1974. Public collec-
tions: University of Calgary, Alberta, Canada; Cincinnati
Art Museum; Museum of Modern Art, New York; Rich-
mond Art Center; City and County of San Francisco; United
States Embassy Collection, United States Information
Agency, Washington, D.C. Resides Woodacre, California.
107. Arthur Monroe: ANCESTRAL COIN, 1970; ink and paper on board. 48 x 4A'-
Location: Building 1, Room 148D.
108. Robert Moon ; LOCHNESS, 1 9 74; lUhograph (ed 20). 22^ jSO '
Location: 1 -and throughout Medical Center.
43
David Moore
Born Ste. Marie, Illinois, 1939. Came to California in 1964.
Studied: SanFrancisco Academy of Art, 1964-1966. Awards: Pur-
chase Award, San Francicso Annual Arts Festival, 1969. One-man
exhibitions: Penrin Gallery, Seattle, Washington, 1970, 1972,
1973; Printmaker's Gallery, San Francisco, 1971; Gallery 22,
Detroit, 1972; Picture Show Gallery, Cincinnati, 1975. Two-man
exhibition: Reflections Gallery, Chicago, 1972. Group exhibition :
John Bolles Gallery, San Francisco, 1972. Public collection: City
and County of San Francisco. Resides San Francisco, California.
109. David Moore
WILD MUSTANG IN THE GRAND CANYON, 1974
color lithograph {ed. 20) 22Va x 16"
Location: 1-and throughout Medical Center
Victor Moscoso
BornLaCoruna, Spain, 1936. Came to California in I960. Studied:
Cooper Union College, New York, 1957; Yale University (with
Joseph Albers), B.F.A., 1959; San Francisco Art Institute (with
Richard Diebenkorn and Nathan Oliveira), M.A., 1961. Awards:
Jose Druis Spanish Portrait Painters Society, 1959; Clio Award (for
public safety animated spot, "Bicycle Safety"), 1978. Selected one-
man exhibitions: John Bolles Gallery, SanFrancisco, 1961; Gallery
de Silva, Santa Barbara, 1965 ; San Francisco Art Institute, 1968;
Thackrey and Robertson Gallery, San Francisco, 1975. Selected
group exhibitions: Moore Gallery, SanFrancisco, 1967; "A Poster
Show," Museum erf Modern Art, New York, 1967 ; "San Francisco
Rock Poster Art," San Francisco Museum of Modern Art, 1976.
Public collections include: National Collection of Fine Arts, Wash-
ington, D.C.; Smithsonian Institution, Washington, D.C. ; Library
of Congress, Washington, D.C. Resides Woodacre, California.
110. Victor Moscoso
METAMORPHOSIS, 1974
hand colored lithograph {ed. 20) 30 x 22"
Location : 1 -and throughout Medical Center
44
Luis Alonso
Munoz
Bom San Salvador, El Salvador,
1933. Came to California in 1%2.
Studied: Academy d Fine Arts,
San Salvador, El Salvador, 1955.
Exhibitions include: Casa Hispana
de Bellas Artes, San Francisco.
1973; Sheraton Palace Hotel. San
Francisco, 1973; Redwood City
Fair, 1974; Annual San Francisco
Arts Festival, 1974 1976; Central
American Art, Artists Embassy,
San Francisco, 1976; Skvline Col-
lege, Oakland, 1975, 1976; "Du
delaRaza," The Mexican Museum,
San Francisco, 1976; University of
San Francisco, 1977. Public coUec
tion: Guatemalan Cultural Q-nter,
San Francisco. Resides San Fran
Cisco, California.
111. Luis Alonso Munoz; REPOSE, 1976; wood carving, 24 x 35'
Location: 2-Al.
Junko Nakamura
Born Fukuoka, Japan, 19 i6. Lived in California
1970-1973. Studied: Educational University.
Fukuoka, Japan. Awards: Mural Commission,
Summer Outdoor Mural Project, spoasorcd by
the San Francisco M useu m of A rt 's M . I . X . Pro-
gram, 1972. Group exhibitions: "Konnyaku
Revolutionan.' Art," San Francisco An Com-
mission Galler)'. "Capricorn Asunder." 1971;
Groupexhibition: Galerie Albert Magnus.
Paris. 1974; Vitry-sur-Seine. France. 1977.
Resides Paris, France.
112. Junko Nakamura
COMBING WOMAN. 1976
oil 37x34-
Location : 2 -Conference Room I
45
Kenjilo Nanao
Born Aomori, Japan, 1929. Came to California in 1962.
Studied: San Francisco Art Institute, M.F.A., 1970.
Awards: Ford Foundation Grant for study at Tamarind
Lithography Workshop. Selected one-man exhibitions : Santa
Barbara Museum of Art, 1972; Achenbach Foundation for
Graphic Arts, California Palace of the Legion of Honor, San
Francisco, 1973; Smith Anderson Gallery, Palo Alto, 1974,
1977; Hunt Institute, Carnegie-Mellon University, Pitts-
burgh, Pennsylvania, 1975; Richmond Art Center, Rich-
mond, 1977. Two-person exhibition (with Horace Washing-
ton), Redding Museum and Art Center, California, 1978.
Selected group exhibitions: "San Francisco Area Print-
makers," Cincinnati Art Museum, Ohio, 1973; "Modern
Printmakers," Rochester Institute of Technology, New York,
1974; "New Talent in Printmaking," AAA Gallery, New
York, 1974; National Print Invitational, Anchorage,
Alaska, 1974; 24th Library of Congress Exhibition, Wash-
ington, D.C., 1975; "10th International Biennal of Prints,"
Tokyo, Japan, 1976; "20th National Print Exhibition,"
Brooklyn Museum, New York, 1976; "Printmakers: Karl
Kasten, Kenjilo Nanao, James Torlakson," Grosvenor
Towers Gallery, San Francisco, 1977. Public collections in-
clude: Museum of Modern Art, New York; Brooklyn
Museum of Art, New York; Honolulu Academy of Art,
Hawaii; The Oakland Museum ; Library of Congress, Wash-
ington, D.C. ; Cincinnati Museum of Art, Ohio ; Free Library
of Philadelphia; Pasadena Museum of Modern Art (now
Norton Simon Museum of Art at Pasadena). Resides Berke-
ley, California. Currently teaching at California State Uni-
versity, Hayward.
113. Kenjilo Nanao; DAY PLANT, 1974; color lithograph {ed. 20), 20Vi x 26'
Location: 1 -and throughout Medical Center
Eileen Frances Nelson
Born Chicago, Illinois. Came to California in 1969.
Studied: Art Institute of Chicago; Institute of De-
sign of Illinois Institute of Technology, Chicago.
One-woman exhibitions : State Mutual Bank, Bev-
erly Hills, California, 1972, 1974; KNXT
Channel 2, Hollywood, 1972 ; Contemporary Gal-
lery, Los Angeles, 1974; Marin Museum Assoc-
iation, Marin Civic Center, San Rafael, 1975;
Lucian Labaudt Gallery, San Francisco, 1976.
Group exhibitions : "Los Angeles 1972: A Pano-
rama of Black Artists," Los Angeles County Mu-
seum of Art, 1972; Annual San Francisco Arts
Festival, 1976. Public collections: Henry Horner
Boys Club, Chicago; Ebony Magazine Art Collec-
tion, Chicago; State Mutual Bank, Beverly Hills;
St. Paul's PresbyterianChurch, Los Angeles; A.T.
Kearny Co., Dusseldorf, Germany. Resides
Novato, California.
114. Eileen Frances Nelson; SICKLE CELL ANEMIA, 1975; mixed media , 48x48-:
Location: 2-A6.
46
115. Ruby Newman ; CHILDREN'S MURAL (right side), 1977; acrylic on wood, 51 x 126 '
Location: 6-M66.
Ruby Newman
Born Elizabeth, New Jersey, 1950. Came to California in 1973.
Studied: Carnegie-Mellon University, Pittsburg, B.F.A., 1973;
Minneapolis Institute of the Arts, Internship, 1973. Award: Fed-
eral Revenue Sharing Monies Grant (augmented with funding from
Mr. Harold Zellerbach), San Francisco Mural Project, 1975.
Murals: "Come Together," Park Branch Library, San Francisco Art
Commission Public Mural Projea (in collaboration with Selma
Brown), 1975; murals for California Headstart Programs at Chico
Center, 1975, Oakland Center, 1976, Los Molinas Center, 1976.
Resides San Francisco, California.
Arthur Okamura
Born Long Beach, California, 1932. Smdied: The Art Institute of
Chicago, 1950-1954; University of Chicago, 1951, 1953, 1957;
Summer Art Seminar, Yale University, 1954. Awards: Edward L.
Ryerson Foreign Travel Fellowship, 1954; Martin Cahn Award,
Art Institute of Chicago, 1957; Neysa McMein Purchase Award,
Whitney Museum of American Art, New York, I960. Selected one-
man exhibitions: Santa Barbara Museum of Art, 1958; The
Oakland Museum, 1959; La Jolla Museum of Contemporary Art,
1963; Hansen Gallery (now, Hansen-Fuller Gallery), San Fran-
cisco, 1964-1968; Charles Feingarten Galleries, Los Angeles,
1966, 1969, 1972, 1975; San Francisco Museum of Art, 1968;
Hansen-Fuller Gallery, San Francisco, 1971, 1974; California Col-
lege of Arts and Crafts, Oakland, 1972; Kent State University,
Ohio, 1973; Honolulu Academy of Arts, Hawaii, 1973. Two-man
exhibitions: San Francisco Museum of Modem Art (with Matt
Glavin), 1968 ; Walnut Creek Civic Arts Gallery (with John Rosen-
baum), 1975. Selected group exhibitions : "American Exhibition,"
Art Institute of Chicago, 1957, 1959; "Art in Asia and the West,"
San Francisco Museum of Art, 1957; "New Talent," The Ameri-
can Federation of Arts, 1959; "Fresh Paint," M.H. de Young
Memorial Museum, 1958 ; "Winter Invitational," California Palace
of the Legion of Honor, San Francisco, 1959; Annual Exhibitions ,
Whitney Museum of American Art, New York, 1962-1964;
"Pittsburgh International," Museum of Art, Carnegie Institute,
i967; "M.I.X.: A Third World Painting/Sculpture Exhibition,"
San Francicso Museum of Art, 1974. Public collections include:
Santa Barbara Museum of Art; Art Institute of Chicago; Whitney
Museum of American Art, New York ; Phoenix Art Museum : San
Francisco Museumof Modern Art; University of Illinois. Urbana;
Container Corporation of America, Chicago; The Oakland Mu-
seum; San Francisco Museum of Modem Art. Resides Bolinas.
California. Professor of Fine Arts, California College of Arts and
Crafts, Oakland.
116. Arthur Okamura: TURTLE, 1976; sand, enamel, prismacclor. 19^ s 2i "
Location: 2-AlO.
47
Tomiko Okamura
Born Hiroshima, Japan, 1932. Came to California in 1956. No for-
mal schooling in art. Selected juried exhibitions: Burlingame Art
Show, 1974, 1975 (awards); Holiday Show, Palo Alto Art Club,
1974-1976 (awards); California State Fair, Sacramento, 1974,
1975 (awards); Society of Western Artists Shows, Citizens Savings
and Loan Association, San Francisco, 1975, 1976 (awards); Society
of Western Artists Show, Northern California Savings and Loan,
Palo Alto, 1976 (award); Town & Country Show, Palo Alto Art
Club, 1975 (award); East Bay Watercolor Society, 1976, 1977
(awards); Watercolor Show, Palo Alto Art
Club, 1976 (award). Public collections:
Citizens Savings and Loan Association, San
Francisco; System Industries, Sunnyvale.
Resides Palo Alto, California.
117. Tomiko Okamura
WINTER LANDSCAPE, 1976
watercolor
22x32'-
Location: 2-B7
Hajime Okubo
Born Tokyo, Japan, 1943. Came to California in
1970. No formal schooling in art. Awards: Gold
Prize, All Japan Workers Art Exhibition, 1967 ; Sil-
ver Prize, Japan Transportation Art Exhibition,
1968; Purchase Award, Annual UNICEF Interna-
tional Calendar Competition, 1976. One-man exhi-
bitions: Itoh Gallery, Tokyo, 1965, 1966, 1968;
Muramatsu Gallery, Tokyo, 1967 ; Bizutsu Shuppan
Sha Gallery, Tokyo, 1969. Selected group exhibi-
tions: Humboldt Gallery, San Francisco, 1971,
1972; Mural Exhibition, Hyatt Regency Hotel, San
Francisco, 1974; "Bicentennial Landscape Exhibi-
tion," San Francisco Art Commission Gallery, "Cap-
ricorn Asunder," 1976; "Americana," San Fran-
cisco Museum of Modern Art, 1976. Public collec-
tions include: Solomon R. Guggenheim Museum,
New York ; San Francisco Museum of Modern Art ;
United Nations, New York. Resides San Francisco,
California.
118. Hajime Okubo, VIVA CALIFORNIA (LANDSCAPE), 7976, oiL 27x32Va'
Location: 1-N15.
48
Emmy Lou Packard
Born Imperial Valley, California, 1914. Studied: with
Diego Rivera, 1928; University of California, Berke-
ley, 1936; San Francisco Art Institute, 1939-1970.
Selected awards: Richard Gump Prize for Distin-
guished Work, 1947; Purchase Prize, Annual San
Francisco Arts Festival, 1953, 1954, 1971; Prize,
San Francisco Women Artists, 1955; Prize, California
State Fair, Sacramento, 1961. One-woman exhibi-
tions: Stendahl Gallery, Los Angeles, 1941 ; San Fran-
cisco Museum of Art, 1942 ; Raymond and Raymond
Gallery, San Francisco, 1942, 1945. Group exhibi-
tions include: Rotunda Gallery, City of Paris, San
Francisco, 1946; Addison Gallery of American Art,
Andover, Massachusetts, 1948; "Paintings by Robert
McChesney, Byron Randall, Emmy Lou Packard and
Edward Corbett," San Francisco Museum of Art,
1949; "American Water colors. Drawings, Prints,"
Metropolitan Museum of Art, New York, 1952;
Pushkin Museum, Moscow, 1964 ; "Century of Cali-
fornia Painting," Crocker National Bank, California,
1970. Public commissions: 85 foot concrete frieze.
Student Union Building, University of California,
Berkeley, 1959; 75 foot acrylic mural. Theatre Foyer,
Fresno Convention Center; 25 foot carved concrete
wall. Kaiser Center, Inc., Oakland. Public collections:
California Palace of the Legion of Honor, San Fran-
cisco; Pushkin Museum, Moscow. Resides San Fran-
cisco, California.
120. Emmy Lou Packard; MORNING IN THE VALLEY, 1974; linoleum cut (ed. 20).
26 X 4iy2 ' '. Location: l and throughout Medical Center
Leroy Wheeler Parker
Bom Eagletown, Oklahoma, 1941. Came to California in 1957.
Studied: California College of Arts and Crafts, Oakland, B.F.A.,
1966; M.FA., 1968. Awards: Honorable Mention, Lytton Sav-
ings, Oakland, 1966; Third Prize, Lytton Savings, Oakland, 1967;
Purchase Award, Alameda County Art Commission, 1976. One-
man exhibitions: California College of Arts and Crafts, Oakland,
1971 ; Hampton Galleries, Auckland, New Zealand, 1973 ; Govett
Brewster Galleries, New Plymouth, New Zealand, 1973; Arts and
Crafts Cooperative Gallery, Berkeley, 1974; San Jose Museum of
Art, 1975; Cabrillo College, Aptos, California, 1976; Wateroolor
Gallery, San Jose, 1978. Two-man exhibition: Bob Limber Gal-
leries, Monterey, 1975. Selected group exhibitions: "Bay Area
Faculty," College of Marin, Kentfield, 1971 ; "Show of Hands,"
California College of Arts and Crafts, Oakland, 1971 ; Recent Ac-
quisitions, San Jose Civic Gallery (now, San Jose Museum of Art),
1972; "California Westerns," San Jose Civic Gallery, 1972; "Black
Art Faculty," Union Gallery, San Jose State University, 1972; Third
World Exhibition, San Jose Civic Gallery, 1972; Faculty Exhibition,
San Jose State University, 1973; "An Exposition," San Francisco
Art Commission Gallery, "Capricorn Asunder," 1973; "life Draw-
ing Through the Years," The Oakland Museum, 1973 ; Group Ex-
hibition, The Richmond Art Center, 1973; "Spring Special," Arts
and Crafts Cooperative Gallery, Berkeley, 1974; "America IX," San
Jose Museum of Art 1977. Public collections : San Jose Museum of
Art; The Oakland Museum; Alameda County Art Commission.
Resides Lafayette, California. Instructor in Painting and Drawing,
San Jose State University.
121. Leroy Wheeler Parker; LANDSCAPE (COLOR CELEBRATION). 1977;
watercolor on paper, 30x22". Location: 7- A Group Room.
49
1
Gary Paterson
Born Schenectady, New York,
1949. Came to California in 1972.
Largely self-taught in art. Group ex-
hibitions include : Institute of Con-
temporary Art, Boston, 1972;
Annual San Francisco Arts Festi-
val, 1973, 1975, 1976; KQED
Art Auction, San Francisco, 1975,
1976 ; Hayward Area Festival of the
Arts, 1976. Resides Oakland,
California.
122. Gary Paterson
OAKLAND STROKE, 1975
acrylic
34x40"
Location: 2 Conference Room HI
Robbie Plays
Born Hardin, Montana, 1951. Came to California in
1975. Studied: Instituteof American Indian Arts, Santa
Fe, New Mexico, 1972-1973; self-taught. Group exhi-
bitions: Marin County Courthouse, San Rafael, 1975;
Mt. Diablo School District (traveling exhibition), 1975;
"Circle of Tradition and Vision," Artists Embassy Gal-
lery, San Francisco, 1977. Public collection: Native
American Center, Mt. Diablo School District. Resides
Oakland, California.
123. Robbie Plays; POWER SHIELD, 1978
pencil drawing, 9x8"
Location: 2-Conference Room II
50
i
George Post
Bom Oakland, California, 1906. Studied: California School
of Fine Arts (now San Francisco Art Institute) ; self-taught.
Taught: California College of Arts and Crafts, Oakland,
1947-1972. Selected awards : Purchase Award, Annual San
Francisco Arts Festival, 1974; Purchase Award, Jack Lon-
don Square Annual, 1965, 1968; Purchase Award, Water-
color — ^U.S.A., 1966; First Award, Society of Western Art-
ists, Hall of Justice, San Francisco, 1975; Second Award,
Society of Western Artists Annual, San Francisco, 1976,
1977. Selected one-man exhibitions: San Francisco Museum
ofArt, 1935, 1941; California Palace of the Legion of Honor,
San Francisco, 1940, 1945, 1960, 1965 (retrospective);
Challis Galleries, Laguna Beach, 1976, 1977; Galerie de
Blanche, San Francisco, 1977. Selected group exhibitions:
Annual Watercolor Exhibitions, San Francisco Museum of
Art, 1939, 1940, 1942, 1945; M.H. de Young Memorial
Museum, San Francisco, 1934, 1948, 1959; California
Palace of the Legion of Honor, San Francisco, 1939, 1950;
Seattle Art Museum, 1941, 1942; Gumps Gallery, San Fran-
cisco, 1943, 1951 (two-man exhibition with Lundy Sieg-
riest) ; Denver Art Museum ; Santa Barbara Museum of Art ;
"200 Years of Watercolor Painting in America," (commemorating
the Centennial of the American Watercolor Society), Metropolitan
Museum of Art, New York, 1966; "White Paper Painters," Fuller-
ton State College, 1976. Public collections (selected) : Metropolitan
Museum of Art, New York; California Palace of the Legion of
125. George Post; ALBION, 1976; watercolor, imx23V2". Location: 2-A5.
Honor, San Francisco ; Seattle Art Museum ; Fine Arts Gallery of
San Diego; Mills College, Oakland; University of Oklahoma; Cali-
fornia Watercolor Society ; Santa Barbara Museum of Art ; Walker
Art Center, Minneapolis; Bowdoin College, Maine; San Francisco
Museum of Modern Art. Resides San Francisco, California.
Gilbert Precivale
BornMetz, France, 1940. Came to
California in 1953. Studied: San
Francisco Art Institute, B.F.A.,
1968; Stanford University, M.A.,
1970. Awards: Ford Foundation
Grant, 1969; Carnegie Foundation
Grant, 1970; Ford Foundation
Teaching Grant, Stanford Univer-
sity, 1970; Winner of the 7th An-
nual Bay Graphics Regional Com-
petition, Helen Euphrat Gallery, De
Anza College, 1978. One-man ex-
hibitions: Triangle Gallery, San
Francisco, 1973, 1974. Group ex-
hibitions: Expo '67, Montreal,
Canada, 1%7; San Francisco Art
Institute Annual, San Francisco
Museum of Art, 1968; "Line
Drawing Show," Dominican Col-
lege, San Rafael, 1968; M.A. Can-
didates Exhibition, Stanford Uni-
versity, 1970; "Bicentennial Land-
scape Show," San Francisco Art
Commission Gallery, "Capricorn
Asunder," 1976; "Introductions,"
Triangle Gallery, 1976. Resides
San Francisco, California.
126. Gilbert Precivale ; UNTITLED*; acrylic and ink on plexiglass, 24 x 30'
51
Raimondo Puccinelli
Born San Francicso, California, 1904. Studied: with
Rudolph Schaeffer; principally self-taught. Awards:
Honorary Member of the Academy of Art and Design,
Florence, Italy, 1970. Selected one-man exhibitions:
San Francisco Museum of Art, 1938, 1941 ; California
Palace of the Legion of Honor, San Francisco, 1939;
M. H. de Young Memorial Museum, San Francisco,
1944; Institute of Arts and Letters, New York, 1953,
1955, 1957; Biblioteca Nacional, Bogota, Colombia,
1956; Museu d'Arte Moderna, Sao Paolo, Brasil,
1956; Museu de Bellas Artes, Rio de Janeiro, Brasil,
1956; Galeria Schneider, Rome, 1957, 1960, 1963,
1966; Galeria d'Arte, "II Castello," Milan, Italy,
1971. Selected group exhibitions since I960: Galeria
Schneider, Rome, I960, 1964, 1968; Museum of
Modern Art, New York, 1961; Pennsylvania Acad-
emy of Art, Philadelphia, 1961, 1963; Corcoran Gal-
lery of Art, Washington, D.C., 1962; II Fiorino,
Palazzo Strozzi, Florence, Italy, 1966; North Carolina
Museum of Art, 1966; 17th Biennale di bronzetti e
d'arte Triveneta, Padova, Italy, 1968. Represented in
numerous public collections. Resides Florence, Italy.
127. Raimondo Puccinelli; AMERICAN BISON-BUFFALO, 1974; porterville diorite,
32 X 24 X 12'.' Location : 2- Cafeteria Patio
Elizabeth Quandt
Born Oxfordshire, England, 1922. Came to California in 1944.
Studied: San Francisco Art Instimte, B.F.A.; M.FA., 1965-1969.
Awards: Who's Who in American Art, 1976-1977. One-woman
exhibitions: Luden Labaudt Gallery, San Francisco, 1954, 1956;
John BoUes Gallery, San Francisco, 1971 ; Bank of America World
Headquarters, San Francisco, 1972; Santa Rosa City Hall, 1973,
1975 ; Achenbach Foundation for Graphic Arts, California Palace of
the Legion of Honor, San Francisco, 1975; Ames Gallery, Berke-
ley, 1976; Smith Andersen Gallery, San Francisco, 1977. Selected
group exhibitions: Library of Congress, Washington, D.C., 1944,
1948; Drawing Invitational, California Palace of the Legion of
Honor, San Francisco, 1958; "Four Printmakers," San Francisco
Museum of Art, 1971 ; "California in Print," Van Straaten Gallery,
Chicago, 1975 ; "World Print Competition '77," San Francisco Mu-
seum of Modern Art, 1977; National Academy of Design, New
York, 1976, 1977; Southwest Print and Drawing Competition, Las
Cruces, New Mexico, 1977 ; Los Angeles Printmakers Society An-
nual, Downey Museum, 1977; The Boston Printmakers, De
Cordova Museum, Lincoln, Massachusetts, 1977; Two-Person
Exhibition, Gallery 4, Alexandria, Virginia, 1977; "California
Society of Printmakers, Prints in Series," Richmond Art Center,
1977; United States Informadon Agency, Tokyo (traveling exhibi-
tion), 1978; National Exhibition, Los Angeles Printmakers Society,
1978; "West Coast Prints," Gros McLeaf Gallery, Philadelphia,
1978. Public collections: New York Public Library; Achenbach
Foundation for Graphic Arts, California Palace of die Legion of
Honor, San Francisco; Stanford University Museum; City and
County of San Francisco; City of Santa Rosa; Library of Congress,
Washington, D.C. Teaches at Santa Rosa Junior College. Resides
Santa Rosa, California.
128. Elizabeth Quandt; TEA IN THE GARDEN, 1974; etching
(ed. 20), 22Vi x 15". Location : l and throughout Medical Center.
52
Eleanor Rappe
liiiiifliiiiirtli'
129. Eleanor Rappe; RAINBOW TOWER, 1974;
color etching {ed. 20), 29-7/8 x 22V*".
Location : 1 -and throughout Medical Center,
Born Brooklyn, New York, 1933. Came to California in 1956. Studied:
Brooklyn College, B. A., 1954; Indiana University, Bloomington, M.A.,
1956; San Francisco State University (graduate work in printmaking).
Awards: Purchase Prize, Bucknell University, 1966; Purchase Prize,
Annual San Francisco Arts Festival, 1966; Print Prize, Los Angeles Print-
makers Society Annual, Long Beach Museum of Art, 1968. One-woman
exhibitions (selected) : Downey Museum of Art, California, 1969; Vorpal
Gallery, San Francisco, 1969, 1971; College of Notre Dame, Belmont,
1972; Holy Names College, Oakland, 1973; Berkeley Art Center, 1975.
Two-person exhibitions : "Two Women Artists," Taylor Hall Art Gallery,
California State University, Chico, 1974; "Caerulea — Ruins and Restora-
tions" (with Eleanore Bender), San Jose Museum of Art (traveling exhibi-
tion), 1977. Selected group exhibitions : National Invitational Print, The
Brooklyn Museum, New York, 1968; "West Coast Printmakers," Illinois
Bell, Chicago, 1969; National Drawing Invitational, Wisconsin State Uni-
versity, 1969; "Recent American Graphics," San Francisco Museum of
Art, 1971; "Women's Women," Richmond Art Center, 1973; "Bay Area
Printmakers," Cincinnati Art Museum, 1973; "California in Print," Van
Straaten Gallery, Chicago, 1974; "Prints California," The Oakland Mu-
seum 1975; "California Printmakers in Great Britain," London, 1975;
"Eight Northern California Printmakers," Diablo Valley College, Lafay-
ette, 1976; National Invitational CoUograph Exhibition, University of
North Dakota, Grand Forks, 1976; "Contemporary Works on Paper,"
(national women's invitational), Los Angeles, 1977. Public collections:
San Francisco Museum of Modern Art; Hyatt Regency Hotel, San Fran-
cisco; American Telephone and Telegraph, New York; Chico State
University; San Francisco State University; Achenbach Foundation for
Graphic Arts, California Palace of the Legion of Honor, San Francisco ; City
and County of San Francisco. Currently teaches with the San Francisco
Community College District. Resides San Francisco, California.
130. Barbara Rees; BLUE MOUNTAIN, 1976; mixed media, 48V2x39"
Location: 2- Conference Room III
Barbara Rees
Born Chicago, Illinois, 1921. Came to California in 1955. Studied:
University of Chicago, B.A. ; San Francisco Art Institute. Awards
include: First Prize (painting), DeSaisset Gallery Annual, University
of Santa Clara; First Prize (ceramics), "Designer Craftsman '66,"
Richmond Art Center, 1966; Purchase Award, Palo Alto 2nd An-
nual Arts Competition, 1974. Selected one-woman exhibitions: Uni-
versity of California, Santa Cruz, 1967; Los Robles Gallery, Palo
Alto, 1966, 1967, 1969, 1973; Trutton Gallery, San Francisco,
1968; Newman Hall, Holy Spirit Parish, Berkeley, 1969; Allrich
Gallery, San Francisco, 1976. Selected group exhibitions: San Fran-
cisco Women Artists Annual, San Francisco Museum of Art, 1960,
1961, 1964, 1965; "The Painted Flower," Oakland Art Museum,
1963; The Painted Flower Invitational, Oakland Art Museum,
1964; De Saisset Art Gallery Annual, University of Santa Clara,
1963, 1965; Northern California Arts 11th Annual, E.B. Crocker
Art Gallery, Sacramento, 1964; Seattle Annual, Fr\'e Museum,
1965; "Designer Craftsman '66," Richmond Art Center, 1966;
Crocker-Kingsley Annual, E.B. Crocker Art Gallery, Sacramento,
1967 ; San Francisco Women Artists Prize-Wirmers Show, organized
by the Oakland Art Gallery at Kaiser Center, 1967; "Five Artists
from Five Counties," San Mateo Arts Council, 1975; "California
Landscape Show," Syntex Gallery, Palo Alto, 1976. Public collec-
tions: Bank of America, Oakland; Dillingham Corporation; Judah
Magnes Museum, Berkeley; CityofPalo Alto; Gty of San Francisco:
Mills College, Oakland; Roosevelt University, Chicago; St. Mary's
College, Moraga; University of California, Santa Cruz; University of
Santa Clara. Resides Atherton, California.
53
Fred Reichman
Bom Bellingham, Washington, 1925. Came to California in 1934.
Studied: University of California, Berkeley, B.A., M.A.; San Francisco
Art Institute. Awards: Taussig Traveling Fellowship, University of
California, Berkeley, 1951; PurchasePrize, Annual San Francisco Arts
Festival, 1964. One-man exhibitions: Galerie 8, Paris, 1952; San
Francisco Museum of Modern Art, 1956, 1969; California Palace of
the Legion of Honor, San Francisco, 1960; Rose Rabow Galleries, San
Francisco, over seven exhibitions since 1958; Esther Robles Gallery,
Los Angeles, 1961; Benson Gallery, Long Island, New York, 1966,
1972; Silvan Simone Gallery, Los Angeles, 1971, 1973; Contempo-
rary Art Gallery, Santa Fe, New Mexico, 1972 ; Santa Barbara Museum
of Art, 1974. Selected group exhibitions: "California Painters 35 and
Under," The Frederick S. Wight Art Galleries, University of Califor-
nia at Los Angeles, 1959; "One-Hundred Fifty-Fifth Annual Exhibi-
tion of American Painting," Detroit Institute of Art — Pennsylvania
Academy of Art, Philadelphia, 1959; "Fifty California Artists," Whit-
ney Museum of American Art, New York, 1962; "Expo 70," Osaka,
Japan, 1970; "New Works Seven Bay Area Artists," The Oakland
Museum, 1971 ; "A Sense of Place: the Artist and the American Land,"
Joslyn Art Museum, Omaha, Nebraska, 1973. Public commission:
Mural, Stanford University Medical Center, 1961. Public collections:
San Francisco Museum of Modern Art ; M. H. de Young Memorial
Museum, San Francisco; The Oakland Museum; University Art Mu-
seum, Berkeley; Santa Barbara Museum of Art; Bank of America
World Headquarters Building, San Francisco; Oklahoma .A^rt Center,
Oklahoma City; City and County of San Francisco. Resides. San Fran-
cisco, California. Teaches : University of California Extension.
131. Fred Reichman; MOUNTAIN IRIS AT TIOGA JUNCTION, 1976;
oil, 4 7V4 X 34 ' '■ Location : 2-Conference Room /.
Michael Rios
Born Oakland, California, 1947. Studied: Academy of Art College,
San Francisco; San Francisco Art Instimte. Awards: Purchase
Award, Home Savings & Loan Association, Beverly Hills (in con-
junction with San Francisco Annual Arts Festival), 1974; Mural
Grant, National Endowment for the Arts, 1975. Group exhibitions
include: "M.I.X.: Surrealism," San Francisco Museum of Art,
1972; "People's Murals/Some Events in American History," San
Francisco Museum of Modern Art, 1976; "Other Sources: An
American Essay," San Francisco Art Institute, 1976; Mural Exhibi-
tion (sponsored by the Venceremos Brigade), Havana, Cuba, 1976 ;
Photographic Mural Exhibition (European traveling exhibition),
sponsored by Levi Strauss & Co. , San Francisco, 1977 ; "The Fifth
Sun: Traditional and Contemporary Chicano Art," University Art
Museum, Berkeley, 1977. Selected mural commissions: Bank of
America, 23rd and Mission Streets Branch, San Francisco (in col-
laboration with Luis Cortazar and Chuy Campusano), 1972;
B.A.R.T. Station Mural, 24th & Mission Streets, San Francisco (in
collaboration with Tony Maschado and Richard Montez), 1975.
Resides San Francisco, California.
134. Michael Rios; Untitled Mural, 1974; mosaic, 96 x 240'
Location : 3-Courtyard {Mechanical Building)
54
Harry Richardson
Born Marion, Ohio, 1928. Came to California in 1957. Studied: Cleve-
land Institute of Art, Ohio. Awards: Merit Award, Annual San Francisco
Arts Festival, 1%7; several awards in gemstone sculpture, 1969-1972.
One-man exhibitions : Manila, Philippines, 1953, 1954, 1971; Maxwell
Galleries, San Francisco, 1972; California Academy of Sciences, San
Francisco, 1977. Group exhibitions: SanFrancisco Annual Arts Festival,
several years since 1967; Invitational Exhibition, Philippine Cultural
Center, Manila, 1971 ; Worstman-Rowe Gallery, San Francisco, 1973.
Public commissions : TREE OF LIFE, metal sculpture, Jewish Home for
the Aged, San Francisco, 1973. Resides Penngrove, California. Owns
and operates Richardson's Designs, San Francisco.
James Edward Reid
Born Alabama, 1947. Came toCalifornia in 1968. Studied: SanFrancisco
Art Institute; California College of Arts and Crafts, Oakland, B.F.A.,
1972. One-man exhibition: African-American Historical and Cultural
Society, San Frandsco, 1974. Group exhibitions: "Black Expo '72,"
Brooks HaU, SanFrancisco, 1972; "Prints and Drawings 1977," African-
American Historical and Cultural Society, 1977; "Prints and Drawings
1978," The San Jose Art League, 1978. Resides San Francisco,
California.
Harry Richardson; THE GREAT BLUE HERON, 1974;
stainless steel with cast stone, 90x 48x 18".
Location: 4-Terrace between A &C.
132. James Edward Reid; MOOD OF A BASS PLAYER, 1976;
conte on illustration board, 24 x 18". Location : 2- A 1 9.
55
Peter Rodriguez
Bom Stockton, California, 1926. No formal schooling in art.
Appointment: nominated for the Advisory Board to the Na-
tional Endowment for the Arts. Selected one-man exhibi-
tions: Museo del Estado, Guadalajara, Mexico, 1956;
Gumps Gallery, San Francisco, 1958; E.B. Crocker Art
Gallery, Sacramento, 1958; Galeria Proteo, Mexico City,
1960; William Sawyer Gallery, San Francisco, 1972; Galeria
de la Raza, San Francisco, 1971 ; Erdon Gallery U, Houston,
1972; Zara Gallery, San Francisco, 1973-1976. Selected
groupexhibitions: University of the Pacific, Stockton, 1956,
1977 ; 1st Annual Hispanic American Art Exhibition, Wash-
ington, D.C., 1976; "Other Sources : An American Essay,"
San Francisco Art Institute, 1976; Governor's Invitational
Exhibit of Chicano Art, Sacramento, 1975 ; The Heard Mu-
seum, Phoenix, 1975; Galeria de la Raza, San Francisco, sev-
eral exhibitions between 1970-1976; "Seis Realidades,"
University of Texas, Corpus Christi, 1977. Public collec-
tions: State Museum of Jalisco, Guadalajara, Mexico; Stock-
ton Savings and Loan Bank, California. Founder and Director
of the Mexican Museum, San Francisco. Resides San Fran-
cisco, California.
135. Peter Rodriguez; APRIL PLACE III, 1976. oil on canvas, 40x42"
Location: 2-Conference Room III
Takami Sakurai
Bom Fukuoka, Japan. Lived in California 1965-1973.
Studied: Educational University, Fukuoka, Japan. Awards:
Mural commission. Summer Outdoor Mural Project, spon-
sored by the San Francisco Museum of Art's M.I.X. Pro-
gram, 1972. One-man exhibitions : Minami Gallery,
Tokyo, 1953; Arleigh Gallery, San Francisco, 1966; Ani-
mation Center, Fukuoka, Japan, 1968, 1969; Syunjyu
Gallery, Tokyo, 1975; Fukuoka Gallery, Japan, 1976.
Selected group exhibitions: Arleigh Gallery, San Francisco,
1966; "Konnyaku Revolutionary Art," San Francisco Art
Commission Gallery, "Capricorn Asunder," 1971 ; "Roots
n : The Asian Community," San Francisco Museum of Art,
1972. Resides Paris, France.
137. Takami Sakurai
HADAKA NO ON NA, 1976
oil 46'/4 X 36V* ' •
Location: 2-Conference Room III
56
Dean Santner
Born Cleveland, Ohio, 1946. Came to Califor-
nia in 1969. Studied : San Francisco Art Insti-
tute and self-taught. Awards: Outstanding
American Craftsman Award, Glass Containers
Manufecturing Association, 1976; First Place,
Westwood Art Festival, California, 1976.
Group exhibitions include : "Media '72," Wal-
nut Creek Civic Arts Gallery, 1972; "Designer
Craftsman '73," Richmond Art Center, 1973;
Wood Show, Berkeley Craftsmen Coop , Berke-
ley, 1974; "Many Forms of Wood," Gallery
Eight, International Center, University of Cali-
fornia, La Jolla, 1975; Baulines Craftsmen's
Guild Exposition, Marin County, 1975, 1976;
"American Heritage," Panaca Gallery, Belle-
vue, Washington, 1976. Resides Emeryville,
California.
138. Dean Santner; ROCKING SERPENT, 1976; laminated wood, 28 x 41 x 16'
Location : 6-A Day Room.
Jacques Schnier
Bom Constansa, Roumania. Came to California in 1905.
Studied: Stanford University, B.A., University of California,
Berkeley, M.A.; California School of Fine Arts. Taught:
University of California, Berkeley, 1936-1966. Awards: 1st
Sculpture Award, San Francisco Art Association, 1928;
1st Sculpture Prize and Gold Medal, Oakland Art Museum,
1936, 1948; Fellowship, Institute for the Creative Arts,
University of California, Berkeley, 1963; The Berkeley Cita-
tion, University of California, Berkeley, 1970. Selected one-
man exhibitions: Oakland Art Museum, 1948; Stanford
University Museum, 1962; E.B.Crocker Art Gallery, Sacra-
mento, 1963; Santa Barbara Museum of Art, 1963; Worth
Ryder Art Gallery, University of California, Berkeley, 1965;
Valley Art Gallery, Walnut Creek, 1969; Judah L. Magnes
Memorial Museum, Berkeley, 1971 ; Woodhall, Orinda-
woods, Orinda, California, 1974; James Willis Galler)', San
Francisco, 1975, 1977. Selected public commissions: gilded
bas-relief, Anne Bremer Memorial Library, San Francisco Art
Institute, 1936; monumental bas-relief. Science Audito-
rium, Berkeley High School, 1940; John Galen Howard
Memorial, Faculty Club, University of California, Berkeley,
1960; Clorox Building, Oakland, 1975; Elizabeth S. Fine
Memorial Sculpture, Temple Emanu-El, San Francisco,
1975. Public collections include: San Francisco Museum of
Modern Art; California Palace of the Legion of Honor, San
Francisco; Santa Barbara Museum of Art, The Oakland Mu-
seum; Honolulu Academy of Arts; E.B. Crocker Art Gal-
lery, Sacramento; Mills College Art Gallerj', Oakland. Re-
sides Lafayette, California.
139. ]acqms Schnier; DANCE OF THE CUBES, 1975; polychrome fiberglass,
150 X 63 X 54". Location : 2-Cafeteria Patio.
57
Stephanie Ingram Scott
Born Augusta, Georgia, 1947. Came to California in
1968. Studied: University of Georgia, Athens, B.F.A.,
1968; San Francisco Art Institute, 1968-1971. Awards:
Purchase Prize, National Print Competition, The Mint
Museum of Art, Charlotte, North Carolina, 1971 ; Most
Promising Young Artist Award, Sausalito Art Festival,
1974. Selected group exhibitions: San Francisco Art Insti-
tute, 1970; Annual San Francisco Arts Festival, 1972-
1978 ; Smithsonian Institute Traveling Exhibition of Con-
temporary Prints and Drawings, National Collection of
Fine Arts, Washington, D.C., 1973; 50th Annual Na-
tional April Art Exhibit, SpringviUe Museum of Art,
Utah, 1974; 6th National Painting Show, Washington
and Jefferson College, Washington, Pennsylvania, 1974;
5th International Miniature Print Competition, Pratt
Institute for Graphic Arts, New York, 1975 ; "Prints
Commissioned by the San Francisco Art Commission for
the San Francisco Medical Center," California Palace of the
Legion of Honor, San Francisco, 1975 ; Miami Graphics
Biennial, Miami Art Center, Florida, 1975; Artrium 10
Competition, Santa Rosa, California, 1975; Collectors
GaUery, The Oakland Museum, 1975-1977. PubUc col-
lection: La Grange College, Georgia. Resides Valley
Ford, California.
140. Stephanie Ingram Scott
SUMMER FLOWERS, 1974;
etching {ed. 20), 2TAx22".
Location: 1-and throughout Medical Center
Raymond Sells
Born San Francisco, California, 1931. Studied: Univer-
sity of California, Santa Barbara; San Francisco State Uni-
versity, B.A., 1959, M.A., 1968. Awards: American
Plywood Association Design Award, 1973; H.U.D.
National Community Arts Program Award, 1973 ; Pur-
chase Award, Home Savings and Loan Association, Bev-
erly Hills (in conjunction with the San Francisco Annual
Arts Festival), 1974; Artist Exhibition Award, Annual
San Francisco Arts Festival, 1975. One-man exhibitions :
Department of Psychology, California State College,
Sonoma, 1973, 1974; The Philosophers Stone, San Fran-
cisco, 1974-1977; Audium, San Francisco, 1975-1977;
California Palace of the Legion of Honor, San Francisco,
1976; Spear St. Gallery, San Francisco, 1977, 1978.
Group exhibitions : Group Show, William Sawyer Gallery,
San Francisco, 1969; Group Exhibition, Unicorn Gal-
lery, San Francisco, 1969, 1970; Expo '70, Osaka,
Japan, 1970; "San Francisco Art Institute Centennial:
Sculpture," M.H. de Young Memorial Museum, San
Francisco, 1971 ; Opening Exhibition, San Francisco Art
Commission Gallery, "Capricorn Asunder," 1971;
"Spirit of the Forms," University of California, Davis,
1972; Designer Craftsman Shows, Richmond Art Center,
1973, 1975; San Francisco Art Commission Gallery,
"Capricorn Asunder" (with Irving Norman), 1973; "Open Air
Sculpture," College of Notre Dame, Belmont, 1974. Public com-
missions: San Francisco Health Center #1 (under San Francisco
City and County 2% for Art Enrichment Program), 1969; Hall
of Justice, San Francisco, 1971 ; American Plywood Association,
141. Raymond Sells; TERRESTRIAL FLOWER, 1976; laminated wood,
60 ' ' diam. x 28". Location : Main Lobby.
Tacoma, Washington, 1973; Contra Costa College School District
Office, Martinez, 1974. Public collections : Home Savings & Loan
Association, Beverly Hills; American Telephone and Telegraph
Company, New York; Monterey Conference Center. Teaches at Sky-
line College, San Bruno. Resides San Francisco, California.
58
Louis Siegriest
Born Oakland, California, 1899. Studied: California College of Arts
and Crafts, Oakland, 1914-1916; California School of Fine Arts
(now San Francisco Art Institute) , 1916-1918; Frank Van Sloun's
ArtSchool, 1918-1919. Awards: Gerstle Award for Figure Compo-
sition, San Francisco Museum of Art, 1952 ; Purchase Award, Oak-
land Art Museum, I960; Top Purchase Award, Annual San Fran-
cisco Arts Festival, 1971 ; Award of Honor Exhibition, Annual San
Francisco Arts Festival, 1975. Selected one-man exhibitions: M.H.
de Young Memorial Museum, San Francisco, 1952; Oakland Art
Museum, I960; Hobbs Gallery, San Francisco, 1961, 1962; Uni-
versity of Nevada, 1963 ; Triangle Gallery, San Fran-
cisco, numerous exhibitions since 1963 ; San Francisco
Art Institute, 1965; The Oakland Museum, 1972.
Two-man exhibition (with Johan Hagemeyer), 1946.
Selected group exhibitions : "TheSociety of Six," Oak-
land Art Gallery, 1923-1928; "The 22nd Biennial
Exhibition," Corcoran Gallery of Art, Washington,
D.C., 1951; "Some Points of View — '62," Stanford
Art Gallery, Stanford University, 1962; "Siegriest
Family Exhibit," Galeria de Silva, Santa Barbara,
1963; "Expo 70," Osaka, Japan, 1970; "TheSociety
of Six," The Oakland Museum, 1972; "1973 Biennial
Exhibition: Contemporary American Art," The Whit-
ney Museum of American Art, 1973; Robert Mon-
davi Winery, Oakville, California, 1977. Public collec-
tions include: The Oakland Museum; Stanford Uni-
versity Museum of Art; San Francisco Museum of
Modern Art; University of Illinois, Urbana. Resides
Oakland, California.
142. Louis Siegriest; DISTANT PEAKS, 1976; mixedmedia, 35yix48"
Location: 2- A 11
Angelo Sottosanti
Bom WiUiamsport, Pennsylvania, 1917. Came to California in 1938.
Studied : Art Students League of New York ; Dr. Eugene Steinhof —
Beaux Arts Institute of Design, New York ; Leonardo da Vinci School
in Fresco and Mural Design, New York. One-man exhibitions: Paul
Elder Gallery, San Francicso, 1940 ; California Palace of the Legion of
Honor, San Francisco, 1943 ; E. B. Crocker Art Gallery, Sacramento,
1948; Maxwell Galleries, San Francisco, 1956; San Francisco Mu-
seum of Art, 1958. Group exhibitions: Annual San Francisco Arts
Festival, 1976, 1977. Resides San Francisco, California.
144. Angelo Sottosanti
WOMAN OF O AX AC A* 1940
gouache 30x 24V2"
1
\
1
59
James Bruce Southard
Born Brooklyn, New York, 1921. Came to California in 1954.
Studied: National Academy of Design, New York; Art Students
League of New York; Beaux Arts Institute of Design, New York;
Escuela de Pintura e Escultura, Mexico City. Awards: Home
Savings & Loan Association Purchase Award, Beverly Hills (in con-
junction with the San Francisco Annual Arts Festival) ; Honorable
Mention, Artists Equity Association Annual, 1970. Group exhibi-
tions: American Embassy Show, Mexico City 1952; IBM Annual,
Poughkeepsie, New York, 1954; Great Lakes Annual, Memorial
Art Gallery, Rochester, New York, 1956 ; Tupperware Invitational,
Western Region, Stockton, California, 1959; San Joaquin Pioneer
Museum, 1962 ; Artists Equity Association Annual, The Oakland
Museum, 1969; "Western Drawings: U.S.A." (traveling exhibi-
tion), Western Association of Art Museums, Oakland, 1967;
Three-Man Exhibition, John Bolles Gallery, San Francisco, 1973.
Public collections: Achenbach Foundation for Graphic Arts, Cali-
fornia Palace of the Legion of Honor, San Francisco ; San Joaquin
Pioneer Museum; Health Center #3, San Francisco; Maxwell Gal-
leries, San Francisco. Resides San Francisco, California.
145. James Bruce Southard
WASH DAY, 1974
etching {ed. 20), 28^4 x 22'A ' '
Location: 1-and throughout Medical Center
Calvin Tondre
Born Albany, California, 1940. Studied: California College of
Arts and Crafts, Oakland, B.F.A., M.EA. One-man exhibi-
tions: Hansen-Fuller Gallery, San Francisco, 1967; Phoenix
Gallery, San Francisco, 1970; The Mexican Museum, San
Francisco, 1977. Group exhibitions: Phelan Awards Exhibit,
California Palace of the Legion of Honor, San Francisco,
1%7; "Artes de la Rara," The Oakland Museum, 1970;
"M.I.X. : A Third World Painting/Sculpture Exhibition,"
San Francisco Museum of Art, 1974; Liturgical Arts, Phila-
delphia, 1976; "Raices y Visiones," Smithsonian Institution
(traveling exhibition), 1977. Public collections: Container
Corporation of America ; American Toy Company. Resides
Berkeley, California.
146. Calvin Tondre
LOSMESES, 1976
India ink on paper, 15^ * x IVA"
Location: 7-B
60
Paul Tracy
Born Sacramento, California, 1905. Studied: Califor-
nia School of Fine Arts (now, San Francisco Art Insti-
tute), with Bill Brandt, Minor White, Ansel Adams;
Brooks Institute, Santa Barbara. Awards: Annual San
Francisco Arts Festival, 1955, 1966, 1967. Group
exhibitions: "Bay Area Photographers, Inc.," San
Francisco Annual Arts Festival, 1955 to date ; United
States Information Agency (traveling photography
exhibitions), 1957, 1959, 1961; Bay Area Photog-
raphers, Inc. Exhibition, "Discovery," M. H. de Young
Memorial Museum, San Francisco; exhibited with
Bay Area Photographers, Inc. in various museums,
galleries and other locations throughout the Bay Area,
1960 to date. Resides South San Francisco, California.
147. Paul Tracy
BUFANO, c. 1968
black and white photograph 14 x 11"
Location: 2-Chapel Hallway
Photo : Paul Tracy
150. Kazuhiro Tsuruta; SACRAMENTO DELTA, 1976; black and white photograph, 8x 12". Location: 2-QifeUria.
61
Beth Van Hoesen
Born Boise, Idaho, 1926. Came to California in 1940.
Studied: Stanford University, B.A., San Francisco Art Insti-
tute; San Francisco State University. Awards include :
Award, San Francisco Art Association Annual, San Fran-
cisco Museum of Art, 1961 ; California Society of Etchers,
Achenbach Foundation for Graphic Arts, California Palace
of the Legion of Honor, San Francisco, 1961; Purchase
Award, 4th Biennial Print Exhibition, Pasadena Museum of
Modern Art (now the Norton Simon Museum of Art at
Pasadena), 1964; Award, Hawaii National Biennial, 1971.
Selected one-woman exhibitions: M. H. de Young Memorial
Museum, San Francisco, 1959; California Palace of the
Legion of Honor, San Francisco, 1961, 1974; Santa Barbara
Museum of Art, 1963, 1974; Felix Landau Gallery, Los
Angeles, 1966; Hansen Gallery (now Hansen-Fuller Gal-
lery), 1966 ; Galerie Smith- Andersen (now Smith Andersen
Gallery), Palo Alto, 1971, 1974 ; Hansen-Fuller GaUery, San
Francisco, 1977. Two-person exhibition: JohnBolles Gallery
(with Ralph Ducasse), 1971. Group exhibitions : "Prints Cal-
ifcrnia," The Oakland Museum, 1975. Public collections:
Achenbach Foundation for Graphic Arts, California Palace of
the Legion of Honor, San Francisco; San Francisco Museum
of Modern Art; The Oakland Museum; The Brooklyn Mu-
seum; Museum of Modern Art, New York; Cincinnati Art
Museum; Smithsonian Institution, Washington, D.C.; Vic-
toria and Albert Museum, London. Resides San Francisco,
California.
152. Beth Van Hoesen; CALISTOGA PETRIHED TREE,
1974; color etching {ed. 20), 26 x 22V', ' :
Location: l-and throughout Medical Center.
Carlos Villa
Born San Francisco, California, 1936. Studied : San Francisco Art
Institute, B.KA., 1961; Mills College, Oakland, M.EA., 1963.
Awards: Adeline Kent Award, San Francisco Art Institute, 1973;
National Endowment for the Arts Grant, 1973; appointed Com-
munity Consultant to the Visual Arts Category, National Endow-
ment for the Arts, 1976. Selected oneperson exhibitions: Poin-
dexter Gallery, New York, 1967 ; Sacramento State College Gallery,
1%9; Richmond Art Center, 1970; Hansen-Fuller Gallery, San
Francisco, 1971 , 1974, 1978 ; Nancy Hoffman Gallery, New York,
1973, 1975 ; Emanuel Walter Gallery, San Francisco Art Institute,
1973; E.B. Crocker Art Gallery, Sacramento, 1977. Two-man
exhibitions: Radio Station KPFA, Oakland (with Joan Brown),
1958; John BoUes Gallery (with William Geis), 1962; Wyndham
College, Vermont (with Leo Valledor), 1968; University of Califor-
nia, San Diego (with Joseph Raffael), 1971. Selected group exhibi-
tions: "The Art of San Francisco," San Francisco Museum of Art,
1%1 ; "West Coast: The Artists' Environment," Amon-Carter
Museum, Fort Worth, Texas, 1962; "Painting and Sculpture
Today: 1972," Indianapolis Museum of Art, Indiana, 1972;
"Rhythms and Reverberations," M.H. de Young Memorial Mu-
seiom, San Frandsco, 1972; "Sacramento Sampler,"
E.B. Crocker Art Gallery, Sacramento, 1972; "Con-
temporary American Painting and Sculpture," Kran-
nert Art Museum, University of Illinois, Urbana,
1974; "Other Sources: An American Essay," San
Francisco Art Institute, 1976; "Painting and Sculp-
tire in California: The Modern Era," San Francisco
Museum of Modern Art (traveling exhibition), 1976 ;
"California Bay Area Art — Update," Huntsville Mu-
seum of Art, Alabama, 1977 ; "New in the Seventies,"
University of Texas, Austin, 1977; Traveling Exhibi-
tion, Art in Embassies Program, United States Depart-
ment of State, 1977. Public collections : The Oakland
Museum; Whitney Museum of American Art; E.B.
Crocker Art Gallery, Sacramento, Associate Professor
of Art, California State University, Sacramento. Re-
sides San Francisco, California.
153. Qirlos Villa; MY CAT PURRING, 1978; watercolor and feathers on paper, 12x17"
Location: 2-A25.
62
154. Manuel Vilkmor; Untitled Mural, 1974; mosaic, 96 x 240'! Location: 5-Courtyard {Mechanical Building)
Manuel
Born Belice, British Honduras, 1928. Studied: St. John's
College, Belice, B. A. , 1949 ; Cooper Union School of Art and
Architecture, New York, 1959. Selected awards: Fred Koch
Award, Marin Society of Artists, 1968; Purchase Award,
Annual San Francisco Arts Festival, 1972; Artist Exhibition
Award, Annual SanFrandsco Arts Festival, 1972 and 1975 ;
Foreign Exchange Exhibition Award (Guadalajara, Mexico),
1974. Selected one-person exhibitions : Califomia Palace of
the Legion of Honor, San Francisco, 1969; Maxwell Galler-
ies, SanFrandsco, 1970; Zara Gallery, San Francisco, 1974,
1975; University High School, San Francisco, 1978. Two-
person exhibitions : University of San Frandsco, 1971; Palo
Villamor
Alto Cultural Center, 1972; San Rafael Civic Art Gallery,
1976. Selected group exhibitions: De Saisset Gallery, Uni-
versity of Santa Clara, 1966; "Fiesta de la Raza Show," The
Oakland Museum, 1970; La Raza Show, Mills College, Oak-
land, 1970; "M.LX.: A Third World Painting/Sculpture
Exhibiton," San Francicso Museum of Art, 1974; 17
Chicano Painters, AT&T National Traveling Exhibition,
1976; "20 Bay Area Painters," Richmond Art Center,
1976; "The Fifth Sun: Traditional and Contemporary
Chicano Art," University Art Museum, Berkeley, 1977. Re-
sides San Francisco, California.
Susan Elizabeth
Willson
Born Los Angeles, California, 1941. Studied
photography with Ernest Braun; principally
self-taught in art. Awards: weekly first prize
in color photography, San Francisco Chron-
icle-Examiner photo contest, 1976. Reside;
San Francisco, California.
163. Susan Elizabeth Willson
BRAZILIAN MARKET, 1976
color photograph 8x 10"
Location : 2-Cafeteria
63
Charles Ware
Bom Santa Rosa, California, 1921. Studied: California School of
Fine Arts (now. San Francisco Art Institute), 1939-1942 ; and self-
taught. One-man exhibitions: Brigham Young University, Provo,
Utah, 1972 ; Concourse Gallery, Bank of America Center, San Fran-
cisco,' 1973; Will Stone Collection, San Francisco, 1978. Group
exhibitions: "Black and White Show," San Francisco Art Commis-
sion Gallery, "Capricorn Asunder," 1976; "5 xFive," Chabot Col-
lege, Hayward, 1978. Resides San Francisco, California.
158. Charles Ware; UNICORN, 1976; prisma color pencil anci charcoal
on board, 26V2 x I8V2 ',' Location: 2-Al
Stan Washburn
Born New York, 1943. Came to California in 1957. Studied: Cali-
fornia College of Arts & Crafts, Oakland, B.F.A., M.F.A. Awards:
Annual San Francisco Arts Festival (purchase award), 1972; Home
Savings and Loan Association, Los Angeles (purchase award). Annual
San Francisco Arts Festival, 1974. KQED-Channel9, KQED Auction
selected artists, one-half hoar special, 1975. One-man exhibitions:
Ames Gallery, Berkeley, 1974; Achenbach Foundation for Graphic
Arts, California Palace of the Legion of Honor, San Francisco, 1977;
Redding Museum and Art Center, California, 1977. Selected group
exhibitions: Annual San Francisco Arts Festival, 1972-1978. Selected
public collections: Art Institute of Chicago; Houghton Library Print
Collection, Harvard University, Massachusetts; Philadelphia Museum
of Art; Library of Congress, Washington, D.C.,; Museum d Fine Arts,
Boston; De Cordova and Dana Museum and Park, Lincoln, Massa-
chusetts; City and County of San Francisco; Richmond Art Center.
Resides Berkeley, California.
159. Washburn
FOREST SCENE, 1976
ink on paper, 25 x 17".
Location: Main Lobby
64
160. Marvin Wax; SALT FLATS #2, 1975; color photograph, 7x11".
Location: 2-Cafeteria.
Marvin Wax
Born New York City, 1923. Came to California in 1964. Studied:
Cooper Union School of Art and Architecture, New York, 1949.
One-man exhibitions : Gallery House, Palo Alto, 1970; Crown Zel-
lerbach World Headquarters, San Francisco (exhibition sponsored by
the California Historical Society), 1973 ; California Historical
Tony Williams
Born Rochester, New York, 1917. Came to California in 1955.
Studied: Art Center College of Design, Los Angeles. Awards in-
clude: Purchase Award, Annual San Francisco Arts Festival, 1966;
Best-in-Show, 40th Annual, Marin Society of Artists, 1967; Pur-
chase Award, Mississippi Art Association, 1968; Koch Memorial
Award, Marin Society of Artists, California, 1969; Purchase
Award, Home Savings and Loan Association, Los Angeles (through
San Francisco Annual Arts Festival), 1975. Two- man exhibition
(with Rick Strini), William Sawyer Gallery, San Francisco, 1969.
Selected group exhibitions include: Annual San Francisco Arts
Festival, 1968-1976; Sun Carnival, El Paso Museum of Art, Texas,
1968; "Frontal Images," State Historical Museum, Jackson, Mis-
sissippi, 1968; N.C.A. Annual, E.B. Crocker Art Gallery, Sacra-
mento, 1969 ; Chautauqua Exhibition of American Art, New York,
1969; Painting Annual, Richmond Art Center, 1969; 34th An-
nual, Butler Institute of American Art, Youngstown, Ohio, 1969;
Group Exhibition, Fine Arts Gallery of San Diego, 1970; Group
Exhibition, Linda Farris Gallery, Seattle, 1970; National Exhibi-
tion, Arkansas State University Art Gallery, Jonesboro; "Holiday
Festival," San Francisco Museum of Art, 1971 ; Art Faculty Ex-
hibit, College of Marin, Kentfield, 1974. Public collections: City
and County of San Francisco, Eastern Michigan University, Ypsi-
lanti; Mississippi Art Association, Jackson. Resides San Rafael,
California.
Society, San Marino, California, 1973; The Ninth Circle Gallery,
Palo Alto, 1974. Group exhibitions : Friends of Photography, Car-
mel, 1970; Annual Arts Competition, Palo Alto Cultural Center,
1973, 1975 (two purchase awards); California State Fair, Sacra-
mento (purchase award), 1976 ; Smith Andersen Gallery, Palo Alto,
1976; Oakes Gallery, The Oakland Museum, 1977. Permanent
collection: The Oakland Museum. Resides Palo Alto, California.
162. Tony Williams; VIBRANT 1*6* 1975; acrylic on canvas, 30x30".
65
Gerald Walburg
Born Berkeley, California, 1936. Studied: California College of Arts
and Crafts, Oakland, 1954-1956; San Francisco State University,
B.A., 1965; University of California, Davis, M.F.A., 1967.
Awards: Phelan Award, 1967; First Place (sculpture), California
State Fair, Sacramento, 1977. Selected one-man exhibitions: San
Francisco Museum of Art, 1967, 1969 ; E. B. Crocker Art Gallery,
Saaamento, 1968, 1973; Royal Marks Gallery, New York, 1969;
Reese Palley Gallery, San Francisco, 1971 ; Diablo Valley College,
Pleasant Hill, 1975; Charles Campbell Gallery, San Francisco,
1976; The Oakland Museum (traveling exhibition), 1978; Smith-
Andersen Gallery, Palo Alto, 1978. Two-man exhibition: Reese
Palley Gallery, San Francisco (with Ed Higgins), 1969. Selected
group exhibitions: "New Ceramic Forms," Museum of Contempo-
rary Crafts, New York, 1965; Ceramic National, Everson Museum
of Art, Syracuse, New York, 1966, 1968; "Expo 70," Osaka,
Japan, 1970; "Looking West 1970," Joslyn Art Museum, Omaha,
1970; "Sacramento Sampler," E.B. Crocker Art Gallery, Sacra-
mento (traveling exhibition), 1972; International Invitational
Large- Scale Sculpture Show, Storm King Art Center, Mountain-
ville, New York, 1973; "Public Sculpture/Urban Environment,"
The Oakland Museum, 1974; Sculpture Competition, The Society
of die Four Arts, Palm Beach, Florida (traveling exhibition), 1974;
"Works on Paper," Charles Campbell Gallery, San Francisco, 1975 ;
"Copper, Brass and Bronze Competition," University of Arizona,
Tucson, 1977; "Sculpture," Artist Contemporary GaUery, Sacra-
mento, 1978. Public commissions: INDO ARCH, 40' highcorten
steel sculpture. City of Sacramento. Public collections: San Fran-
cisco Museum of Modern Art; Storm King Art Center, Mountain-
ville. New York; The Oakland Museum; City and County of San
Francisco; Homart Development Company, Brea Mall, Brea, Cali-
fornia. Resides Sacramento, California. Associate Professor of Art,
California State University at Sacramento, 1968 to date.
157. Gerald Walburg; LOOP IV, 1974; corten steel, 120 x 300 x 96 '.'
Location: Landscaped area offPotrero Avenue.
Kim Kieu Vuong
Born Viet Nam. Came to California in 1975. Selected exhibitions-
Hop Kok Fair, San Francisco ; Annual San Francisco Arts Festival, 1 56, Kim Kieu Vuong
l;75, 1976 ; Chmese Community Art Exhibition, Chinese Cultural CHERRY BLOSSOM* 1976
Center, San Francisco, 1975 ; Chinatown Association Art Exhibi- chmest ink
tion. Artists Embassy, San Francisco, 1976. Resides San Francisco
California. ' {No photograph available)
66
]ohn Winkler
Bom Vienna, Austria, 1894. Came to California in 1910.
Studied: San Francisco Art Institute. Awards: N.A., National
Academy of Design, New York; Honorary Member, California
Society of Printmakers ; Member, Society of American Graphic
Artists; Logan Prize Winner. Selected one-man exhibitions:
John S. Bradstreet & Co., Minneapolis, 1921 ; Frederick Keppel
& Co., New York, 1923; Galerie Marcel Guiot & Cie., Paris,
1924; M.H. de Young Memorial Museum, San Francisco,
1951; Press Center, Seoul, Korea, 1966; Triton Museum of
Art, Santa Clara, 1971; Van Straaten Gallery, Chicago, 1972;
Marci Thomas Gallery, San Francisco, 1971, 1974; Richmond
Art Center, 1974; Walton Galleries, San Francisco, 1974;
Achenbach Foundation for Graphic Arts, California Palace of the
Legion of Honor, San Francisco, 1974; June I Gallery, Wash-
ington, D.C., 1975 ; Concourse Gallery, Bank of America Cen-
ter, San Francisco, 1976. Selected public collections: Achenbach
Foundation for Graphic Arts, California Palace of the Legion of
Honor, San Francisco; Art Institute of Chicago; BibHotheque
Nationale, Paris; Boston Public Library; Library of Congress,
Washington, D.C. ; Metropolitan Museum of Art, New York;
National Museum, Israel ; The Oakland Museum ; San Francisco
Museum of Modern Art; Smithsonian Institution; Victoria and
Albert Museum, London; Zorn Museum, Sweden; Bancroft
Library, University of CaHfornia, Berkeley. Resides ElCerrito,
California.
164. ]ohn Winkler
GULLS FEEDING, 1972
etching (ed. 20) 1 9Vi x I3V2"
Location: 1-and throughout Medical Center
William Wolff
Born San Francisco, Cali-
fornia, 1922. Studied:
California School of Fine
Arts (now San Francisco
Art Institute) ; University of
California, Berkeley, B.A.,
M.A. ; San Francisco Art
Institute. Awards: Purchase
Award, Annual San Fran-
cisco Arts Festival, 1976.
One-man exhibitions: John
Bolles Gallery, San Fran-
cisco, 1972; Marquoit
Galleries, San Francisco,
1972, 1975; Printmakers
Gallery, San Francisco,
1974; Lobby, Berkeley
Stage Company, Berkeley,
1976. Group exhibitions :
San Francisco Annual Arts
Festival, 1976; Marina
View Gallery, Fort Mason,
San Francisco, 1977. Public
collections : The Oakland
Museum ; City and County
of San Francisco. Resides
San Francisco, California.
165. William Wolff; SOUTH BAY, 1974; woodcut (ed. 20), 24Vix 33'
Location: 1-and throughout Medical Center
67
Louvina Wong
Bom Kwangtung, China, 1949. Came to California in 1970.
Studied: University of Nevada, Reno; San Francisco Art Insti-
tute. One- woman exhibition: California Gallery, San Francisco,
1976. Group exhibitions include: "M.I.X. Graphics 11: Draw-
ings," San francisco Museum of Art, 1974; "Surface and
Image," Walnut Creek Civic Arts Gallery, 1976; Annual San
Francisco Arts Festival, 1976; "Painting and Sculpture Exhibi-
tion," San Francisco Art Commission Gallery, "Capricorn
Asunder," 1977; "Works by Women on Paper," Woman's
Building! Los Angeles, 1977. Resides San Francisco, California.
166. Louvina Wong; DRAWING I, 1976; charcoal on paper, I4V2X 19^*". Location: 2- A Hallway.
Rene Yanez
Born Mexico, 1942. Came to California in 1954. Studied: San
Francisco Art Institute, 1970; Golden Gate College (Arts Ad-
ministration), 1974. Selected group exhibitions: Galeria de la
Raza, San Francisco, 1970-1976; The Oakland Museum, 1971;
San Francisco Museum of Art, 1972; "Chicano Art," Cal-
ifornia State Capitol, Sacramento, 1975; "Other Sources:
An American Essay," San Francisco Art Institute, 1976;
"CETA Show," San Francisco Art Commission Gallery, "Capri-
corn Asunder," 1976 ; Christmas Art Show, San Francisco Mu-
seum of Modern Art, 1977; "The Fifth Sun: Traditional and
Contemporary Chicano Art," University Art Museum, Berke-
ley, 1977; "Dimensions in Color," Intersection, San Francisco,
1978; "Pachuco Art," Galeria de la Raza, San Francisco and
Eastlos Gallery, Los Angeles, 1978; Color Xerox Exhibition,
Belgium, 1978. Public collection: The Oakland Museum. Re-
sides San Francisco, California. Director, Galeria de la Raza/
Studio 24, San Francisco, 1972 to date.
167. Rene Yanez
BILLBOARD PROJECT * , 1976
nine color xerox
11 X 14"
(No photograph available)
68
Children 's Artwork
69
The Collection
Dimensions are in inches. In general, they do not include frame or mat and height precedes width precedes depth.
Numbers indicate catalogue number.
The first number following the location of each work indicates the floor number in the Medical Center. Works missing
from the Collection are indicated by an asterisk (*).
1 . Gloria Cozzo Adams 13. Pauline Blanc 25. Rolando Castellon
THE CITY 1976 CHINATOWN 1976 SACRIFICIAL STONE*
acrylic and ink 30 X 36" watercolor 14"/2 x 22" charcoal and acrylic on masonite 17x23"
Location: 2-Conference Room I Location: 2- A Hallway
26. Rolando Castellon
2. Sister Adele 14. Todor Bodurov WINDOWSCAPE 1976
TRANSPARENT WALL* 1976 THE FOREST 11* acrylic on paper 17x223/4"
color photomontage 21x17" watercolor 30x40" Location: 2-A Hallway
3. Sister Adele
INTRIGUE 1973
color photomontage 15^/4 x 19"
Location: 2-Cafeteria
15. David Bradford
UNTITLED 1978
charcoal on paper 22 x 19'
Location: 2-A19
27. Philip Chan
DANCING 1957
black and white photograph 1 3'/2 x 10'/2'
Location: 2-Cafeteria
4. Sister Adele
VORTEX 1976
color photomontage 26x39V2"
Location: 2-Cafeteria
5. Sister Adele
FILIGREE 1976
color photomontage 14V2 x 19^/4"
Location: 2-Cafeteria
6. William Aiken
MILTON ST. 1977
acrylic on canvas 48 x 48 "
Location: 2-Al
7. John Almond
HOUSE AND TANK 1976
watercolor 26^2 x 18^2"
Location: Main Lobby
8. Lawrence Andrews
OLD WOMAN 1976
black and white photograph Y)V^ x IAV2"
Location: 2-Cafeteria
9. Ruth Asawa
UNTITLED TIED
WIRE SCULPTURE 1965
copper and bronze 32 x 30 x 10"
Location: 1 -Emergency Waiting Room
10. Dennis Beall
ARS MEDICUS 1974
etching and silkscreen (ed. 20) 22-1/8 x 22"
Location: l and throughout Medical Center
1 1 . Bruce Beasley
UNTITLED 1978
cast acrylic 50 x 100 x 36"
Location : Fountain Centerpiece in front of
Main Entrance
12. Cleveland Bellow
THE CONTINUATION OF A CULTURE
IS REFLECTED IN ITS ARTS 1974
color etching (ed. 20) 24 x 20"
Location: 1-and throughout Medical Center
16. Frederick Brayman
LOOSENDER'S LOST SUMMER
WEEKENDS 1976
oil 58x1141/2"
Location : Out Patient Lobby
17. Don Brodeur
PATIENT CARE TEAM 1977
oil on canvas 60 x 80"
Location : Main Lobby
18. Joan Brown
NUDE IN STUDIO 1975
acrylic on paper 36 x 24"
Location: 2-A7
19. Kathan Brown
DOG RUNNING 1972
color etching (ed. 20) 24^/4x34"
Location: 1-and throughout Medical Center
20. Selma Brown
CHILDREN'S MURAL (left side) 1977
acrylic on wood 51 x 126"
Location: 6-M66
21. Beniamino Bufano
MADONNA (cover photo)
red granite and mosaic 104x30x23"
(set on concrete pedestal 36" high)
Location: Facing 22nd Street Approach
to Medical Center
22. Francisco Xavier Camplis
AMORENA AMORINDIA 1976
color photograph 1 3 V2 x 1 9 V2 "
Location: 2-Cafeteria
23. Arthur Carraway
LANGUAGE SERIES XIV 1974
gouache and conte on paper 26^/2 x 20' '
Location: 2- Administration
24. Arthur Carraway
LANGUAGE SERIES X 1973
gouache and conte on paper 26^/2 x 18 V2"
Location : 2-Administration
28. Richard Allen Clarke
LA SENORA VIEJA 1977
acrylic 30x30"
Location: 6-Jl
29. Frederick Comendant
LINEMAN 1976
black and white photograph 14 x 11"
Location: 2-Chapel Hallway
30. Gerald Concha
Roof Mural 1974
mosaic 300x 120"
Location: 3-Courtyard (Mechanical Building)
31. Gordon Cook
JAR OF FLOWERS 1973
etching (ed. 20) 25'/2 x 181/4"
Location : 1 -and throughout Medical Center
32. Oscar de Leon
LA VIRGEN DE LOS LAGOS 1977
ink drawing 1 1 1/2 x 1 5 1/2 "
Location: 2-A7
33. Angel del Valle
SEMBRADORES 1 1974
black and white photograph 16x20"
Location: 2-Cafeteria
34. Angel del Valle
SEMBRADORES II 1974
black and white photograph 15'/2 x 19'/2"
Location: 2-Cafeteria
35. Eleanor Dickinson
NEHEMIAH 1975
pen and ink on paper 20 x 30"
Location: 7-B
36. James Dong
UNTITLED 1974
silkscreen (ed. 20) 20-1/8x26-1/8"
Location : 1 -and throughout Medical Center
37. Yasuhiro Esaki
LEAF DRAWING #4
prismacolor pencil on paper 22 x 30"
Location: 7-A
38. Melvyn Ettrick
TRANSPORT 1976
ink and watercolor on paper 1 3 V4 x 1 8 V2 "
Location: 7-B
48. Mary Fuller
DOS LIONES 1974
cast stone aggregate 72 x 72' '
Location: 3-Courtyard between A & C
49. Gale Fulton-Ross
MY BASKET 1978
charcoal and color pencil
on paper 1 7 x 1 1 y2 "
Location: 7-B
50. Aparicio Gil
CANDLE SHOP 1976
black and white photograph I2V2 x 18^/4' '
Location: 2 -Cafeteria
5 1 . James Gorman
KID'S SKATE 1974
serigraph (ed. 20) 26 x 40"
Location: 1-and throughout Medical Center
52. Maria Goya
WINTER IN THE BRIAR WOODS 1976
watercolor 21 x 29"
Location: 2-A5
61. WallyHedrick
EARLY DUTCH FLAT 1976
oil 651/2 x65y2"
Location: 2-Hallway between Cafeteria
and Administration
62. Carol Heineman
LITTLE ORPHAN ANNIE ASTRIDE
THE WORLD 1974
etching (ed. 20) 281/2x203/4"
Location: l and throughout Medical Center
64. Ivars Hirss
OPPOSITES 1974
color etching (ed. 20) 32 x 22-1/8"
Location: l and throughout Medical Center
65. Sam Horn
NORTH BEACH CHINATOWN 1974
etching (ed. 20) 22^/4 x 30"
Location: 1-and throughout Medical Center
66. Blanche Phillips Howard
FRAGMENTATION 1976
bronze repousse 41 x 106"
Location : Out Patient Lobby
67. John Langley Howard
IN THE BEGINNING
(part of triptych) 1976
tempera 23 x20'/2"
Location: 2-A31
68. John Langley Howard
RAPE OF THE LAND
(part of triptych) 1976
tempera 26 x 4 1 "
Location: 2-A31
69. John Langley Howard
BACK TO NATURE
(part of triptych) 1976
tempera 23 x 20'/2"
Location: 2-A31
70. Sandria Ann Hu
ECOLOGICAL MIRAGE 1974
color Hthograph (ed. 20) 30-1/8 x 22^/2"
Location: l and throughout Medical Center
71. Margo Humphrey
BORN AGAIN 1974
color lithograph (ed. 20) 16-1/8 x 221/4"
Location: 1-and throughout Medical Center
72. Jean Hyson
HUBRIS 1976
acrylic 23-7/8x19-7/8"
Location : Main Lobby
73. John Ihle
DEJEUNER AU BORD DE LA MER 197
color photo etching (ed. 20) 28 x IIW
Location: l and throughout Medical Center
74. Beverly Jaeger
HERMAN 1976
oil 18'/2x32"
Location: 2-Bl
75. Randy James
UNTITLED 1976
photogram 151/4x191/4"
Location: 2-A Hallway
76. Bill Jefferson
CASTRO STREET SCENE 1976
ink on illustration board 20 x 26"
Location: 7-A Group Room
63. Hisako Hibi
AUTUMNAL 1976
oil 32 x 37"
Location: 1-C32
39. Melvyn Ettrick
NUBIAN SUITE #3 1976
acrylic and watercolor on paper 301/4 x 22i/2
Location: 7-B
40. Charles Griffin Farr
ROCKS AND STREAM* 1972
oil 30x40"
41. Alan Che Mah Fong
WATER VILLAGE* 1976
watercolor 25 x 21 1/2"
42. Howard Reed Foote
REN A 1974
etching (ed. 20) 27 x 35"
Location: 1-and throughout Medical Center
43. Patricia Tobacco Forrester
MONTEREY PINE, LATE
AFTERNOON 1976
oil 36x481/4"
Location : 2-A 1 1
53. Richard Graf
GENTLE UNICORN 1974
" color lithograph (ed. 20) 21 x 30-1/8' '
Location: l and throughout Medical Center
54. Stanley Greene
UNTITLED (WOMAN IN A
WHEELCHAIR) 1976
black and white photograph I31/4 x I71/4"
Location : Main Lobby
55. Stanley Greene
UNTITLED (POSTAL LADY)
black and white photograph I31/4 x I71/4"
Location : Main Lobby
56. Patrick Hansen
THE OLD RIVER SHACK*
photograph 16x20"
1976
44. WiUiam Frej
INCA TRAIL* 1976
photograph 16x18"
45. William Frej
LAKE TITICACA* 1976
photograph 16x18"
46. Gustl French
EASTSIDE STORY 1974
color etching (ed. 20) 22i/4 x 19' '
Location: l and throughout Medical Center
47. Sekio Fuapopo
MY DELIGHT 1977
oil pastel on paper 24x30"
Location: 7-A
57. Theresa Harned
TREES: GREAT HIGHWAY 1976
ink and watercolor IO1/4 x 71/2"
Location: 5-G8
58. Rob Harper
TRIPTYCH: CHARLES "SPEED"
HOLMAN SERIES 1975
acrylic 46x46"
Location : Out Patient Lobby
59. Walt Hartlage
DOG IN NEWSTAND 1976
black and white photograph 8x8"
Location: 2 -Cafeteria
60. Sachi Tsutsumi Hay ward
LAKE 1974
color etching (ed. 20) 30 x 24"
Location: 1-and throughout Medical Center
77. Marie Johnson
SAN FRANCISCO FAMILY CIRCLE 197^
bas-relief, wood construction and
mixed media bas relief 72 x 72' '
Location : Main Lobby
78. Karl Kasten
LUCKY WAY 1974
coUograph (ed. 20) 22i/4x30"
Location: l and throughout Medical Center
79. David Kessler
REFLECTED OBSERVER 1975
color pencil 38 x 25 "
Location : Main Lobby
80. Robert Kingsbury
PHOENLX 1969
laminated redwood 94 x 36"
Location: 2 -Cafeteria
81. Dale Kistemaker
THE CONSERVATORY 1975
black and white photograph AV2 x 18"
Location: 2-A5
82. Dale Kistemaker
DUNES— DEATH VALLEY 1976
black and white photograph 4^2x18"
Location: 1-X57
83. Toby Judith Klayman
SANJI 1972
serigraph a/p 36 x 36"
Location: 2-Hallway between Cafeteria
and Administration
84. Toby Judith Klayman
DREAM HOUSE 1972
serigraph 37/70 24x39"
Location : 2-Hallway between Cafeteria
and Administration
85. Toby Judith Klayman
CHARLIE 1972
serigraph 32/113 I81/2 x I81/2
Location: 2- A Hallway
86. Toby Judith Klayman
FISH AND FLOWER 1972
serigraph 42/78 25x29"
Location: 2- A Hallway
87. Freda Koblick
Acrylic Screen 1977
96x96x2"
Location : Out Patient Lobby
88. Lawrence Compton Kolawole
PARIS YELLOW 1974
serigraph 10/14 32 x 24"
Location: 2-Hallway between Cafeteria
and Administration
89. Lawrence Compton Kolawole
BLUE'S DREAM 1974
serigraph 17/17 32x24"
Location : 2-A Hallway
90. Ray Lauzzana
) THE LAST OF THE UNREALISTS 1974
color etching on plexiglass (ed. 20) 21 x 27"
Location: 1-and throughout Medical Center
91. Ray Lauzzana
KEEP ON COIN' (SALINAS, CA.) 1976
oil on canvas 48 x 48"
Location: Out Patient Lobby
92. James Thomas Lawrence
BRAIDING RITUAL 1977
prismacolor, pencil, wash 20 x 15"
Location: 2-A15
93. Elisa Leptich
HIGH SIERRA SUNSET 1976
oil on canvas 42 x 48 "
Location : 2-Conference Room I
94. Carlos Loarca
Untitled Mural 1974
mosaic 96x240"
Location: 3 -Courtyard (Mechanical Building)
95. Carlos Loarca
Connecting Mural Bands 1977
mosaic 32 x 144" (each)
Location: 3 -Courtyard (Mechanical Building)
96. Carlos Loarca
FLOWERING SHAPE TO COLOR 1978
acrylic on paper 30 x 22"
Location: 7-A
97. Donald Longanecker
CREW CHANGE
black and white photograph 20 x 24' '
Location : 2-Chapel Hallway
98. Donald Longanecker
MOWER 1959
black and white photograph 14x11"
Location: 2-Chapel Hallway
99. Donald Longanecker
HIGH UP 1975
black and white photograph 16x20"
Location : 2-Chapel Hallway
100. Ralph Maradiaga
EL SOL NUNCA MUERE 1973
color serigraph 27/75 24 x 21^2"
Location : 2-Hallway between Cafeteria
and Administration
101. Masachi Matsumoto
THREE DOORS 1978
acrylic on board 12 x 20"
Location: 7-B
102. Robert McManus
INTERNATIONAL TRADEMARK 1976
watercolor 22 x 30"
Location: G-Q3
103. AlexMcMath
BUCOLIC FUGHT #2
pen and ink 30 x 22 V2
Location: 7-B
104. John Douglas Mercer
UNTITLED 1 1976
black and white photograph 10x12"
Location: 2 -Cafeteria
105. John Douglas Mercer
UNTITLED n 1976
black and white photograph 10 x 12"
Location: 2-Cafeteria
106. Mansaku Minashima
UNTITLED III 1976
oil 46x46"
Location: 1 -Emergency Entrance
107. Arthur Monroe
ANCESTRAL COIN 1970
ink and paper on board 48 x 48"
Location: Building 1, Room 148D
108. Robert Moon
LOCHNESS 1974
lithograph (ed. 20) 22y4 x 30"
Location: 1-and throughout Medical Center
109. David Moore
WILD MUSTANG IN THE
GRAND CANYON 1974
color lithograph (ed. 20) 22'/4 x 16"
Location: 1-and throughout Medical Center
110. Victor Moscoso
METAMORPHOSIS 1974
hand colored lithograph (ed. 20) 30 x 22"
Location: 1-and throughout Medical Center
111. Luis Alonso Munoz
REPOSE 1976
wood carving 24 x 3 5 "
Location: 2-Al
112. Junko Nakamura
COMBING WOMAN 1976
oil 37x34"
Location: 2 -Conference Room I
113. Kenjilo Nanao
DAY PLANT 1974
color lithograph (ed. 20) 20y2 x 26"
Location: l and throughout Medical Center
114. Eileen Frances Nelson
SICKLE CELL ANEMIA 1975
mixed media 48 x 48 "
Location: 2-A6
115. Ruby Newman
CHILDREN'S MURAL (right side) 1977
acrylic on wood 51 x 126"
Location: 6-M66
116. Arthur Okamura
TURTLE 1976
sand, enamel, prismacolor 19'/2 x 25"
Location: 2-AlO
117. Tomiko Okamura
WINTER LANDSCAPE 1976
watercolor 22 x32"
Location: 2-B7
118. Hajime Okubo
VIVA CALIFORNIA (LANDSCAPE) 1976
oil 27 x32y4"
Location: 1-N15
119. Hajime Okubo
KEFS BAPTISM 1978
watercolor on paper 14x21"
Location: 7-B
120. Emmy Lou Packard
MORNING IN THE VALLEY 1974
linoleum cut (ed. 20) 26 x 4IV2"
Location: 1-and throughout Medical Center
121. Leroy Wheeler Parker
LANDSCAPE (COLOR
CELEBRATION) 1977
watercolor on paper 30x22"
Location: 7- A Group Room
122. Gary Paterson
OAKLAND STROKE 1975
acrylic 34x40"
Location: 2 -Conference Room III
123. Robbie Plays
POWER SHIELD 1978
pencil drawing 9x8"
Location: 2 -Conference Room II
124. Robbie Plays
ELKTOOTH 1978
charcoal on paper 24 x 14"
Location: 7- A
125. George Post
ALBION 1976
watercolor 17V2 x 23V2"
Location: 2-A5
126. Gilbert Precivale
UNTITLED*
acrylic and ink on plexiglass 24 x 30"
127. Raimondo Puccinelli
AMERICAN BISON-BUFFALO 1974
porterville diorite 32 x 24 x 12"
Location: 2 -Cafeteria Patio
128. Elizabeth Quandt
TEA IN THE GARDEN 1974
etching (ed. 20) 22V2 x 15"
Location: 1-and throughout Medical Center
129. Eleanor Rappe
RAINBOW TOWER 1974
color etching (ed. 20) 29-7/8 x 22'/4"
Location: 1-and throughout Medical Center
130. Barbara Rees
BLUE MOUNTAIN 1976
mixed media 48'/2 x 39"
Location: 2-Conference Room III
131
132.
133
134.
135.
Fred Reichman
MOUNTAIN IRIS AT TIOGA
JUNCTION 1976
oil 471/4x343/4"
Location : 2-Conference Room I
James Edward Reid
MOOD OF A BASS PLAYER 1976
conte on illustration board 24 x 18"
Location: 2-A19
Harry Richardson
THE GREAT BLUE HERON 1974
stainless steel with cast stone 90 x 48 x 18"
Location : 4-Terrace between A & C
148,
Michael Rios
Untitled Mural 1974
mosaic 96 x 240"
Location: 3 Courtyard (Mechanical Building)
149
Peter Rodriguez
APRIL PLACE m 1976
oil on canvas 40 x 42"
Location: 2-Conference Room III
136.
Takami Sakurai
KA03* 1976
oil 24 X 30" (approx.)
137. Takami Sakurai
HADAKA NO ON NA 1976
oil 46'/4x36'/4"
Location : 2-Conference Room III
138. Dean Santner
ROCKING SERPENT 1976
laminated wood 28 x 41 x 16"
Location: 6-A Day Room
139. Jacques Schnier
DANCE OF THE CUBES 1975
polychrome fiberglass 150 x 63 x 54'
Location: 2 -Cafeteria Patio
140. Stephanie Ingram Scott
SUMMER FLOWERS 1974
etching (ed. 20) 27'/4x22"
Location: 1-and throughout Medical Center
141. Raymond Sells
TERRESTRIAL FLOWER 1976
laminated wood 60" diam. x 28"
Location : Main Lobby
142. Louis Siegriest
DISTANT PEAKS 1976
mixed media 3 5 '/4 x 48 "
Location: 2- A 11
143. Louis Siegriest
DESERT WASH 1976
mixed media 48 x 48"
Location: 2-A6
145. James Bruce Southard
WASH DAY 1974
etching (ed. 20) 28^/4 x 22^/4"
Location: 1-and throughout Medical Center
146. Calvin Tondre
LOSMESES 1976
India ink on paper 1 5 V4 x 1 1 "
Location: 7-B
147. Paul Tracy
BUFANO c. 1968
black and white photograph 14x11"
Location: 2-Chapel Hallway
Paul Tracy
SHRIMP COOKER 1968
black and white photograph 11 x 14"
Location: 2-Chapel Hallway
Paul Tracy
WATCH MAKER 1976
black and white photograph 11 x 14"
Location: 2-Chapel Hallway
150. Kazuhiro Tsuruta
SACRAMENTO DELTA 1976
black and white photograph 8 x 12"
Location: 2-Cafeteria
151. Kazuhiro Tsuruta
VADA'S MOTEL SIGN:
EVERY CONVENIENCE 1976
black and white photograph 8x12"
Location: 2-Cafeteria
152. Beth Van Hoesen
CALISTOGA PETRIFIED TREE 1974
color etching (ed. 20) 26 x 22'/4"
Location: l and throughout Medical Center
153.
154.
155.
156.
Carlos Villa
MY CAT PURRING 1978
watercolor and feathers on paper
Location: 2-A25
12x 17"
Manuel Villamor
Untitled Mural 1974
mosaic 96 x 240"
Location: 3-Courtyard (Mechanical Building
Manuel Villamor
MAYAN THEMES
oil 52x48"
Location: 2-A6
1976
Kim Kieu Vuong
CHERRY BLOSSOM* 1976
Chinese ink 1 3 V2 x 27 "
157. Gerald Walburg
LOOP IV 1974
corten steel 120 x 300 x 96"
Location : Landscaped area off Potrero Avem
144. Angelo Sottosanti
WOMAN OF OAXACA'
gouache 30 x 241/2"
1940
158. Charles Ware
UNICORN 1976
prismacolor pencil and charcoal on
board 26^/2 x I81/2"
Location: 2-Al
159. Stan Washburn
FOREST SCENE 1976
ink on paper 25 x 17"
Location : Main Lobby
160. Marvin Wax
SALT FLATS #2 1975
color photograph 7x11"
Location: 2-Cafeteria
161. Marvin Wax
SALT FLATS #1 1975
color photograph 7x11"
Location: 2-Cafeteria
162. Tony Williams
^/IBRANT#6* 1975
acrylic on canvas 30 x 30'
163. Susan Elizabeth WiUson
BRAZIUAN MARKET 1976
color photograph 8 x 10"
Location: 2-Cafeteria
164. John Winkler
GULLS FEEDING 1972
etching (ed. 20) 19'/4 x I5V2"
Location: 1-and throughout Medical Center
165. William Wolff
SOUTH BAY 1974
woodcut (ed. 20) 241/2 x 33 "
Location: 1-and throughout Medical Center
166. Louvina Wong
DRAWING I 1976
charcoal on paper 14V2 x 19^/4"
Location : 2-A Hallway
167. Rene Yanez
BILLBOARD PROJECT* 1976
nine color xerox 11 x 14"
168. Haight Ashbury Children's Center
12 Poster Color Paintings
Location: 4-E Burn Unit, 6- A Hallway,
M Hallway, G3
169. Iraya Robles, 4 years old
Crayon Drawing
Location: 6-M Hallway
Exp/anattom
The former San Francisco Museum of Art is now the San Francisco Museum of Mod-
ern Art.
The former Oakland Art Gallery /Oakland Art Museum is now The Oakland Museum.
A group of eight reproductions of historical Chinese bronze sculptures, located in the
third floor courtyard, fourth floor terrace and seventh floor patio are also included in the
Medical Center collection, but are not part of the Art Enrichment Program.
Printing : Diego's Printing Company, San Francisco
Ackno wledgments
special acknowledgment is due to the following people, whose assistance and dedicated expenise
have contributed to the realization of this Collection :
The special Accessions Committee: Thomas Albright, Art Critic, San Francisco Chronicle;
Alexander Fried, former Art Critic, San Francisco Examiner; Hector Gonzales, Photographer;
Victor Honig, Collector; Henry Hopkins, Director, San Francisco Museum of Modern Art;
Victor Torres, Architect/ Associate Director, Stone, Marraccini & Patterson; Dr. Hibbard Wil-
liams, former Chief, Medical Services, San Francisco General Hospital Medical Center; Claire
Wray, UCSF News Services Representative /Public Relations Consultant, San Francisco General
Hospital Medical Center.
Former members of the Art Commission's Visual Arts Committee : Ruth Asawa, Anita Martinez
and Antonio Sotomayor.
Current members of the Visual Arts Committee : Evangeline J. Montgomery, Chairperson ;
Alfred Frankenstein and Patricia Ann Carlisle.
The following members of the San Francisco General Hospital Medical Center staff : Dr. Walter
Coulson, Associate Dean and Medical Director; Gregory Price, former Special Assistant to the
Executive Administrator; Charles Windsor, Executive Administrator.
Officers of the City and County of San Francisco : Dr. Francis J. Curry, former Director of Public
Health; Joseph Gavin, Purchaser; Thomas J. Mellon, former Chief Administrative Officer;
Joseph Mignola, Assistant Director of Public Health.
Carlos Loarca, Mosaicist and Assistant Preparator for the Collection ; Robert Jarvis, Mosaic Setter.
Members of the Art Commission staff: Joan Ellison, Assistant Director; Maggie Parente,
Office Manager.
Particular recognition accorded to Lamar Leland, Registrar, for her biographical research and
assistance with many details of the catalogue layout ;
David Ng, Conservator, for his technical expertise and the installation of the Collection ;
Philip Chan, F.R.P.S., for the majority of photographis included in this catalogue.
Elio Benvenuto
Visual Arts Programs Director,
Technical Director for the Collection
The Human Communication . . .
and Conclusion
One of the most rewarding aspects of the 2% Ordinance governing the Art Enrichment
Program is the total visual result when gathered within a building of a specific nature, such as
the new Medical Center.
The quality factor is instrumental in indicating the historical and aesthetic pulse of a region,
in this instance, the greater Bay Area, In the past ten years, several San Francisco buildings have
fulfilled the dreams of a few enlightened bureaucrats whose humanistic leanings were not lost
in the "shuffling of paper." The result has been rewarding to untold numbers of visitors and City
workers alike, dealing with the daily official business of the City and its environs.
The mores of a society are as variable as the complexity of the economic structures and laws
governing the same "people." There have been times of aesthetic scarcity and times of a profusion
of gifted "happenings," such as the present era. When all is taken into consideration in the rainbow
of the last century, San Francisco has been since its inception a very rich and generous art conscious
locale, supported by a large and appreciative citizenry.
Various personalities in the art field have given of their talent and expertise in selecting the
works of art, and the staff of various City agencies have contributed love-labor towards this en-
deavor. In carrying out its mandate, the Art Commission is particularly grateful to all the artists,
whose genius is " forever" impressed on the walls and open spaces of this special Citadel.
It is to all the above-mentioned that I direct the sense of my esteem and appreciation for the
enjoyable task of presenting this Collection.
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